27
THREE WOODEN LIGHTHOUSES decorated the sign at the outskirts of the town of Lubec: the white-and-red Mulholland Light across the Lubec Channel in New Brunswick; the white Lubec Channel Light, a spark-plug-style cast-iron structure out on the Lubec Channel; and the red-and-white-striped West Quoddy Light at Quoddy Head State Park. They were symbols of stability and certainty, a promise of safety and salvation now potentially corrupted by the stain of the Faulkners' presence.
After a brief stop at the edge of the town, I drove on, past the boarded-up frame of the old Hillside Restaurant and the white American Legion building, until I came to Lubec itself. It was a town filled with churches: the White Ridge Baptists, the First Assembly of God, the Seventh Day Adventists, the Congregational Christians, and the Christian Temple Disciples had all converged at this place, burying their dead in the nearby town cemetery or erecting memorials to those lost at sea. Grace Peltier had been right, I thought; I had only glanced at the thesis notes Marcy had given me, but I had noted Grace's use of the term “frontier” to describe the state of Maine. Here, at the easternmost point of the state and the country, surrounded by churches and the bones of the dead, it was possible to feel that this was the very end of things.
On the waterfront, seabirds sat on the dilapidated pier, its walkway sealed off with Private Property notices. There was a stone breakwater to the left, and to the right, a congregation of buildings, among them the old McMurdy's Smokehouse, which was in the process of being restored. Across the water, the Mulholland Light was visible, the FDR Memorial Bridge extending toward it across the water of the Lubec Narrows.
It was already growing dark as I drove up Pleasant Street, the waterfront on my left, to a dirt lot beside the town's wastewater treatment facility. From there, a small trail led down to the shore. I followed it, stepping over seaweed and rocks, discarded beer cans and cigarette packs, until I stood on the beach. It was mainly stones and marram grass, with some gray sand exposed. Beyond, the Lubec Channel Light scythed through the failing evening light.
Maybe half a mile to my right, a stone causeway reached into the sea. At the end was a small island covered in trees, their branches like the black spires of churches set against the lighter tones of the evening sky. A dull green light shone between the branches in places, and I could see the brighter white lights of an outbuilding close to the northern side of the island.
There were three lighthouses on Lubec's sign, for only three lighthouses were still in existence. But there had once been another: a stone structure built on the northern shore of the Quoddy Narrows by a local Baptist minister as a symbol of God's light as well as a warning to mariners. It was a flawed, imperfect structure, and had collapsed during a heavy gale in 1804, killing the minister's son who was acting as lighthouse keeper. Two years later, concerned citizens nominated West Quoddy Head, farther down the coast, as a more suitable position, and in 1806 Thomas Jefferson had ordered the construction of a rubblestone lighthouse on the spot. The Northern Light was largely forgotten, and now the island on which it lay was in private ownership.
All of this I learned from a woman in McFadden's variety store and gas station on the way into town. She said the people on the island kept themselves pretty much to themselves, but they were believed to be religious folk. There was an old man who took ill sometimes and had to be treated by the doctor in town, and two younger people, a man and a woman. The younger man shopped in the store sometimes, but always paid with cash.
She knew his name, though.
He was called Monker.
Ed Monker.
It had begun to rain, a harbinger of the coastal storm that was set to sweep northern Maine that night, and heavy drops hammered on me as I stood watching the causeway. I got back in the car and took the road to Quoddy Head Park until I saw a small, unmarked private drive heading down to the coast. I killed my lights and followed the trail until it petered out among thick trees. I left the car and walked through the grass, using the trees for cover, until the trail ended. Ahead of me was a barred gate with high fencing on either side and a camera mounted on the gatepost. The fence was electrified. Beyond it was a small locked shack in the middle of a copse of pines. I could guess at what was in the shack: an old iron bath with a toilet beside it and the corpses of spiders decaying in the drain.
I took my flashlight from the glove compartment and, shielding the light with my hand, shadowed the fence. I spotted two motion sensors within fifty feet, the grass cropped low around them. I figured there were probably more among the trees themselves. As the rain soaked my hair and skin, I stayed with the fence until I found myself at the top of a steep incline leading back down to the shore. The tide was rolling in and the base of the causeway was now covered in water. The only way to reach the island without getting drenched, or maybe even washed away, was through the gates and along the causeway, but to take that route would be to alert those on the island to my approach.
