What was happening to my world? Everything was topsyturvy. Buckshaw was to be sold. Father had told me I was Harriet and so more or less had Jocelyn Ridley-Smith. Daffy had hugged me. The vicar had doubted me. I had learned that I was likely a collateral descendant of a saint. I had already begun to love the hated Cynthia. I had allowed myself to burst into tears in front of Mrs. Mullet. And now I had spoken down to Dogger as if I were a cinema star and he a mere hireling. The universe was changing in ways that I did not necessarily approve of.
If only we could go back to the good old days of a week ago when, as unpleasant as they might have seemed, we were revolving securely in our dusty old orbits.
Feely, it seemed, was, as Sherlock Holmes once called Dr. Watson, “the one fixed point in a changing world.” Throughout the events of the past few days, Feely had somehow managed to remain her same unpleasant self.
Could it be that goodness waxes and wanes like the moon, and that only evil is constant?
If I could find the answer to that question, perhaps everything else would come clear.
It was, in a way, the same problem that was now facing Inspector Hewitt and me, and to a lesser degree, I suppose, Adam Sowerby and Miss Tanty.
Could it be that some person with an otherwise spotless record had suddenly become unhinged and committed murder? Or had Mr. Collicutt met his end at the hands of someone who had killed before?
A professional, say?
His death did not seem to fit what one thinks of as a village murder: the jealousy, the angry words, the blow, the strangulation, the poisoning, the booby-trapped bed warmer.
Instead, he had been brutally murdered within the closed casing of a historical pipe organ, his body hauled out of doors and through the churchyard, dropped down into an open grave, dragged through a tunnel, and tossed at last into a hidden chamber atop the tomb of a long-dead saint.
It didn’t make any sense.
Or did it?
The truth, I suspected, was in a bit of cloth.
The white ruffle I had seen protruding from the gas mask at Mr. Collicutt’s throat.
I flung myself down on my bed to rest my eyes.
When I opened them again, it had grown dark outside.
I came slowly down the east staircase rubbing my eyes after a restless night. My dreams had been of Buckshaw—dark dreams in which holes were appearing everywhere, as if some monstrous mole were blindly digging away at the house and its grounds, relentless and unstoppable.
I had awakened to find it well past nine in the morning. I would need to find Father and apologize, not just for missing yesterday’s supper, to say nothing of lunch, but also for this morning’s breakfast.
Father, as I have said, was a stickler for attendance. Excuses not allowed.
I dawdled along the corridor, dragging out the inevitable confrontation as long as I possibly could.
I stopped outside the drawing-room door and listened. If Father were not here, he would be in his study, and I certainly didn’t want to disturb him there.
In a way, I would be off the hook.
I put my ear to the door and listened to the low murmer of voices. Although I could not hear what was being said, I knew by the way the paneling vibrated that one of the speakers was Feely.
I knelt down and applied my eye to the keyhole, but it was no good: The key was in the lock and my view was blocked.
I listened at the door again—pressing my ear tightly against the wooden panel—but it was no use. Even my supersensitive hearing was not enough.
The solution came—as brilliant solutions often do—in a flash.
On tiptoe, I loped back to the foyer and upstairs to my laboratory, chuckling as I went.
From a cupboard under one of the sinks I extracted a screwdriver, a length of rubber hose, and two funnels, used ordinarily for filling bottles but now destined for a much more exciting role.
Back along the upstairs corridor I went, along the unused north wing and through the baize door that led to family quarters. Directly across from Harriet’s boudoir, which Father kept untouched as yet another shrine to her memory, was Feely’s room. Besides Harriet’s it was the largest bedroom at Buckshaw, and the most luxurious.
I tapped at the door with a fingernail, to check that the coast was clear.
If Feely were inside—if it happened to be someone else’s voice I had heard in the drawing room—she would instantly answer the slightest sound with a loud and surly “What?”
Feely was the most territorial of all we de Luces, and as fearsomely protective of her domain as God is of Heaven.
I tapped again.
Nothing.
I tried the door and, miracle of miracles, it swung open. Feely must have gone downstairs in an almighty rush to overlook such a basic point of privacy.
I closed the door quietly behind me and tiptoed across the room. I was now directly above the drawing room, and didn’t want the sound of my footsteps to give me away. Not that they would, of course. Buckshaw was as solid as any ancient cathedral—high ceilings, thick floors—but still, one didn’t want to trip on the carpet and give away the game.
One of the marvels of Buckshaw, at least in its Victorian days, had been the conversion of its chimneys from their original smokestack design to a patent draft-regulating scheme. Through the ingenious knocking together of flues on the ground and second floors, by means of a crude valve—actually, no more than a cast-iron plate—the inhabitants could be protected against the danger of carbon monoxide poisoning from coal fires in the grate, should one of the chimneys become blocked by a jackdaw’s nest.
I had discovered these plates almost by accident while investigating in my laboratory a more efficient way than opening a window of venting poisonous gases, such as hydrogen cyanide, and so forth, to the outside air without killing my own flesh and blood.
These iron plates at the back of each fireplace, coated with generations of soot, could with a little persistence be easily unscrewed and removed.
