4
THE WEEKEND STRETCHED AHEAD, WARM and empty. Strike sat at his open window again, smoking and watching the hordes of shoppers passing along Denmark Street, the case report open on his lap, the police file on the desk, making a list for himself of points still to be clarified, and sifting the morass of information he had collected.
For a while he contemplated a photograph of the front of number 18 as it had been on the morning after Lula died. There was a small, but to Strike significant, difference between the frontage as it had been then, and as it was now. From time to time he moved to the computer; once to find out the agent who represented Deeby Macc; then to look at the share price for Albris. His notebook lay open beside him at a page full of truncated sentences and questions, all in his dense, spiky handwriting. When his mobile rang, he raised it to his ear without checking who was on the other end.
“Ah, Mr. Strike,” said Peter Gillespie’s voice. “How nice of you to pick up.”
“Oh, hello, Peter,” said Strike. “Got you working weekends now, has he?”
“Some of us have no option but to work at weekends. You haven’t returned any of my weekday phone calls.”
“I’ve been busy. Working.”
“I see. Does that mean we can expect a repayment soon?”
“I expect so.”
“You expect so?”
“Yeah,” said Strike. “I should be in a position to give you something in the next few weeks.”
“Mr. Strike, your attitude astounds me. You undertook to repay Mr. Rokeby monthly, and you are now in arrears to the tune of—”
“I can’t pay you what I haven’t got. If you hold tight, I should be able to give you all of it back. Maybe even in a oner.”
“I’m afraid that simply isn’t good enough. Unless you bring these repayments up to date—”
“Gillespie,” said Strike, his eyes on the bright sky beyond the window, “we both know old Jonny isn’t going to sue his one-legged war-hero son for repayment of a loan that wouldn’t keep his butler in fucking bath salts. I’ll give him back his money, with interest, within the next couple of months, and he can stick it up his arse and set fire to it, if he likes. Tell him that, from me, and now get off my fucking back.”
Strike hung up, interested to note that he had not really lost his temper at all, but still felt mildly cheerful.
He worked on, in what he had come to think of as Robin’s chair, late into the night. The last thing he did before turning in was to underline, three times, the words “Malmaison Hotel, Oxford” and to circle in heavy ink the name “J. P. Agyeman.”
The country was lumbering towards election day. Strike turned in early on Sunday and watched the day’s gaffes, counterclaims and promises being tabulated on his portable TV. There was an air of joylessness in every news report he watched. The national debt was so huge that it was difficult to comprehend. Cuts were coming, whoever won; deep, painful cuts; and sometimes, with their weasel words, the party leaders reminded Strike of the surgeons who had told him cautiously that he might experience a degree of discomfort; they who would never personally feel the pain that was about to be inflicted.
On Monday morning Strike set out for a rendezvous in Canning Town, where he was to meet Marlene Higson, Lula Landry’s biological mother. The arrangement of this interview had been fraught with difficulty. Bristow’s secretary, Alison, had telephoned Robin with Marlene Higson’s number, and Strike had called her personally. Though clearly disappointed that the stranger on the phone was not a journalist, she had initially expressed herself willing to meet Strike. She had then called the office back, twice: firstly to ask Robin whether the detective would pay her expenses to travel into the center of town, to which a negative answer was given; next, in high dudgeon, to cancel the meeting. A second call from Strike had secured a tentative agreement to meet in her local pub; then an irritable voicemail message cancelled once more.
Strike had then telephoned her for a third time, and told her that he believed his investigation to be in its final phase, after which evidence would be laid to the police, resulting, he had no doubt, in a further explosion of publicity. Now that he came to think about it, he said, if she was unable to help, it might be just as well for her to be protected from another deluge of press inquiry. Marlene Higson had immediately clamored for her right to tell everything she knew, and Strike condescended to meet her, as she had already suggested, in the beer garden of the Ordnance Arms on Monday morning.