Grace Peltier must have stood here, weeks earlier, before she scaled the gates and walked onto the causeway. She must have waited until they were gone, until she was certain that the island was unoccupied and that nobody would be returning for some time, and then crossed over. But she had activated the sensors, alerting them to an intruder, and the system would have informed Pudd or his sister, automatically calling a pager or his cell phone. When they returned, closing off the causeway, Grace had taken to the sea. That was why her clothes had been soaked with seawater. She was a strong swimmer. She knew she could make it. But they had seen her face on the camera's tapes, maybe even spotted her car. Lutz and Voisine had been alerted, and the trap was closed on Grace.
I looked out on the dark waves, glowing whitely as they broke, and decided to take my chances with the sea. I unloaded the spare .38 at my ankle, then put the bullets and the spare clip for the Smith & Wesson beneath my arm into a Ziploc plastic bag. Something tightened in my belly, and the old feeling came over me again. The sea before me was a dark pool, the hidden place on which I had drawn time and time before, and I was about to plunge into it once more.
I waded through the water, teeth chattering as I approached the causeway. Waves rocked me and once or twice I was almost pushed back to the shore by their force. The stones and rocks that made up the causeway were slick and spotted with green algae, and the tide was already splashing almost to the level of my waist. I tried to wedge my boots into the cracks and hollows, but the rocks had been bound with cement, and after only two awkward sideways movements, my feet slid from under me and I lost my grip. I slid quickly back into the sea, the water drenching me to my chin. As I recovered from the shock, a line of white emerged to my left and I barely had time to take a breath before a huge wave lifted me off my feet and pushed me back at least fifteen feet, salt water filling my mouth as the rain fell and seaweed twisted around me.
When the wave had passed, I began to wade again along the edge of the rocks, trying to find a point at which I could pull myself back onto the road. It took me about ten minutes and two more dousings to find a hollow where one of the stones had fallen from the concrete. Awkwardly, I placed a wet boot into the alcove, then barked my knee painfully as it slipped out. Digging my fingers around one of the highest stones, I tried again and managed to haul myself up and onto the road. I lay there for a moment, catching my breath and shivering. My cell phone, I discovered, was now at the bottom of the sea. I stood, let the water run out of the barrel of the Smith & Wesson, reloaded the .38, and continued on down the causeway at a crouch until I reached the island.
Thick green firs grew on either side of the road as it made its way to the remains of the lighthouse, where the road became part of a gravel courtyard that touched on the entrance to each of the island's structures. There should have been nothing more than a pile of old stones where the original lighthouse had once stood, but instead I found an edifice about thirty feet high, with an open gallery at the top surrounded by a chain-link fence, offering a clear view of the causeway and the coast itself. It was a lighthouse without a light, except for a faint illumination in one of the windows at the highest enclosed level.
To the right of the new lighthouse stood a long wooden single-story building with four square windows covered with wire frame, two on either side of the heavy door. A greenish glow emanated from it, as if the light inside was struggling to penetrate water or the leaves of plants. In front of the lighthouse, blocking my view of its entrance, was what I took to be a garage. Farther back, almost at the eastern edge of the island, was a second similar structure, possibly a boathouse. I leaned against the back of the garage and listened, but I could hear nothing except the steady falling of the rain. Staying on the grass and using the building as a shield, I began to make my way toward the lighthouse.
It was only when I cleared the garage that I saw him. Two tree trunks had been bound together to form an X, supported in turn by a second pair of trunks that kept the cross at an angle of sixty degrees to the ground. He was naked, and his arms and legs had been bound to the wood with wire. There was a lot of bruising to his face and his upper body, and swellings on his arms, chest, and legs that looked like the result of bites. Blood had flowed from the wounds in his femoral arteries and lay pooled on the ground below him. The rain washed over his pale body, dripped from the soft flesh on his arms and glistened on his bare skull and white, hairless face. A patch of skin was missing from his stomach. I moved closer to him and checked his pulse, his skin still warm to the touch. The Golem was dead.
I was about to leave him when gravel crunched to my right and the mute appeared. There was mud on her boots and her loose denim jeans, and she wore a yellow windbreaker, which hung open over a dark sweater. She held a gun in her right hand, pointing to the ground. There was no time for me to hide, even if I wanted to.
She stopped short when she saw me, her mouth opened soundlessly, and she raised her arm and fired. I dived left. Beside me, the Golem's body shuddered slightly as the bullet struck his shoulder close to where my head had been. I knelt, sighted, and squeezed the trigger. My first shot took her in the neck, the second in the chest. She twisted, her legs wrapped themselves around each other, and she fell, loosing off two shots into the air as she hit the ground. I ran to her, keeping the gun trained on her body, and kicked her gun away from her right hand. Her left leg was trembling uncontrollably. She looked up at me, the scars on her neck now obscured by the blood flowing from her wound. Something rattled in her throat, her mouth opened and closed twice, and then she died.
