The Brutal Telling

 

TWENTY-NINE

 

 

 

 

 

After a luncheon of herbed cucumber soup, grilled shrimp and fennel salad and peach tarte Gamache and the Brunels settled into the bright living room of the second-floor apartment. It was lined with bookcases. Objets trouvés lay here and there. Pieces of aged and broken pottery, chipped mugs. It was a room that was lived in, where people read, and talked and thought and laughed.

 

“I’ve been researching the items in the cabin,” said Thérèse Brunel.

 

“And?” Gamache leaned forward on the sofa, holding his demi-tasse of espresso.

 

“So far nothing. Amazing as it sounds, none of the items has been reported stolen, though I haven’t finished yet. It’ll take weeks to properly trace them.”

 

Gamache slowly leaned back and crossed his long legs. If not stolen, then what? “What’s the other option?” he asked.

 

“Well, that the dead man actually owned the pieces. Or that they were looted from dead people, who couldn’t report it. In a war, for instance. Like the Amber Room.”

 

“Or maybe they were given to him,” suggested her husband, Jér?me.

 

“But they’re priceless,” objected Thérèse. “Why would someone give them to him?”

 

“Services rendered?” he said.

 

All three were silent then, imagining what service could exact such a payment.

 

“Bon, Armand, I have something to show you.” Jér?me rose to his full height of just five and a half feet. He was an almost perfect square but carried his bulk with ease as though his body was filled with the thoughts overflowing from his head.

 

He wedged himself onto the sofa beside Gamache. He had in his hands the two carvings.

 

“First of all, these are remarkable. They almost speak, don’t you find? My job, Thérèse told me, was to figure out what they’re saying. Or, more specifically, what these mean.”

 

He turned the carvings over to reveal the letters carved there.

 

MRKBVYDDO was etched under the people on the shore.

 

OWSVI was under the sailing ship.

 

“This’s a code of some sort,” explained Jér?me, putting his glasses on and peering closely at the letters again. “I started with the easiest one. Qwerty. It’s the one an amateur’s most likely to use. Do you know it?”

 

“It’s a typewriter’s keyboard. Also a computer’s,” said Gamache. “Qwerty is the first few letters on the top line.”

 

“What the person using Qwerty generally does is go to the keyboard and type the letter next to the one you really mean. Very easy to decode. This isn’t it, by the way. No.” Jér?me hauled himself up and Gamache almost tumbled into the void left by his body. “I went through a whole lot of ciphers and frankly I haven’t found anything. I’m sorry.”

 

Gamache had been hopeful this master of codes would be able to crack the Hermit’s. But like so much else with this case, it wouldn’t reveal itself easily.

 

“But I think I know what sort of code it is. I think it’s a Caesar’s Shift.”

 

“Go on.”

 

“Bon,” said Jér?me, relishing the challenge and the audience. “Julius Caesar was a genius. He’s really the cipher fanatic’s emperor. Brilliant. He used the Greek alphabet to send secret messages to his troops in France. But later he refined his codes. He switched to the Roman alphabet, the one we use now, but he shifted the letters by three. So if the word you want to send is kill, the code in Caesar’s Shift becomes . . .” He grabbed a piece of paper and wrote the alphabet.

 

 

 

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

 

 

 

 

 

Then he circled four letters.

 

NLOO

 

“See?”

 

Gamache and Thérèse leaned over his messy desk.

 

“So he just shifted the letters,” said Gamache. “If the code under the carvings is a Caesar’s Shift, can’t you just decode it that way? Move the letters back by three?”

 

He looked at the letters under the sailing ship.

 

“That would make this . . . L, T, P. Okay, I don’t have to go further. It makes no sense.”

 

“No, Caesar was smart and I think this Hermit was too. Or at least, he knew his codes. The brilliance of the Caesar’s Shift is that it’s almost impossible to break because the shift can be whatever length you want. Or, better still, you can use a key word. One you and your contact aren’t likely to forget. You write it at the beginning of the alphabet, then start the cipher. Let’s say it’s Montreal.”

 

He went back to his alphabet and wrote Montreal under the first eight letters, then filled in the rest of the twenty-six beginning with A.

 

 

 

A B C D E F G H I J K L M N O P Q R S T U V W X Y S

 

 

 

M O N T R E A L A B C D E F G H I J K L M N O P Q R

 

 

 

 

 

“So, now if the message we want to send is kill, what’s the code?” Jér?me asked Gamache.

 

The Chief Inspector took the pencil and circled four letters.

 

CADD

 

“Exactly,” beamed Dr. Brunel. Gamache stared, fascinated. Thérèse, who’d seen all this before, stood back and smiled, proud of her clever husband.

 

“We need the key word.” Gamache straightened up.

 

“That’s all,” laughed Jér?me.

 

“Well, I think I have it.”

 

Jér?me nodded, pulled up a chair and sat down. In a clear hand he wrote the alphabet once again.

 

 

 

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

 

 

 

 

 

His pencil hovered over the next line down.

 

“Charlotte,” said Gamache.