He took the train out to Canning Town station. It was overlooked by Canary Wharf, whose sleek, futuristic buildings resembled a series of gleaming metal blocks on the horizon; their size, like that of the national debt, impossible to gauge from such a distance. But a few minutes’ walk later, he was as far from the shining, suited corporate world as it was possible to be. Crammed up alongside dockside developments where many of those financiers lived in neat designer pods, Canning Town exhaled poverty and deprivation. Strike knew it of old, because it had once been home to the old friend who had given him Brett Fearney’s location. Down Barking Road he walked, his back to Canary Wharf, past a building with a sign that advertised “Kills 4 Communities,” at which he frowned for a moment before realizing that somebody had swiped the “S.”
The Ordnance Arms sat beside the English Pawnbroking Company Ltd. It was a large, low-slung, off-white-painted pub. The interior was no-nonsense and utilitarian, with a selection of wooden clocks on a terracotta-colored wall and a lividly patterned piece of red carpet the only gesture to anything as frivolous as decoration. Otherwise, there were two large pool tables, a long and accessible bar and plenty of empty space for milling drinkers. Just now, at eleven in the morning, it was empty except for one little old man in the corner and a cheery serving girl, who addressed her only customer as “Joey” and gave Strike directions through the back.
The beer garden turned out to be the grimmest of concrete backyards, containing bins and a solitary wooden table, at which a woman was sitting on a white plastic chair, with her fat legs crossed and her cigarette held at right angles to her cheek. There was barbed wire on top of the high wall, and a plastic bag had caught in it and was rustling in the breeze. Beyond the wall there rose a vast block of flats, yellow-painted and with evidence of squalor bulging over many of the balconies.
“Mrs. Higson?”
“Call me Marlene, love.”
She looked him up and down, with a slack smile and a knowing gaze. She was wearing a pink Lycra vest top under a zip-up gray hoodie, and leggings that ended inches above her bare gray-white ankles. There were grubby flip-flops on her feet and many gold rings on her fingers; her yellow hair, with its inches of graying brown root, was pulled back into a dirty toweling scrunchie.
“Can I get you a drink?”
“I’ll have a pint of Carling, if you twist my arm.”
The way she bent her body towards him, the way she pushed straw-like strands of hair out of her pouchy eyes, even the way she held her cigarette; all were grotesquely coquettish. Perhaps she knew no other way of relating to anything male. Strike found her simultaneously pathetic and repulsive.
“Shock?” said Marlene Higson, after Strike had bought them both beer, and joined her at the table. “You can say that again, when I’d gave ’er up for lost. It near broke my ’eart when she wen’, but I fort I was giving ’er a better life. I wouldna ’ad the strenf to do it uvverwise. Fort I was giving ’er all the fings I never ’ad. I grew up poor, proper poor. We ’ad nothing. Nothing.”
She looked away from him, drawing hard on her Rothman’s; when her mouth puckered into hard little lines around the cigarette, it looked like a cat’s anus.
“And Dez, me boyfriend, see, wasn’t too keen—you know, with ’er being colored, it were obvious she weren’t ’is. They go darker, see; when she were born, she looked white. But I still never woulda given ’er up if I ’adn’t seen a chance for ’er to get a better life, and I fort, she won’t miss me, she’s too young. I’ve gave ’er a good start, and mebbe, when she’s older, she’ll come and find me. And me dream come true,” she added, with a ghastly show of pathos. “She come’n’ found me.
“I’ll tell you somefing reely strange, right,” she said, without drawing breath. “A man friend of mine says to me, just a week before I got the call from ’er, ‘You know ’oo you look like?’ he says. I says, ‘Dahn be ser silly,’ but he says, ‘Straight up. Across the eyes, and the shape of the eyebrows, y’know?’ ”
She looked hopefully at Strike, who could not bring himself to respond. It seemed impossible that the face of Nefertiti could have sprung from this gray and purple mess.
“You can see it in photos of me when I were younger,” she said, with a hint of pique. “Point is, I fort I was giving her a better life, and then they went an’ give her to those bastards, pardon my language. If I’d’a known, I’d of kept ’er, and I told ’er that. That made ’er cry. I’d of kept her and never let ’er go.
“Oh yeah. She talked to me. It all poured out. She got on all right wiv the father, with S’Ralec. He sounded all right. The mother’s a right mad bitch, though. Oh yeah. Pills. Poppin’ pills. Fackin’ rich bitches takin’ pills f’ their fackin’ nerves. Lula could talk to me, see. Well, it’s a bond, innit. You can’ break it, blood.