In the outbuilding to my right, a shape distorted the flow of green light for an instant. A thin shadow passed across the glass and I knew instinctively that Mr. Pudd was waiting inside for me. He could not have failed to have heard the shots, yet he hadn't responded. Behind me the door of the lighthouse remained securely closed, but when I looked to the top of the building, the light that had been burning was now burning no longer. In the darkness it seemed to me that something was watching me closely. Pudd would have to be dealt with first, I thought; I did not want him at my back.
Quickly, my hands brushing the long, wet grass, I ran to the door of the outbuilding. There was a small glass panel at about face level, crisscrossed with wire, and I stayed low as I passed beneath it. A bolt had been pulled across midway down the door, and a lock hung open beneath it. Stepping to one side, I eased my foot against the crack and pushed the door open.
Three shots sounded and the door frame exploded in showers of splinters and flaking paint. I jammed my gun into the gap and fired five times in an arcing pattern, then threw myself into the room. I could still hear glass falling as I sprinted to the far left wall, but no more shots came. Working quickly, I ejected the magazine from the Smith & Wesson and replaced it with a full clip, scanning the room while my hands worked at the gun.
The stench was incredible, a powerful smell of decay and defecation. There were no lights on the ceiling or on the walls, and the single skylight had been draped with folds of thick, dark cotton to prevent direct sunlight from falling on the room. Instead, the only illumination came from small shielded bulbs set below the metal shelves that ran in five rows across the width of the room. The shelves had four levels, and the green tint to the light came from plants that grew in pots alongside the glass cases that rested on each shelf. Every case or cage on the shelves had a thermometer and a humidity gauge, and dimmer switches had been placed in series with the lightbulbs to reduce the intensity of their radiant heat. Aluminum foil had been used to partially shield the bulbs, protecting the spiders and insects in the cases from direct light, while the use of foliage further softened the glare. The bulbs were not powerful enough to penetrate to the farthest corners of the room, where thick pools of darkness lay. Somewhere among them, Pudd waited, his form hidden by the shadows and the greenery.
A sound came from close to where my hand rested on the ground, a soft tapping on the stone floor. I looked to my left and saw, resting in a small arc of green light, a dark, semicircular shape, its body perhaps an inch and a half long and its spiny legs, it seemed, at least as long again. Instinctively, I yanked my hand away. The spider tensed, then raised its first pair of legs and exposed a set of reddish jaws.
Suddenly, and with surprising speed, it moved toward me, its legs almost a blur and the rhythm of the tapping increasing. I backed away, but it kept coming as I lashed out with my foot and felt it connect with something soft. I kicked again with the toe of my boot and the spider tumbled away into the far recesses of the room, where some empty glass cases lay piled untidily upon one another.
In my panic, I had moved almost to the aisle between the first and second lines of shelves. To my right, shards of glass caught the light and the remains of a case shattered by my 10-millimeter bullets lay in pieces on the second level. A square of card, heat-sealed in plastic, was among the glass fragments on the floor. In ornate black script were written the words Phoneutria nigriventer and then, in English below, Brazilian wandering spider. I glanced back toward the shadows into which the aggressive brown spider had bounced, and shuddered.
From far to my right came the sound of something brushing against the leaves of a plant, and the shadows on the ceiling rearranged themselves briefly. Pudd now knew where I was. The sounds of my frantic kicks at the spider had alerted him. I found that my left hand was trembling, so I used it to double-grip my gun. If I couldn't see it shaking, then I could convince myself that I wasn't afraid. Slowly, I moved to the second row of shelves, took a deep breath, and glanced into the aisle.
It was empty. Beside my left eye, a shape shifted in a case. It was small, maybe just over an inch in total, with a broad red stripe running along its abdomen. White spherical egg sacs, almost as big as the spider herself, hung suspended in the web that surrounded her. Latrodectus hasselti, read the card: Red-back spider. Starting a family too, I thought. How sweet. Shame Pop probably wouldn't be alive to see the birth.
Two more cases lay shattered beside each other in the third row. Amid the sharp edges, a long green shape stood semi-motionless. The mantid's huge eyes seemed to stare right at me as its jaws worked busily on the remains of the occupant of the adjoining case. Small brown legs moved weakly as the huge insect chomped away. I didn't feel sorry for whatever the mantid was consuming. As far as I was concerned, the sooner it finished its appetizer and got busy with some of the main courses wandering the floor, the better.
