TWENTY-TWO
Gamache arrived back at the Incident Room to find Superintendent Thérèse Brunel sitting at the conference table, surrounded by photographs. As he entered she rose, smiling.
“Chief Inspector.” She advanced, her hand out. “Agent Lacoste has made me so comfortable I feel I could move right in.”
Thérèse Brunel was of retirement age, though no one in the S?reté would ever point that out. Not out of fear of the charming woman, or delicacy. But because she, more than any of them, was irreplaceable.
She’d presented herself at the S?reté recruitment office two decades earlier. The young officer on duty thought it was a joke. Here was a sophisticated woman in her mid-forties, dressed in Chanel and wanting an application form. He’d given it to her, thinking it was almost certainly a threat for a disappointing son or daughter, then watched with increasing bafflement as she’d sat, legs crossed at the ankles, delicate perfume just a hint in the air, and filled it out herself.
Thérèse Brunel had been the chief of acquisitions at the world famous Musée des Beaux Arts in Montreal, but had nursed a secret passion for puzzles. Puzzles of all sorts. And once her children had gone off to college she’d marched right over to the S?reté and signed up. What greater puzzle could there be than unravelling a crime? Then, taking classes at the police college from Chief Inspector Armand Gamache, she’d discovered another puzzle and passion. The human mind.
She now out-ranked her mentor and was the head of the property crime division. She was in her mid-sixties and as vibrant as ever.
Gamache shook her hand warmly. “Superintendent Brunel.”
Thérèse Brunel and her husband Jér?me had often been to the Gamaches’ for dinner, and had them back to their own apartment on rue Laurier. But at work they were “Chief Inspector” and “Superintendent.”
He then walked over to Agent Lacoste, who’d also stood as he entered.
“Anything yet?”
She shook her head. “But I just called and they expect the lab results any moment.”
“Bon. Merci.” He nodded to Agent Lacoste and she sat once more at her computer. Then he turned his attention to Superintendent Brunel.
“We’re expecting fingerprint results. I really am most grateful to you for coming at such short notice.”
“C’est un plaisir. Besides, what could be more exciting?” She led him back to the conference table and leaning close she whispered, “Voyons, Armand, is this for real?”
She pointed to the photographs scattered across the table.
“It is,” he whispered back. “And we might need Jér?me’s help as well.”
Jér?me Brunel, now retired from medicine, had long shared his wife’s love of puzzles, but while hers veered toward the human mind, his settled firmly on ciphers. Codes. From his comfortable and disheveled study in their Montreal home he entertained desperate diplomats and security people. Sometimes cracking cryptic codes and sometimes creating them.
He was a jolly and cultured man.
Gamache took the carving from his bag, unwrapped it and placed it on the table. Once again the blissful passengers were sailing across the conference table.
“Very nice,” she said, putting on her glasses and leaning closer. “Very nice indeed,” she mumbled to herself as she studied the piece, not touching it. “Beautifully made. Whoever the artist is, he knows wood, feels it. And knows art.”
She stepped back now and stared. Gamache waited for it, and sure enough her smile faded and she even leaned a little away from the work.
This was the third time he’d seen it that morning. And he had felt it himself. The carvings seemed to burrow to the core, to the part most deeply hidden and the part most commonly shared. They found people’s humanity. Then, like a dentist, they began to drill. Until that joy turned to dread.
After a moment her face cleared, and the professional mask descended. The problem-solver replaced the person. She leaned in to the work, moving herself round the table, not touching the carving. Finally, when she’d seen it from all angles, she picked it up, and like everyone else looked underneath.
“OWSVI,” she read. “Upper case. Scratched into the wood, not painted.” She sounded like a coroner, dissecting and dictating. “It’s a heavy wood, a hardwood. Cherry?” She looked closer and even sniffed. “No, the grain isn’t right. Cedar? No, the color is off, unless . . .” She took it to the window and placed it in a stream of sunshine. Then lowering it she smiled at Gamache over her glasses. “Cedar. Redwood. From British Columbia almost certainly. It’s a good choice of wood, you know. Cedar lasts forever, especially the redwood. It’s a very hard wood too. And yet it’s surprisingly easy to sculpt. The Haida on the west coast used it for centuries to make totem poles.”
“And they’re still standing.”
“They would be, if most of them hadn’t been destroyed in the late 1800s by the government or the church. But you can still see a fine one in the Museum of Civilization in Ottawa.”
The irony wasn’t lost on either of them.
“So what are you doing here?” she said to the sculpture. “And what are you so afraid of?”
“Why do you say that?”
Over at her desk Agent Lacoste looked up, wanting to know the answer too.
“Surely you felt it too, Armand?” She’d used his first name, a sign that while she appeared composed she was in fact nonplussed. “There’s something cold about this work. I hesitate to say evil . . .”
Gamache cocked his head in surprise. Evil wasn’t a word he heard often outside a sermon. Brutal, malevolent, cruel, yes. Horror, even; investigators sometimes talked about the horror of a crime.
But never evil. But that was what made Thérèse Brunel a brilliant investigator, a solver of puzzles and crimes. And his friend. She placed conviction above convention.
“Evil?” asked Lacoste from her desk.
Superintendent Brunel looked at Agent Lacoste. “I said I hesitated to call it that.”
“And do you still hesitate?” Gamache asked.
Brunel picked up the work once again and bringing it up to eye level she peered at the Lilliputian passengers. All dressed for a long voyage, the babies in blankets, the women with bags of bread and cheese, the men strong and resolute. And all looking ahead, looking forward to something wonderful. The detail was exquisite.
She turned it round then jerked it away from her as though it had bitten her nose.
“What is it?” Gamache asked.
“I’ve found the worm,” she said.
Neither Carole Gilbert nor her son had slept well the night before, and she suspected Dominique hadn’t either. To Vincent, sleeping in the small room off the landing, she gave no thought. Or rather every time he emerged into her conscious mind she shoved him back into his little room, and tried to lock the door.
It had been a lovely, soft dawn. She’d shuffled around the kitchen making a pot of strong French Pressé coffee, then putting a mohair throw round her shoulders she’d picked up the tray and taken it outside, installing herself on the quiet patio overlooking the garden and the mist-covered fields.
The day before had felt like one endless emergency, with claxtons sounding in her head for hours on end. They’d pulled together as a family and presented a united front through revelation after revelation.
That Marc’s father was still alive.
That Vincent was in fact standing right there.
That the murdered man had been found in their new home.
And that Marc had moved him. To the bistro. In a deliberate attempt to hurt, perhaps even ruin, Olivier.
By the time Chief Inspector Gamache had left they all felt punch-drunk. Too dazed and tired to go at each other. Marc had made his feelings clear, then gone into the spa area to plaster and paint and hammer. Vincent had had the sense to leave, only returning late that night. And Dominique had found the cabin while out riding on the least damaged of the horses.
’Twould ring the bells of Heaven, Carole thought to herself as she stared at the horses, now in the misty field. Grazing. Leery of one another. Even from there she could see their sores.