“She was scared what that bitch’d do, if she found out Lula was lookin’ for ’er real mum. She was proper worried about what the cow was gonna do when the press found out about me, but there you are, when yore famous like she was, they find out ev’rythin’, don’ they? Oh, the lies they tell, though. Some o’ the things they said abaht me, I’m still thinkin’ o’ suin’.
“What was I sayin’? ’Er mother, yeah. I says to Lula, ‘Why worry, love, sounds to me like you’re better off wivout ’er anyway. Let ’er be pissed off if she don’ want us to see each uvver.’ But she was a good girl, Lula, an’ she kep’ visitin’ ’er, outta duty.
“Anyway, she ’ad ’er own life, she was free to do what she wanted, weren’ she? She ’ad Evan, a man of ’er own. I told ’er I disapproved, mind,” said Marlene Higson, with a pantomime of strictness. “Oh yeah. Drugs, I’ve seen too many go that way. But I ’ave to admit, ’e’s a sweet boy underneath. I ’ave to admit that. He di’n’t have nothin’ to do wiv it. I can tell ya that.”
“Met him, did you?”
“No, but she called ’im once while she was with me and I ’eard them on the phone togevver, and they were a lovely couple. No, I got nuthin’ bad to say about Evan. ’E ’ad nuthin’ to do with it, that’s proved. No, I’ve got nuthin’ bad to say about ’im. As long as ’e’d of gone clean, ’e’d of ’ad my blessing. I said to ’er, ‘Bring ’im along, see wevver I approve,’ but she never. ’E was always busy. ’E’s a lovely-lookin’ boy, under all that ’air,” said Marlene. “You can see it in all ’is photos.”
“Did she talk to you about her neighbors?”
“Oh, that Fred Beastigwee? Yeah, she told me all about ’im, offerin’ ’er parts hin ’is films. I said to ’er, why not? It might be a larf. Even if she ’adn’t liked it, it woulda bin, what, another ’arf mill in the bank?”
Her bloodshot eyes squinted at nothing; she seemed momentarily mesmerized, lost in contemplation of sums so vast and dazzling that they were beyond her ken, like an image of infinity. Merely to speak of them was to taste the power of money, to roll dreams of wealth around her mouth.
“Did you ever hear her talk about Guy Somé?”
“Oh yeah, she liked Gee, ’e was good to ’er. Person’lly, I prefer more classic things. It’s not my kinda style.”
The shocking-pink Lycra, tight on the rolls of fat spilling over the waistband of her leggings, rippled as she leaned forward to tap her cigarette delicately into the ashtray.
“ ‘ ’E’s like a brother to me,’ she sez, an’ I sez, never mind pretend brothers, why don’t we try an’ find my boys togevver? But she weren’t int’rested.”
“Your boys?”
“Me sons, me ovver kids. Yeah, I ’ad two more after ’er: one wiv Dez, an’ then later there wuz another one. Social Services took ’em off me, but I sez to ’er, wiv your money we could find ’em, gimme a bit, not much, I dunno, coupla grand, an’ I’ll try an’ get someone to find ’em, keep it quiet from the press, I’ll ’andle it, I’ll keep you out of it. But she weren’ interested,” repeated Marlene.
“Do you know where your sons are?”
“They took ’em as babies, I dunno where they are now. I was havin’ problems. I ain’t gonna lie to ya, I’ve had a bloody hard life.”
And she told him, at length, about her hard life. It was a sordid story littered with violent men, with addiction and ignorance, neglect and poverty, and an animal instinct for survival that jettisoned babies in its wake, for they demanded skills that Marlene had never developed.
“So you don’t know where your two sons are now?” Strike repeated, twenty minutes later.
“No, how the fuck could I?” said Marlene, who had talked herself into bitterness. “She weren’ int’rested anyway. She already had a white brother, di’n’t she? She wuz after black family. That’s what she reely wanted.”
“Did she ask you about her father?”
“Yeah, an’ I told ’er ev’rything I knew. ’E was an African student. Lived upstairs from me, jus’ along the road ’ere, Barking Road, wiv two others. There’s the bookie’s downstairs now. Very good-looking boy. ’Elped me with me shopping a couple of times.”