I should have brought something to catch the soot—an old quilt or blanket, perhaps—but it was too late now. I needed to listen in on Feely’s conversation with someone I was quite sure had to be the only visitor Buckshaw had received in months. The topic was almost certainly her wedding, whose details were, for some inexplicable reason, being kept from me. I didn’t want to miss a word more than was necessary.
I had heard somewhere that chimney sweeps had used sheets to drape the furniture which, from my viewpoint, couldn’t have been more convenient. Because it was closest to hand, I stripped back her comforter and whipped off the top sheet from Feely’s bed. I would replace it with a fresh one later.
I spread the sheet on the cold hearth, ducked down as if I were passing through a low door, and stood up with my head inside the fireplace.
Ah! Here it was—just above my head. By climbing up onto the grate I could easily get at the screws that held the plate in position. I felt out the slots with my thumbnails.
It is important to remember, when removing cast-iron fittings in chimneys, to be quiet about it, since brick transmits the slightest sound with wonderful efficiency.
The plate came away without a struggle, and I put it down carefully on the sheet.
Next I took the two funnels—a large one of tin and a small one of glass—and shoved the spout of each into opposite ends of the rubber hose.
I slipped the larger funnel into the new opening and then, playing out the rubber hose as if it were a rope, slowly … carefully … inch by inch … foot by foot—lowered away.
After what seemed like forever, the full length of the hose was dangling down the chimney. If my calculations were correct, the large funnel was now about level with the drawing-room fireplace.
I put the small funnel to my ear, just in time to hear Feely say, “I thought perhaps something from Elgar. ‘The Angel’s Farewell.’ It’s very British.”
“Yes, but rather too Catholic, don’t you think?” the stranger’s voice replied. “Based on a poem by the turncoat Newman. It would be tantamount to doing ‘Ave Maria.’ Don’t want to put wrong ideas into the girls’ heads. They’ll all be there, you know. They all adored him.”
I knew instantly that I was eavesdropping on a conversation between Feely and Alberta Moon, the music mistress at St. Agatha’s—Alberta Moon, who the vicar had said would be devastated to hear of Mr. Collicutt’s death. They were not discussing Feely’s wedding, but rather Mr. Collicutt’s funeral.
“Perhaps the Nunc Dimittis,” Feely said. “ ‘Lord now lettest thou thy servant depart in peace.’ He played it so often at Evensong. I thought we might ask Miss Tanty to sing it as a solo.”
There was a cold silence, made colder and longer by the length of rubber tube through which I was listening.
“No, I think not, Ophelia. Miss Tanty, to be quite plain about it, hated his intestines.”
This was followed by a brittle laugh.
Feely said something which I couldn’t quite make out, but it sounded as if she were upset. I removed the glass funnel from the hose and jammed the end of the rubber tubing directly into my ear.
“… had many a jolly old girl-to-girl with her at the school before she hung up her hatchet,” Miss Moon was saying. “… in the days when we were still managing to be civil to each other.”
I’d forgotten that Miss Tanty had been Miss Moon’s predecessor at St. Agatha’s.
“And as difficult as it may be for you to believe, it is perhaps my bounden duty to inform you that she had what my girls would call ‘a mad pash’ for Crispin.”
Crispin? Aha! She was talking about Mr. Collicutt.
“Oh, don’t look shocked, Ophelia. Of course she was old enough to be his mother but still, as you ought to know by now, one must never underestimate the juices of a soprano.”
To my ears—or rather to my ear, since I was eavesdropping with a rubber tube shoved into just one of them—Miss Moon sounded more angry than devastated.
“I will not have that woman singing a solo at Crispin’s funeral! The would-be lover scorned being allowed to warble over the loved one’s remains? It is simply not on, Ophelia. You may put it out of your head. No, I shall do the honors myself. Purcell, I think. ‘When I Am Laid in Earth,’ from Dido and Aeneas. The very thing. I shall accompany myself and sing from the organ bench, so there shall be no need for you to learn the piece.
“No, no. No need to thank me. I’m sure you have quite enough on your plate these days without— Such a pity about Buckshaw, isn’t it? I saw the sign at the gates. Too shocking. But then we must look on the bright side. A little birdie tells me that you yourself will soon have cause to celebrate. We’re all so happy for you, Ophelia, really we are.
“What’s his name, from up at Culverhouse Farm? Victor? I know that you and Victor will—” It was too much!
I picked up the small glass funnel from the grate and rammed its end back into the hose. I put it to my mouth and shouted into it, “Dieter! It’s Dieter, you stupid old sea cow!”
What had I done? Had I let a moment of anger destroy the de Luces’ last scrap of dignity? Was Saint Tancred, in the church, shaking his wooden head in bloody disbelief that one of his descendants could behave like such a drip?
I put the funnel to my ear again and listened. There was nothing but silence.
And then a door slammed.
A moment later came the sound of heels on the hearth and then the unmistakable grating of fingers on the distant end of my rubber hose.
Strangled by the narrow tube, Feely’s thin voice, like that of an angered elf, came leaking from between my fingers and out the tiny trumpet of the funnel.
“I hate you!” it said.