Chapter 28
They’re eating breakfast when Holly feels the thread-tug of something gone wrong, deep in the weave of the school. Too many footsteps tumbling too fast, down a corridor; nun-voices too shrill outside the window, snapping to hushed too suddenly.
No one else notices. Selena is ignoring her muesli and twisting at a loose pyjama button, Julia is eating cornflakes with one hand and doing her English homework with the other. Becca is gazing at her toast like it’s turned into the Virgin Mary, or maybe like she’s trying to lift it off the plate without touching it, which would be a hugely stupid idea but Holly doesn’t have time to worry about it right now. She nibbles her toast in circles, and keeps one eye on the window and the other on the door.
Her toast is down to thumb-sized when she sees the two uniformed cops, hurrying down the edge of the back lawn, trying for out of sight but getting it just wrong.
Someone says at another table, wide awake all of a sudden, ‘OhmyGod! Were those policemen?’ A suck of breath sweeping across the canteen, and then every voice rising at once.
That’s when Matron comes in and tells them breakfast is over, and to go up to their rooms and get ready for school. Some people complain automatically, even if they’ve already finished their breakfast, but Holly can tell from Matron’s face – slanted towards the window, no time to hear whinge – that they’re on a loser. Whatever’s happening isn’t small.
While they get dressed Holly watches the window. One movement and she’s there, face to the glass: McKenna and Father Voldemort, in a smoke-whirl of black robe, heading down the grass at charge speed.
Whatever’s happened, it’s happened to a Colm’s boy.
Something blue-white zips along Holly’s bones. The face on Joanne as she held out that screen, tongue-tip curling, wet-fanged at the delicious thought of doing damage. The way she licked up the shock Holly couldn’t help showing, every drop. Joanne would do bad stuff, stuff that comes from places most people would never know how to imagine.
Don’t worry. We’ll get him.
Holly knows how to imagine the places where bad stuff begins. She’s had practice.
‘What the fuck?’ says Julia, craning against her shoulder. ‘There’s people in the bushes, look.’
Off in the haze of layered greens beyond the grass, a flick of white. Like Technical Bureau boiler suits.
‘They look like they’re looking for something,’ Selena says, leaning in at Holly’s other side. Her voice has that floppy, hard-work sound it’s had for the last couple of weeks; it gives Holly the plunk of guilt she’s starting to get used to. ‘Are they police too? Or what?’
Other people have noticed: excited jabber is filtering through the walls, feet go thumping down the corridor. ‘Maybe some guy was running away from the cops and he threw something over the wall,’ Julia says. ‘Drugs. Or a knife he used to stab someone, or a gun. If only we’d been out last night. Now that would’ve made life more interesting.’
They don’t feel it, what’s prickling at Holly’s scalp. The tug in the air has hooked them – Lenie is buttoning her shirt too fast, Jules is bouncing on her toes as she leans against the window – but they don’t understand what it means: bad things.
Trust your instincts, Dad always says. If something feels dodgy to you, if someone feels dodgy, you go with dodgy. Don’t give the benefit of the doubt because you want to be a nice person, don’t wait and see in case you look stupid. Safe comes first. Second could be too late.
All the school feels crammed with dodgy, like cicada noises zizzing through a hot green afternoon, so shrill and many that you’ve got no chance of picking out any single one and seeing it straight. Joanne would go a long long way to get Selena in bad trouble.
I don’t get pissed off with people like her. I get rid of them.
The bell for school goes. ‘Come on,’ Becca says. She hasn’t come to the window; she’s been plaiting her hair in a calm methodical rhythm, like there’s a pearly bubble of cool air between her and that fizz. ‘You guys aren’t even ready. We’re going to be late.’
Holly’s heartbeat has reared up to match the cicada pulse. Selena’s made it so easy for Joanne. Whatever Joanne’s done, she did it knowing: all it’ll take is one sentence to a teacher or to the detectives who’ll be patient in the corner of everything from now on, one fake slip of the tongue, and oopsie!
‘Shit,’ Holly says, when they reach the bottom of the stairs. Through the open connecting door they can hear the net of school noise, pulled tighter and higher today. Someone squeals, And a police car!! ‘Forgot my poetry book. Hang on—’ and she’s squeezing back up the stairs against the flow and yammer, hand already outstretched to dive down the side of Selena’s mattress.
