Photo by Adam Hunter
Simone St. James is the award-winning author of The Haunting of Maddy Clare, which won two RITA? Awards from Romance Writers of America and an Arthur Ellis Award from Crime Writers of Canada. She wrote her first ghost story, about a haunted library, when she was in high school, and spent twenty years behind the scenes in the television business before leaving to write full-time. She lives in Toronto, Canada, with her husband and a spoiled cat.
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Turn the page for a preview of Simone St. James’s new novel,
THE OTHER SIDE OF MIDNIGHT,
about a psychic medium in 1925 London who is compelled to investigate the murder of her greatest rival when she receives a message from beyond the grave.
Available in April 2015 from New American Library in paperback and as an e-book.
CHAPTER ONE
LONDON, 1925
The man who sat before me at seven o’clock on a Tuesday evening was lying.
He’d come with an impeccable reference from a barrister client of mine, and though he was barely thirty-five, the tailoring of his three-piece suit and the glint of his watch chain spoke of success. He wore power easily in his posture and the set of his shoulders, like a man accustomed to it, and yet the problem he set me was not only trifling—it was false.
He dropped his gaze to the table, where my fingers rested over his, and I took the opportunity to study his face undetected. Slender, clean-shaven. Almost handsome, but not quite; something about the width of the temples was off, and an absolute seriousness marred his expression, suggesting no sense of humor. His brows were drawn down as though something weighed on him, and his mouth was pulled into a grim line, as though he were thinking of something terrible and new. Whatever his true reason for consulting a psychic, he was not giving it away.
I glanced at the clock on the mantel. Seven o’clock. We’d been here for an hour already. I’d earned my shillings.
The man looked up at me, uncomfortable in my silence. “I wonder perhaps—”
“Hush,” I said with seriousness. “You must not interrupt.”
It never occurred to him to obey. “It’s just that—”
“Mr. Baker, if you cannot let me concentrate, I have no hope of finding your sister’s brooch.” I gave him a stern look, the black beads on my dress clacking. I was prolonging things needlessly now, but he’d annoyed me, and I was admittedly peevish. “Please concentrate. Picture the brooch in your head. See it in as much detail as you possibly can. Picture where you last saw it.”
He sighed, shifting in his chair, as if it hadn’t been he who had come to waste my time this evening. “I suppose I’ll try again.”
He would fail. The brooch he’d asked about did not exist; I’d known as much as soon as I’d touched him. What I didn’t know—what his touch hadn’t told me—was what he actually wanted from me. And here I was, trapped at the little table in my sitting room, hungry, my cold supper waiting for me in the kitchen. If this man didn’t want to be honest, then he could suffer in one of my hard chairs a little bit longer.
I waited for a stretch of minutes, my eyes closed, as the clock ticked on the mantel. “It really isn’t coming very clearly,” I said at last.
Mr. Baker, who was no more Mr. Baker than I was, squirmed just a little. “Perhaps I should come again another time.”
“No, truly, I can find it. Sometimes it takes a little time, that’s all, and you must concentrate harder. Just a little longer . . .”
“It’s quite all right.” He squirmed again, and from under my lashes, I saw the first evidence of a conscience. “I’m afraid I have another appointment.”
I shook my head in a show of frustration and lifted my hands from his. “But of course. We’ve run out of time, haven’t we? I’m sorry the brooch did not appear to me, Mr. Baker.”
“No, no. You mustn’t apologize. I insist.” Now he seemed almost annoyed. His gaze wandered off and clouded over with disappointment, as if he’d expected something else entirely from this evening and was already forgetting my existence. “Perhaps I’ll come and try again another time.”
I stood, pushing my chair back coolly. “You could, but that wouldn’t make an interesting story, would it?”
He frowned. “I beg pardon?”
“For your newspaper.” My peevishness was fleeing now, leaving only tiredness behind. “I assume you write for one. ‘Famous Psychic Debunked,’ perhaps? Or ‘Seer Bilks the Innocent of Money’ may also work. Though I can’t imagine why any newspaper would want yet another story about people like me.”
“I don’t know what you mean.” His outrage was convincing. He pushed his chair back and stood as well, and though he was only slightly taller than I was, he somehow seemed larger. “Do you honestly take me for a journalist?”
“Honestly? You don’t look like one at all. You dress too well, and your demeanor is wrong. Honestly, Mr. Baker, I don’t know what you are, but a journalist is the only kind of person who would go to elaborate lengths to get a referral, then come here and waste my time with a false story about a valuable brooch.”
He went very still.
I looked at his face. “Of course, I knew it was false. Though if you like, you can publish in your newspaper that I have found the toy soldiers you lost when you were eight. That’s what you were really thinking about just now. Here it is: Your brother Tommy took them. He broke them in half and fed them to the dog while playing African Explorer.”
