19
It was a cold, damp night at the end of a long, dismal day. I had been called back by the defense in the Denny Kraus case, and then had to wait around for hours close to the courthouse on Federal Street as Denny’s attorney tried to maintain his composure while dealing with a prosecutor who was determined to prove that Denny was mentally competent to face trial, and with whom Denny repeatedly agreed. The attorney was young, and court-appointed, and he should have put pressure on Denny to keep his mouth shut, although it wasn’t entirely his fault. The state wanted Denny to go down for murder, for reasons that I couldn’t grasp but were probably linked to politics, and ambition, and someone seeking to make the figures look good at the end of the year. A more battle-hardened attorney than Denny’s would have found a way to negotiate a compromise deal that satisfied everyone, except possibly Denny, but then what Denny wanted didn’t really matter. He probably should have thought harder about his plans for the future before he killed a man over a dog.
While I was kicking my heels waiting for my moment of glory in the witness box, I continued delving into the personal details of those on Randall Haight’s list of new clients and recent arrivals in Pastor’s Bay, but I was starting to believe that it was a dead end. I had to proceed on the basis that it wasn’t, but I couldn’t shake my gut feeling that there was nothing hidden behind those names, nothing useful to be found. It raised the possibility that the person who was tormenting Randall Haight might have been lying dormant for a long time, waiting for the right opportunity to use Haight’s past against him. If that was the case, I was faced with the almost impossible task of investigating every adult who had crossed Randall Haight’s path. Equally, though, someone from Randall’s past might have spotted him on the streets of Belfast, or Portland, or Augusta, or while passing through Pastor’s Bay itself, then discovered his address and proceeded to target him without ever having exchanged even a word with him.
But I had reached one conclusion at least: If by the following morning I hadn’t heard confirmation from Aimee that Haight was prepared to be interviewed by the police, I was going to call Gordon Walsh myself and suggest that he talk to Haight, even at the risk of poisoning my relationship with Aimee and potentially leaving myself open to charges and imprisonment for breach of client confidentiality. The final push had been provided by a realization that should have come to me the moment Haight showed me the photographs of naked children. Someone who was in possession of sexually suggestive photos of underage kids might well be capable of taking a child to satisfy his urges. It was the connection I needed to silence my conscience about any betrayal of Aimee or Haight that I might have to commit.
My name was called shortly after three p.m., but my period under cross-examination could have been measured in nanoseconds. Even the judge seemed to be losing the will to live after a day of questioning that had merely confirmed what everybody already knew: Denny Kraus was crazy, because in his situation only a lunatic would deny that he was crazy.
After I was done in court, I headed up to Nosh on Congress and shot the breeze for a while with Matt, one of the partners in the place. If someone had told me a couple of years ago that Portland needed another bar selling burgers, I’d have laughed in his face, and you wouldn’t have heard me above all the other people who were laughing too. Then Nosh opened and folk started tasting the burgers, and a general agreement was reached that, yes, maybe we had needed just one more bar selling burgers, as long as the food was this good. And because I felt that I owed it to myself after the day I’d had, I ate some bacon-dusted fries too, and pushed the boat out by sipping a Clown Shoes brown ale, and gradually the day began not to seem so bad after all.
The channels through the Scarborough salt marshes appeared only as swaths of a deeper blackness against the tall grass as I drove home, like lengths of dark ribbon dropped from the sky. I turned into my driveway, the headlamps reflecting on the windows of the empty house. I entered through the back door leading into the kitchen, and turned on the light.
The moisture had beaded on the main window that faced north, and someone had written on the glass with a finger, cutting long careful lines through the water. The words were written in a child’s hand, a hand with which I was familiar, for it had communicated with me once before in attic dust. It had been so long. I thought that they were gone, but how could they ever truly be gone? Now one of them had returned, the echo of my dead daughter, and where she went so too walked her mother, a stranger, more nebulous figure. If my daughter was a small, cold star, then her mother was the night sky against which she lay.