To hear Marlene Higson tell it, the courtship had proceeded with an almost Victorian respectability; she and the African student seemed barely to have progressed past handshakes during the first months of their acquaintance.
“And then, ’cos ’e’d ’elped me all them times, one day I asked ’im in, y’know, jus’ as a thank-you, really. I’m not a prejudiced person. Ev’ryone’s the same to me. Fancy a cuppa, I sez, that were all. And then,” said Marlene, harsh reality clanging down amidst the vague impressions of teacups and doilies, “I finds out I’m expecting.”
“Did you tell him?”
“Oh yeah, an’ ’e was full of ’ow ’e was gonna ’elp, an’ shoulder ’is respons’bilities, an’ make sure I wuz all right. An’ then it was the college ’olidays. ’E said ’e was coming back,” said Marlene, contemptuously. “Then ’e ran a mile. Don’t they all? And what was I gonna do, run off to Africa to find ’im?
“It was no skin off my nose, anyway. I wasn’t breaking me ’eart; I was seeing Dez by then. ’E didn’t mind the baby. I moved in with Dez not long after Joe left.”
“Joe?”
“That was his name. Joe.”
She said it with conviction, but perhaps, thought Strike, that was because she had repeated the lie so often that the story had become easy, automatic.
“What was his surname?”
“I can’ fuckin’ remember. You’re like her. It was twenny-odd years ago. Mumumba,” said Marlene Higson, unabashed. “Or something like that.”
“Could it have been Agyeman?”
“No.”
“Owusu?”
“I toldya,” she said aggressively, “it were Mumumba or something.”
“Not Macdonald? Or Wilson?”
“You takin’ the piss? Macdonald? Wilson? From Africa?”
Strike concluded that her relationship with the African had never progressed to the exchange of surnames.
“And he was a student, you said? Where was he studying?”
“College,” said Marlene.
“Which one, can you remember?”
“I don’t bloody know. All right if I cadge a ciggie?” she added, in a slightly more conciliatory tone.
“Yeah, help yourself.”
She lit her cigarette with her own plastic lighter, puffed enthusiastically, then said, mellowed by the free tobacco:
“It mighta bin somethin’ to do with a museum. Attached, like.”
“Attached to a museum?”
“Yeah, ’cause I remember ’im sayin’, ‘Ay sometimes visit the museum in my free ahrs.’ ” Her imitation made the African student sound like an upper-class Englishman. She was smirking, as though this choice of recreation was absurd, ludicrous.
“Can you remember which museum it was that he visited?”
“The—the Museum of England or summit,” she said; and then, irritably, “You’re like her. How the fuck am I s’posedta remember after all this time?”
“And you never saw him again after he went home?”
“Nope,” she said. “I wasn’t expecting to.” She drank lager. “He’s probably dead,” she said.
“Why do you say that?”
“Africa, innit?” she said. “He coulda bin shot, couldn’t ’e? Or starved. Anythin’. Y’know what it’s like out there.”
Strike did know. He remembered the teeming streets of Nairobi; the aerial view of Angola’s rainforest, mist hanging over the treetops, and the sudden breathtaking beauty, as the chopper turned, of a waterfall in the lush green mountainside; and the Masai woman, baby at her breast, sitting on a box while Strike questioned her painstakingly about alleged rape, and Tracey manned the video camera beside him.
“D’you know whether Lula tried to find her father?”
“Yeah, she tried,” said Marlene dismissively.
“How?”
“She looked up college records,” said Marlene.
“But if you couldn’t remember where he went…”
“I dunno, she thought she’d found the place or summit, but she couldn’t find ’im, no. Mebbe I wasn’ remembrin’ his name right, I dunno. She used to go on an’ fuckin’ on; what did ’e look like, where was ’e studyin’. I said to ’er, he was tall an’ skinny an’ you wanna be grateful you got my ears, not ’is, ’cause there wouldna bin no fuckin’ modelin’ career if you’d got them fucking elephant lugs.”
“Did Lula ever talk to you about her friends?”
