The French Girl

“Really?”

“God, yes, like a dog with a bone. And what can I say? I mean, we were together until we went up to our beds, and then . . .” She waves a hand airily. It’s not a gesture that suits her; it’s too vague, and Caro is never vague. “Well, then I was asleep, and who can vouch for anyone when they’re asleep?”

“Well, that applies to us all,” I say tightly. “There must have been a couple of hours when everyone was asleep and no one is accounted for.” Except for Lara and Tom, entwined in coital bliss . . .

“Absolutely. Of course. Which makes it odd that he’s focusing on Theo particularly.” She shrugs. “Though—distasteful as it is to say, if it had to be one of us . . .” I stare at her, not so much appalled as bewildered—does she not know Tom at all? Surely she realizes he would fight ceaselessly to prevent any besmirching of Theo’s name. She shrugs again. “Well, onward and upward: why don’t you give me an overview of where we stand with the candidates?”

So I do, and we discuss. The process is extremely developed by now; there’s not a lot she can add. Her questions are professional and intelligent, though she is clearly far more focused on immediate benefits to the firm from prospective new hires rather than their career development within the company, which is not quite the message Gordon would be sending candidates—I will have to be careful she doesn’t ruin the groundwork we’ve laid. I make a couple of careful allusions to it that are obviously less subtle than intended: after the second one she stops and laughs. “Kate,” she says through a smile that holds genuine amusement. “Don’t worry, I know how to stay on message. I won’t scare the horses.”

“I know, of course not; it’s just that collegiality and long-term career opportunities are the main reason a couple of these candidates are considering this place.”

“I get it. Don’t worry.” She puts down her pen and yawns, half-heartedly covering her mouth. The adrenaline has been slowly leaching out of her during our meeting, and the yawns are coming closer together. “Oh,” she says suddenly, brightening a little. “I meant to tell you, you may get a call from a chap called Hugh Brompton at Stockleys.” Stockleys is an enormously successful mid-tier UK firm with a footprint just about everywhere; it doesn’t compete with Haft & Weil, as it wouldn’t generally get the cutting-edge, high-profile deals, but there’s an awful lot of work around that isn’t cutting-edge or high profile. “We use them quite a bit when we need to outsource some of the drudge work—much cheaper for the client than Haft & Weil personnel.” She’s watching me carefully as she speaks, her head slightly cocked and her tired eyes gleaming birdlike. “Anyway, they’re looking to beef up certain areas, and I told Hugh about you and suggested they give you a call. It’s a big job, from what he says, and the contract is basically yours—as far as he’s concerned, if you’re good enough for Haft & Weil, you’re good enough for him.”

I’m temporarily floored, then I say, “Thank you,” because of course I can’t say anything else, but inside I’m scrabbling around to figure out the angle, because of course there’s an angle, and if I don’t know what it is then I’m exactly where she wants me. Or at least, that’s how it would be for the Caro I thought I knew, but perhaps this Caro is something different . . . I adopt a smile that’s at least half genuine. “That’s kind of you, very much appreciated.”

“Well, we’re in business together, and business partners help each other out.” Her eyes gleam, and she has a self-satisfied smile as she adds slyly, “I told you I could stay on message.”

I laugh, both out of surprise and because her wicked little dig is genuinely funny, and for a moment I see her as she may well be, or perhaps I see her as Seb and Tom see her—a clever, sharply witty, fearless woman. I can’t tell if what she’s presenting now is only part of the picture or if the picture has changed: it leaves me uneasily off-kilter.

Her mobile goes off, and she takes the call with a quick apology, firing out a series of short responses and checking her watch while she paces the room. “Sorry,” she says with a grimace when she hangs up. “That call from New York is going to happen in ten minutes. I’m afraid you and Gordon will be on your own for lunch.”

“No problem.” We exit the windowless room into an equally windowless passageway. “You know,” I say conversationally, “I always wondered why you joined your father’s law firm. You could have gone to any number of competitors, I’m sure.”

“Oh, sure,” she says offhand as we climb a sweeping glass-and-metal staircase to the main lobby, where I find myself blinking, somehow surprised at the daylight. But it’s lunchtime; of course there is daylight. “But Haft & Weil was really the best opportunity for me. You can’t do better than best in class, after all.”

“Bravo,” I say, raising my eyebrows with a half smile. “Once again, admirably on message.”

She lays a hand on my upper arm and laughs, a genuine laugh, and it softens her; her sharp edges become impish rather than cutting. “I told you I could.” She looks over my shoulder still smiling, then exclaims, “Right on time! Here’s Gordon. You know, I probably see more of him now than I did growing up, what with the divorce and boarding school and all.” She smiles a hello over my shoulder at him and then shakes my hand, quick and firm, cordially professional. “I’ll leave you in his capable hands; you two have a lovely lunch.”

“We will,” Gordon says, smiling at her, then he turns and ushers me through the lobby. “Looks like you two are getting on famously,” he remarks, and it suddenly crosses my mind that perhaps Caro knew he was there and staged that little tableau—the laugh, the little touch—and then I realize how loathsomely paranoid I’ve become and I hate myself for it.





CHAPTER FIFTEEN


The designated thinking hour arrives and departs without a single moment spent in contemplation, because Hugh Brompton does indeed call, and the job in question is dynamite, the kind of contract that really establishes a new firm—but of course they want our strategies and suggestions at a meeting tomorrow afternoon. So Paul and I work late, eating take-out sushi at our desks and mainly ignoring our mobiles. Actually, mainly ignoring Paul’s mobile: judging from the number of times it rings, he either has a very active social life or an extremely jealous girlfriend. In contrast, mine rings only twice: the first call is Lara, and I take it to quickly check how she’s holding up; the second is from Tom.

“Do you need to take that?” asks Paul, and I realize I’m staring at the mobile screen as it rings.

“No,” I say brightly as I reach over to hit the reject button. “I can deal with it later.” A moment later the phone beeps with a voice mail alert; I deliberately ignore it and turn back to Paul. “Where were we? Oh yes—do you think we’re promising too much with this timeline?”

It’s one in the morning before I climb into a cab and settle in the back, glancing at my phone out of habit. A tiny red alert reminds me I have a voice mail. I play the message, and Tom’s deep baritone greets me. “Hi, Kate, it’s Tom.” A pause. “We really do need to talk about the case. Are you able to come round after you finish work? I’ll be home, so just give me a call whenever . . .” He sounds uneasy, awkward even. “I . . . Well, give me a call.”

It hardly credits belief that a single drunken kiss can reduce years of friendship to dodged calls and stilted voice mails. I stare out of the cab window in a state of torpid exhaustion and watch London slide by, lit patchily by garish neon signs and streetlamps that deliver a stark, pale light without color or warmth. After a moment I pick up my phone again and type out a text message.


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