The words on the glass read:
THE GIRL IS ANGRY
I approached the window. The letters had only recently been written; there were still rivulets of moisture running from them, as though the words were wounds cut in flesh, bleeding their message. Through the gaps in the condensation that they had created, I saw the woods.
I went back outside and stood in my yard, staring at the trees, willing them to emerge, but they did not. Perhaps they were no longer there, but there was a stillness to the night that spoke of watchfulness, and even the marsh grass had ceased its whispering. Then the wind returned from the sea, and it tossed the grass and the trees, and it blew some of the shadows away. I erased the words with my fingertips, touching the places that she had touched as I did so, and I wondered at how a man could be haunted and both love and fear the entities that walked in his footsteps.
I stayed at the window, watching the night deepen, imagining my lost daughter’s voice speaking those words to me, imagining her small, pale form passing beneath the trees, traces of moonlight causing the bare branches to crisscross her body, binding her with lengths of darkness. I thought of that old ghost story about the monkey’s paw, and the couple who wish upon it that their dead son might be returned to them, and their horror when they realize the literal nature of their wish’s fulfillment.
And I wondered, not for the first time, if my grief had willed them back into the world.
I went to bed at midnight, after thinking for a time about the meaning of the words on the glass. They seemed like a warning, but of what I could not be sure. To what girl did they refer? Somehow I slept deeply until three a.m.. Had I tried to explain to a psychiatrist how that might be possible after a dead child had written on my window, I might have begun by arguing that when one encounters enough strangeness, then what is strange ultimately becomes familiar. The mind can accommodate itself to almost anything, given time: pain, grief, loss, even the possibility that the dead talk to the living. And I understood, too, that this was all part of a larger pattern, a signpost on a journey whose ultimate destination I could not know. I had resigned myself to what was to come, whatever it might be, and that resignation brought with it a kind of peace. So I slept, and I was grateful for sleep. When I could no longer sleep, then I would know that I was going mad.
At one minute after three, I woke. There were sounds coming from below my bedroom: bangs and crashes and barrages of strings. It took me a moment to realize that the TV was on.
But I hadn’t watched television before going to bed, and I would never have left it on if I had.
Making as little noise as I could, I reached for my gun and slipped from the bed. The room was cold. I was naked from the waist up, and my skin seemed to tighten in the chill air. The bedroom door was open, and the hall was dark, but as I reached the stairs I could see the light from the reflected images on the TV screen dancing on the wall. I tried to control my breathing as the blood thudded in my ears. The banister railings were wide, and I would be exposed as soon as I descended to the third step from the top. If it was a trap, then moving slowly and carefully would do me no good. I would simply be an easier target.
There was another series of loud explosions from the TV, and I used the sound to mask my descent. I went down fast, staying against the wall, the gun held close to my body in my right hand while I used my left for balance, but nobody sprang at me from the shadows, and there were no shots. The security chain was still in place on the front door. To the left of the stairs was my office, but the door was closed, just as it had been when I went up to bed. Ahead of me was the living room, the door standing open, the television visible through the gap. It was showing a Road Runner cartoon. There was only one door into the room. I had no choice.
The living room was empty. The couch and the easy chairs that faced the television were unoccupied. The TV remote was lying on the left side of the couch, close to the arm.
I left the TV on and returned to the main hallway. I checked the kitchen first, but it too was empty and the back door was locked. Finally, I went to my office. I gripped the handle, flung the door open, and waited, but there was no reaction from within. I checked through the crack at the hinges but could see nothing. Eventually, with no other option, I stepped in with my gun raised, but my office was as I had left it the day before, even down to the sweatshirt I had thrown across my desk after coming back from an errand at the grocery store a few days earlier.
Despite the cool of the night, I was now bathed in sweat. I made a cursory check of the upstairs rooms, just in case, but the house was empty. I returned to the living room and stared at the TV. The Road Runner was gone, and a Bugs Bunny cartoon had replaced it. Yosemite Sam was hunting with his big gun. It could have been a power surge, I supposed. I turned it off at the top of the set, and killed the power at the socket, just in case.