“Oh, yeah. There was that little black bitch, Raquelle, or whatever she called ’erself. Leechin’ all she could outta Lula. Oh, she did herself all right. Fuckin’ clothes an’ jew’lry an’ I-dunno-what-the-fuck else. I sez to Lula once, ‘I wouldn’ mind a new coat.’ But I wasn’ pushy, see. That Raquelle din’ mind askin’.”
She sniffed, and drained her glass.
“Did you ever meet Rochelle?”
“That was ’er name, was it? Yeah, once. She come along in a fuckin’ car with a driver to pick Lula up from seein’ me. Like Lady Muck out the back window, sneerin’ at me. She’ll be missin’ all of that now, I ’spect. In it for all she could get.
“An’ there was that Ciara Porter,” Marlene plowed on, with, if possible, even greater spite, “sleepin’ with Lula’s boyfriend the night she fuckin’ died. Nasty fuckin’ bitch.”
“Do you know Ciara Porter?”
“I seen it in the fuckin’ papers. ’E wen’ off to ’er place, di’n’t ’e, Evan? After he rowed with Lula. Went to Ciara. Fuckin’ bitch.”
It became clear, as Marlene talked on, that Lula had kept her natural mother firmly segregated from her friends, and that, with the exception of a brief glimpse of Rochelle, Marlene’s opinions and deductions about Lula’s social set were based entirely on the press reports she had greedily consumed.
Strike fetched more drinks, and listened to Marlene describe the horror and shock she had experienced on hearing (from the neighbor who had run in with the news, early in the morning of the 8th) that her daughter had fallen to her death from her balcony. Careful questioning revealed that Lula had not seen Marlene for two months before she died. Strike then listened to a diatribe about the treatment she had received from Lula’s adoptive family, following the model’s death.
“They di’n’t want me around, ’specially that fuckin’ uncle. ’Ave ya met ’im, ’ave ya? Fuckin’ Tony Landry? I contacted ’im abou’ the funeral an’ all I got was threats. Oh yeah. Fuckin’ threats. I said to ’im, ‘I’m ’er mother. I gotta right to be there.’ An’ he tole me I wasn’t ’er mother, that mad bitch was ’er mother, Lady Bristow. Funny, I says, ’cause I remember pushing ’er outta my fanny. Sorry for my crudity, but there you are. An’ he said I was causing distress, talkin’ to the press. They come an’ found me,” she told Strike furiously, and she jabbed her finger at the block of flats overlooking them. “Press come an’ foun’ me. ’Course I tole my side o’ the fuckin’ story. ’Course I did.
“Well, I didn’t wanna scene, not at a funeral, I didn’t wanna ruin things, but I wasn’t gonna be kept away. I went an’ sat in the back. I seen fuckin’ Rochelle there, givin’ me looks like I wuz dirt. But nobody stopped me in the end.
“They got what they wanted, that fuckin’ family. I di’n’ get nothin’. Nothin’. Tha’s not what Lula woulda wanted, I know that for a fact. She woulda wanted me to ’ave something. Not,” said Marlene, with an assumption of dignity, “that I cared abou’ the money. It weren’ about the money for me. Nuthin’ was gonna replace my daughter, not ten, not twenny mill.
“Mind you, she’d of bin livid if she’d known I didn’t get nuthin’,” she went on. “All that money goin’ begging; people can’t believe it when I tell ’em that I got nuthin’. Struggling to make the rent, and me own daughter lef’ millions. But there you are. That’s how the rich stay rich, ain’t it? They didn’ need it, but they didn’ mind a bit more. I dunno how that Landry sleeps at night, but that’s ’is business.”
“Did Lula ever tell you she was going to leave you anything? Did she mention having made a will?”
Marlene seemed suddenly alert to a whiff of hope.
“Oh yeah, she said she’d look aft’r me, yeah. Yeah, she tole me she’d see me all right. D’you think I shoulda tole someone that? Mentioned it, like?”
“I don’t think it would have made any difference, unless she made a will and left you something in it,” said Strike.
Her face fell back into its sullen expression.
“They prob’ly fuckin’ destroyed it, them bastards. They coulda done. That’s the sort of people they are. I wouldn’t put nuthin’ past that uncle.”