My skin was crawling, and I had to fight the urge to brush at my hair and neck, so I was partly distracted as I stepped into the next aisle. I looked to my left and saw Mr. Pudd standing at the far end, his gun raised. I threw myself forward and the bullet hit the fuse box beside the door. Sparks flew and the lights died as I rolled on the floor and came to rest against the far wall, the gun raised before me, my left hand now supporting myself on the ground for only as long as it took me to realize that something soft was crawling across it. I lifted it quickly and shook it, but not before I felt a sharp bite, like twin needles being inserted beneath my skin. I rose quickly, my lips drawn back from my teeth in disgust, and examined my hand in the dim light that filtered through the windows. Just below the knuckle of my middle finger, a small red lump was already beginning to form.
In a pair of large plastic terrariums to my right, thousands of small bodies moved. From the first terrarium came the chirping of crickets. The second contained oatmeal and bran flakes across which tiny mealworms crawled, speckled with some small black beetles that had already grown to their mature stage. To my left, arrayed along the wall in a long, multilayered display cabinet, were what looked like row upon row of plastic cups. I leaned down and made out a small black-and-red shape at the base of each cup, the remains of crickets and fruit flies lying in the ugly web beside the spider. The smell was particularly strong here, so strong that I started to gag.
This was Mr. Pudd's black widow farm.
My ears rang from the sound of the shots and there were spots before my eyes from the muzzle flare as I returned my attention to the room itself. A long shadow trailed along the ceiling, heading away from me. Through the leaves I caught a glimpse of what might have been Pudd's tan shirt, and I fired. There was a grunt of pain and the sound of glass breaking as the empty cases in that corner tumbled to the ground. I heard the glass grinding beneath his feet as he stepped over them. He was now at the far wall, close to where I had started, and I knew then what I had to do.
The shelves were not bolted to the cement floor. Instead, they rested on tripod legs, the weight of the frame and the cases it supported insurance enough against any casual impact. Ignoring the spreading pain in my hand and the possibility that the spider responsible might still be close by, I lowered myself to the ground, braced my back against the wall beside the racks of widows, and pushed at the shelf with the soles of my feet. For a moment I thought that it might just move across the floor, but then the top row tilted and the heavy frame fell slowly away from me, impacting loudly on the next shelf and creating a domino effect; two, three, four shelves fell, accompanied by the sounds of breaking glass and grinding metal, and then their combined weight collapsed on the final shelf, and I heard a sound that might have been a man's voice before it was lost in the final tumultuous roar of metal and glass.
By then I was already on my feet, using the frames of the fallen shelves to keep off the floor. I was conscious of movement all around me as predatory, multilegged things began to hunt and die. I reached the door and pushed it open, the feel of the sea breeze and the cold rain beautiful after the stale, rotten smell of the insects and spiders. The door slammed behind me and I jammed the bolt home, then stepped back. My hand was throbbing now and the swelling had increased in size, but it didn't feel too bad. Still, it would need a shot, and the sooner the better.
From inside the bug house, I heard sounds of movement. I raised my gun and aimed. A face appeared at the glass screen, and the door shook as Mr. Pudd hurled his body against it. His eyes were huge, one of them already filling with blood, and a muscle in his cheek was spasming. Tiny brown spiders, each only a fraction of an inch in length, crawled across his face and lost themselves in his hair as a large black spider with thin, skeletal legs pursued them relentlessly. Then Pudd's mouth opened and two legs appeared at each corner, pushing his lips apart, and I glimpsed palps and a cluster of dark eyes as the spider emerged from his mouth. I turned away for an instant and when I looked back, Pudd was gone.
A low thudding sound came from behind me, and the door to the lighthouse slammed softly against its frame. I was soaked through and beginning to feel the cold desperately, but I wiped the rain from my eyes and started toward the lighthouse.
The floor inside the door was flagged with stone and an iron staircase wound up to the top of the structure. There were no levels between where I stood and the open platform at the top of the lighthouse, through which a small panel allowed access to the exposed gallery.
At my feet, a trapdoor stood open. It was made of heavy oak bound with iron, and below it a flight of stone steps led into a patch of bright yellow light.
I had found the entrance to the honeycomb world.
I took each step slowly, my gun aimed below me. The final step led into a concrete bunker, furnished with armchairs and an old couch. A dining table stood in the far corner, on a worn Persian rug. To my right was a small galley-style kitchen, separated from the main room by a pair of saloon doors. Wire-rimmed lights hung from the ceiling. A set of shelves in one corner lay empty, a box filled with books and newspapers on the floor beside it. There was a smell of wax polish in the air. The tabletop gleamed, as did the shelves and the breakfast counter.