I was halfway up the stairs when the TV blared into life again.
I kept the gun by my side as I entered the room. It was still empty, and the remote lay where it had been, but the switch at the wall had been turned back on.
A droplet of perspiration slid down my back. There was a smell that hadn’t been there before, or if it had, then I hadn’t noticed it with the fear and adrenaline. It was a hint of perfume, though a cheap and sickly sweet one, the kind that no grown woman would wear—
the girl is angry
The words were not said aloud, and yet I could hear them in my head, a repetition of the message on the window.
you have to be careful daddy you have to be careful
‘Daddy.’ My god, my god, my god.
But there was nothing there, or nothing that I could see. I placed my hand on the television and pressed the On/Off button gently. The screen went black, and the indicator light went from green to red. I stepped back and waited. I got as far as five in my head when it came back on again, just in time for Bugs to burst through the drum, munching a carrot, to say ‘And Dat’s De End!’
Except it wasn’t, because the station’s indent flashed and instantly Bugs was back again. I even knew the cartoon: ‘Hare Brush.’ I remembered it from my childhood. Bugs and Elmer switch personalities, so that in the end Elmer wins, but he has to become Bugs to do so. I had laughed and laughed. Even in my teenage years, after my father died, I’d laugh when I caught the cartoon again. It was an escape from a world of black and gray and bright, bright red, an escape from hurt and grief, from the memory of pain: the pain of my father’s loss, the pain of my mother’s sorrow . . .
The pain of a boy holding one hand over your mouth while the other fumbles beneath your skirt, the second boy pulling away as he realizes what he has done, and what is about to be done, yet too weak to prevent it from happening. Pain in your mouth and your lungs, pain in your back and behind your eyes, pain growing and growing until it seems that your body is too small to contain it all, that it must explode from you like the air from a bursting balloon, like the death of a red star, because when the end comes it comes redly: red behind your eyes, red spraying from your mouth and nose.
And dat’s de end, except it isn’t, not for you, because you never went away, because you’re an angry girl, and people have to be careful around angry girls. Angry girls break things, and hurt things, and they wait for their chance.
And angry girls watch cartoons to escape for a time from their rage.
I stepped closer to the couch and reached for the remote. The sickly scent grew stronger, and I smelled what lay beneath it: not decay but blood and human waste, because whatever was in the room had stayed as it was at the moment of its passing. It was both a girl and not a girl. The best of it was elsewhere, sleeping, unknowing. What was here was all that had been left behind.
careful daddy careful careful
She was on the couch; almost a palpable presence. I couldn’t see her, couldn’t hear her, but she was there. I waited for her hand to close upon me as I took the remote, but it did not. The device was moist to the touch. There was condensation on it, although there should not have been. I stepped back from the couch, the remote in my hand, and the smell came with me. Tentatively, I lifted my hand, and caught the odor of her on the plastic.
I glanced at the TV. The image flickered, the action changing, and behind it I thought that I glimpsed a face reflected in the screen. I walked around the side of the couch, keeping my distance from it. When I was behind it, I raised the remote and killed the picture.
no daddy no she wont like it
And in that instant I saw her suspended in the darkness of the screen like a soul trapped in the void: a black girl in a torn white blouse seated on the couch, her hands by her sides, palms up, her knees scraped raw; blood on her chin, and on her lips, and blood dried in lines that ran from the corners of her eyes like red tear stains. She opened her mouth and screamed silently, her whole body shaking with the force of her anger: a child frustrated, a child deprived of her desire, a child dragged from a world of brightness back into a world of pain. Then she was gone, and there was only my own reflection in the otherwise empty room.
I turned off the TV for the final time, and I did not sleep again that night.
Not even with the TV cable safely hidden away in my bedside locker.