Two hundred and fifty of them bundle whispering into the hall. They settle instantly like good girls, hands all demure, like they’re not sucking up every detail of the two plainclothes police being bland in back corners, like that eager boil isn’t simmering just below their smooth eyes. They’re jumping to know.
That groundskeeper guy Ronan you know how he you-know-what, I heard cocaine I heard gangsters came looking for him I heard there were cops with guns right out there on the grounds! I heard they shot him I heard the shots I heard I heard— Selena catches Julia’s sideways grin – the grounds, like it’s some scary jungle full of drug lords and probably aliens – and manages to come up with one back. Actually she barely has the energy to pretend she cares about whatever pointless drama is going on here. She wishes she knew how to puke on demand like Julia, so she could go back to their room and be left alone.
But McKenna coming up behind the podium has her mouth and her eyebrows rearranged into her special solemn face, carefully mixed stern and sad and holy. Back when they were in first year and a fifth-year got killed in a car crash over the Christmas break, they all came back in January to that face. They haven’t seen it since.
Not Ronan the groundskeeper. People are twisting to see if they can spot anyone missing. Lauren Mulvihill isn’t in ohmyGod I heard she was going to fail her exams I heard she got dumped ohmyGod—
‘Girls,’ McKenna says. ‘I have some tragic news to share with you. You will be shocked and grieved, but I expect you to behave with the good sense and dignity that are part of the St Kilda’s tradition.’
Straining silence. ‘Someone found a used condom,’ Julia guesses, on a breath too low for anyone but the four of them to hear.
‘Shh,’ Holly says, without looking at her. She’s sitting up high and straight, staring at McKenna and wrapping a tissue around and around her hand. Selena wants to ask if she’s OK, but Holly might kick her.
‘I am sorry to tell you that this morning a student from St Colm’s was found dead on our grounds. Christopher Harper—’
Selena thinks her chair’s spun over backwards, into nothing. McKenna’s gone. The hall has turned grey and misty, tilting, clanging with bells and squeals and distorted scraps of music left over from the Valentine’s dance.
Selena understands, way too late and completely, why she wasn’t punished after that first night. She had some nerve, back then, thinking she had any right to hope for that mercy.
Something hurts, a long way away. When she looks down she sees Julia’s hand on her upper arm; to anyone watching it would look like a shock-grab, but Julia’s fingers are digging in hard. She says, low, ‘Don’t fucking faint.’
The pain is good; it pushes the mist back a little. Selena says, ‘OK.’
‘Just don’t break down, and keep your mouth shut. Can you do that?’
Selena nods. She’s not sure what Julia’s talking about, but she can remember it anyway; it helps, having two solid things to hold on to, one in each hand. Behind her someone is sobbing, loud and fake. When Julia lets go of her arm she misses the pain.
She should have seen this coming, after that first night. She should have spotted it seething in every shadow, red-mouthed and ravenous, waiting for a great golden voice to give it the word to leap.
She thought she was the one who would be punished. She let him keep coming back. She asked him to.
The splinters of music won’t stop scraping at her.
Becca watches the assembly through the clearest coldest water in the world, mountain water full of movement and quirky little questions. She can’t remember if she expected this part to be difficult; she thinks probably she never thought about it. As far as she can tell she’s having the easiest time of anyone in the whole room.
McKenna tells them not to be afraid because the police have everything under control. She tells them to be very careful, in any telephone calls to their parents, not to cause needless worry with foolish hysteria. There will be group counselling sessions for all classes. There will be individual counselling sessions for anyone who feels she may need it. Remember that you can talk to your class teacher or to Sister Ignatius at any time. At the end she tells them to return to their homerooms, where their class teachers will join them to answer any questions they may have.
They foam out of the gym into the entrance hall. Teachers are positioned ready to herd them and hush them, but the jabber and the sobs can’t be tamped down any longer; they surge up, careening around the high ceiling-space and up the stairwell. Becca feels like she’s taken her feet off the ground and she’s being carried along effortlessly, floated from shoulder to shoulder, all down the long corridors.
The second they’re through the homeroom door, Holly has a hand clamped round Selena’s wrist and she’s force-fielding the whole four of them past sobbing hugging clumps, into a back corner by the window. She grabs them into a fake hug and says, hard, ‘They’re going to be talking to everyone, the Murder detectives are. Don’t tell them anything. No matter what. Specially don’t tell them we can get out. Do you get that?’