There was a long beat of silence. I hadn’t meant to say that, not exactly. It had just come so clearly to me: the crisp fall day, the little boy roaring as he pretended the dog was a man-eating tiger, eagerly snapping up Stanley and Livingstone. I wondered if the dog had gotten indigestion from the enterprise. It seemed likely, though the vision didn’t specify. A shadow crossed over the vision of the boy, something foreboding, but I pushed it away.
Mr. Baker was looking at me with the shocked expression people wore when they first realized I told the truth. “There’s no way you could know that,” he said softly. “No way at all.”
This was always a telling moment. People came to me for answers, yet they were always knocked on their heels when I actually gave them. Some customers tittered nervously; others grew angry and defensive, accusing me of trickery or lying. Those were the dangerous ones. The truth, even one so small as the fate of a few wooden soldiers, affected everyone differently. You couldn’t predict it, not really. It was why I kept my client list so select.
But the look on Mr. Baker’s face was one I hadn’t seen before. He stared at me with a sort of profundity, as if I’d answered a question he hadn’t even known he’d been asking. And yet the revelation seemed to strike him as a blow, and his look of desperate misery almost made me step back. It was the look of a man who had just seen proof of Hell’s existence—an answer to one of life’s deepest questions, and not the answer he wanted to hear.
“Mr. Baker,” I said, keeping my voice level, “I’m asking you to leave the premises.”
He swallowed, and something indescribably sad crossed his features. “If only you’d let me explain.”
“There’s no need.” My voice rose almost to shrillness. I wanted no part of the sadness and desperation on his face, none at all. “I’m well acquainted with the local constable. If you don’t leave, I’ll have no choice but to send for him.”
It was a bluff—the local constable thought me a hussy, when he thought of me at all—but Mr. Baker only looked ashamed. He took an expensive handkerchief from his pocket. “I’m sorry,” he said, dabbing his forehead and looking away. “Good night.”
And then he was gone, without another word to me, my front door shutting on the back of his well-cut suit. I still had no idea why he’d come, what he’d wanted, or even why he’d left so quickly. I told myself the most important point was that he had gone. You’re a woman alone in this job, my mother had taught me. You must never take chances.
I sighed into the lonely quiet of my sitting room. I looked around at the narrow chintz sofa, the heavy draperies over the front window, the plum velvet curtain hanging artfully over the door to the corridor. In the middle of the room was the session table, a simple square with a flowered tablecloth and wooden chairs on opposite sides. Every piece in the room had been picked out by my mother.
“At least he paid me in advance,” I said to no one.
The room stared silently back at me. Theatrical, my mother had called the decor, yet respectable. It’s the sort of look that works best.
The Fantastique. That had been what my mother had called herself. It had made my father uneasy, and the neighbors had never approved, but séances were a very lucrative business. For as long as I had memory, there had been a small hand-painted sign in the window next to our front door, a crystal ball with striped rays emanating from it. THE FANTASTIQUE, it said. PSYCHIC MEDIUM. SPIRIT COMMUNICATION. DO YOU HAVE A MESSAGE FROM THE DEAD? Everyone, it seemed, had someone dead they wanted to talk to.
“It looks a bit like a sunset,” I’d said to my mother of that painted crystal ball, when I’d been old enough to notice.
“It’s theatrical, yet respectable,” she’d replied. “It’s the sort of look that works best.”
Then my father had died in the war, and my mother and I were left alone in our little house in St. John’s Wood, my mother grieving and, eventually, sick. She had taught me everything she knew. And when she’d died four years ago, what was I to do? Her clients still needed someone. The money was good, and steady. I was beholden to no one. Now the Fantastique was me.
I had meant to get the sign changed. The Fantastique now found lost things; that was her only offering. She didn’t do séances anymore.
I left the sitting room through the velvet curtain and went up the small staircase to my bedroom on the first floor. I undid my dress—a custom creation dripping in jet-black beads that had been my mother’s—and set it carefully in the wardrobe. It was the Fantastique’s only costume. I disposed of my stockings and heels and untied the black scarf wound in my hair. I brushed out my short waves with a silver- backed brush. Then I tied a silk wrapper over my underthings and went barefoot to the kitchen, making a stop in the lav to wash the makeup from my face.
Supper was set on the table, a dome placed over it. I removed the dome and looked at a chop, a potato, and a few cooked carrots. I had a daily woman who came, cleaned, prepared a few meals, and left again, always while I was working. She didn’t mind me, and I didn’t mind her. I paid her on time, and she ensured I had a bottle of wine uncorked by supper. It worked out well enough.