Sunburn

He had proposed this beach vacation as one last family get-together, to see if they could find their way back. He spun the one-room studio rental as a part of the plan—real togetherness, one big happy. But, in the back of his mind, he was already thinking about moving out. His mom would take him in, he could always count on his mom.

Now she’s moved out, leaving him with the kid. There had been a separate note just to him, one that he had hidden from Jani. This note was cool and businesslike. A typed note at that, which means she had written it before they ever got here. Probably pecked it out at the library, where they had word processors.

I will let you know of my plans as soon as possible. I know you want a divorce, so let’s make it quick and painless. For now, it’s best if Jani remains with you, in the house and routine she knows. I will call after I’m settled.

And now it’s Tuesday, their last day of “vacation.” He has trudged through the past forty-eight hours as if the end of this getaway was some sort of finish line. He cannot believe how hard it is to care for a child 24/7, although he told himself that’s because they’re not at their house, with all their stuff. Now, packing up to return home, he sees that life is just going to keep going, that he will have even more problems once he gets home. What will he do for child care? He loves Jani, but, Christ, he cannot be a single dad.

There’s a $125 penalty if you stay one minute past 11 a.m. on the last day of your rental, even on a Tuesday. Jani wanted one more morning at the beach, but Gregg can’t get them packed up and have the place clean enough to get his deposit back if they do that. Jani whines every second of the morning and shows a real talent for creating a mess wherever he has just cleaned—stepping in dust piles, leaving sticky prints on appliances, tables, walls. They get away with only minutes to spare, 10:57 on the dashboard clock.

When he turns to check his sights as he backs the car out of the driveway, he sees Jani in her car seat, clutching that damn note to her cheek. Those dark curls, olive skin, light eyes—she looks nothing like her mother. If he hadn’t been at the hospital when Jani was born, if he hadn’t been there for the pregnancy, he’d wonder if a woman could somehow fake having a kid. Jani has looked exactly like him since Day One. “That’s evolution at work,” Pauline told him. “If babies didn’t look like their fathers, they’d reject them. She’ll look more like both of us as time goes on.” Well, it’s three years later and the little girl in the car seat still looks like a female version of him. Put their childhood photos next to each other and you’d think they were fraternal twins. There’s not a trace of her mother in her face.

Pauline’s not going to dump this kid on him. He’ll find her, make her do right. He’s the one who’s supposed to be moving out, moving on.

“Whore,” he mutters.

“What, Daddy?”

“Nothing.”

Two miles up the highway, he takes the left turn onto State Highway 26 too fast and the boogie board he roped to the roof goes sliding off. Horns honk around him, as if he planned this fiasco. He’d leave the board on the roadside if he could, but that would make him no better than her. He pulls over and puts everything to rights, then fights for his way back into the westbound traffic, surprisingly thick for a Tuesday in June. Oh God, there’s a funeral, apparently for the most popular guy in Bethany Beach, the line of cars twenty, thirty deep. He adds this mishap to the growing list of everything that’s her fault. She has ruined his life. Or tried to. He’ll find her, make her fulfill her obligations, make her pay.

He remembers the first slap, after he gave her permission, so hard it almost brought tears to his eyes. It was as if she had been waiting to hit him for a very long time.





4




Early in her first marriage—the less said about that, the better—Polly would get so upset at her husband that she would throw herself out of the car. At first, only at stop signs or traffic lights. Eventually she started jumping out during a slow roll. Never more than 5 or 10 mph, usually in a parking lot, but there was a heady danger to it, especially if one chose, as she did, to leap and try to land two-footed on the pavement. She never tucked and rolled, never scraped her hands. She wanted him to see her leap, turn, and head in the other direction, knowing he couldn’t follow as nimbly.

Then again, they both knew she had to come home eventually.

Why couldn’t she leave that marriage as easily as she jumped from his car? Part of it was money, of course. Walking home cost her nothing, except a beating. To leave, she would have needed money. Leaving required planning. The jump from the car was the opposite of a plan. It was a moment of possibility. I’m not trapped. I come back to you voluntarily. A lie, one she told only to herself, but an essential one in those days. A lie that she finally made true, but it took a long time. Time and money. Everything worth having requires time and money.

Speaking of—she crosses the highway, and enters the High-Ho slightly after four. Early enough so it’s quiet, not so early that she seems unreliable. A lot of drunks like to work in bars. A man she once knew, a guy who fancied himself a real sage, liked to say, If you have a thing for elephants, you work in the circus. If you like little kids, you get jobs that give you access to them. Teaching, Cub Scouts, day care. Drunks like to work in bars. Polly has been chatting up the barmaid three nights running now, getting a rapport going, all the while ignoring the guy who’s staying at the motel same as her. Mr. #3, as she thinks of him, despite knowing his name. She overheard him telling the barmaid that his truck threw a rod, but he’ll be gone once they find the part.

“Any chance you can use someone else here?” Polly asks the barmaid.

“Maybe part-time,” she says. “On weekends and evenings, we need a waitress to help with the kitchen orders. But if you want work, you’ll do better going east to the beaches. No matter how much they load up on staff down the ocean in summertime, it’s never enough, and there’s always someone who can’t deal with the pace, the tourists. You’ll make better money, too.”

“Why don’t you work down there, then?” Polly takes out her pack of cigarettes, pushes it toward the woman, who helps herself to one. The barmaid has an apple-cheek prettiness, but she always smells of cigarettes, takes frequent breaks in the parking lot. Whereas Polly is that odd person who can take them or leave them.

“That hour drive is just that much too far. If I lived in Seaford or Dagsboro, maybe—but not from here. I hate driving these two-lane roads at night. Kids going too fast on the curves, old people going too slow, speed traps. Rather make just enough every week of the year, stay away from the tourists. They don’t tip well, anyway. Everyone’s passing through.”

Polly decides not to point out that she just said the money was better down the ocean.

“What would I make here, part-time?”

“Four nights a week, including one of the big weekend nights? Maybe two hundred dollars, mostly cash. But that’s if you’re good. Are you good?”

“I think so.”

“I wouldn’t mind having a deeper bench, that’s for sure. I’d like to take a weeknight off here and there. But it’s the boss’s decision.”

“What if I need to work off the books?”

The barmaid’s eyes narrow. “Why would you want to do that?”

“Not a matter of want. Need.”

“Someone looking for you?”

“Not for anything I did wrong. But—if I were to be found, yeah, it could be bad.” She smiles. “I’m not the first woman to make a mistake, you know?”

Laura Lippman, Susan Bennett's books