‘OhmyGod, look,’ Julia says, holding up a cupped palm, ‘it’s a great big handful of duhhhh. Is it all for us?’
Holly hisses into her face, ‘I’m not joking. OK? This is real. Someone’s going to actual jail, for life.’
‘No, seriously, are they? Do I look handicapped?’
Becca smells the acrid electrical-short urgency. ‘Hol,’ she says. Holly’s all jammed-out angles and staticky hair; Becca wants to stroke her soft and smooth again. ‘We know. We won’t tell them anything. Honestly.’
‘Right, that’s what you think now. You don’t know what it’s like. This isn’t going to be like Houlihan going, “Ooh dear, I smell tobacco, have you girls been smoking cigarettes?” and if you look innocent enough she believes you. These are detectives. If they get one clue that you know anything about anything, they’re like pit bulls. Like, eight hours in an interview room with them interrogating you and your parents going apeshit, does that sound like fun? That’s what’ll happen if you even pause before you answer a question.’
Holly’s forearm is steel, pressing down across Becca’s shoulders. ‘And the other thing is: they lie. OK? Detectives make stuff up all the time. So if they’re all, “We know you were getting out at night, someone saw you,” don’t fall for it. They don’t actually know anything; they’re just hoping you’ll get freaked out and give them something. You have to look stupid and go, “Nuh-uh, they must’ve got mixed up, it wasn’t us.”’
Someone behind them sobs, ‘He was sooo full of life,’ and a wavering wail rises above the fug of the room. ‘Jesus Christ, someone shut those dumb bitches up,’ Julia snaps, shouldering Holly’s arm away. ‘Fucking ow, Holly, that hurts.’
Holly jams her arm back where it was, clamping Jules in place. ‘Listen. They’ll make up mental stuff. They’ll be like, “We know you were going out with Chris, we’ve got proof—”’
Becca’s eyes snap wide open. Holly is looking straight at Selena, but Becca can’t tell why, if it’s just because they’re opposite each other or if it’s because much more. Selena doesn’t feel staticky. She feels too soft, bruised to jelly.
Julia’s face has gone sharp. ‘They can do that?’
‘OhmyGod, here, have some more duh. They can say whatever they want. They can say they’ve got proof that you killed him, if they want, just to see what you do.’
Julia says, ‘I have to talk to someone.’ She shrugs Holly’s arm off and heads across the classroom. Becca watches. There’s a high-pitched huddle around Joanne Heffernan, who’s draped artistically over a chair with her head back and her eyes half-shut. Gemma Harding is in the huddle, but Julia says something close to her and they move a step away. Becca can tell by the angles of their heads that they’re keeping their voices down.
Holly says, ‘Please tell me you get that.’
She’s still looking at Selena, who, without the tight brace of the fake hug on both sides, rocks a little and comes down on someone’s desk. Becca’s pretty sure she hasn’t heard any of it. She wishes she could tell Lenie how utterly OK everything is, shake out a great soft blanket of OK and wrap it round Lenie’s shoulders. Things will run their own slow dark ways, down their old underground channels, and heal in their own time. You just have to wait, till you wake up one morning perfect again.
‘I got it,’ she says to Holly, comfortingly, instead.
‘Lenie.’
Lenie says obligingly, from somewhere way off outside the window, ‘OK.’
‘No. Listen. If they say to you, “We’ve got total proof that you were with Chris,” you just say, “No I wasn’t,” and then you shut up. If they show you an actual video, you just say, “That’s not me.” Do you get it?’
Selena gazes at Holly. Eventually she asks, ‘What?’
‘Oh, Jesus,’ Holly says up to the ceiling, hands in her hair. ‘I guess that could work. It’d better.’
Then Mr Smythe comes in and stands in the doorway looking skinny and petrified at the soggy heaving hugging mess in front of him, and starts flapping his hands and bleating, and gradually everyone unweaves themselves and brings the sobs down to sniffles, and Smythe takes a deep breath and starts in on the speech that McKenna made him memorise.
Probably Holly is right; what with her dad and everything else, she would know. Becca figures she should really be terrified. She can see the terror right there, like a big pale wobbly lump plonked down on her desk, that she’s supposed to hold on to and learn by heart and maybe write an essay about. It’s a little bit interesting, but not enough that she can be bothered picking it up. She pokes it off the edge of her mind and enjoys the squelchy cartoon splat it makes hitting the floor.