chapter SIXTEEN
Donatella Rahn stood in front of her mammoth glass desk and studied a series of ten-by-eight Polaroids that had just been couriered to her office from a shoot that was going on across town. After more than twenty years in the business, the first ten in front of the camera and the next eleven working for the House of Armani, she had a pretty good eye for what worked and what didn't. It was glaringly obvious from the Polaroids that the shoot was not going well. She swore to herself as she counted the thousands of dollars that were being wasted. It looked like she might have to get into a cab and go throw a fit. That was the way it worked.
It was the way it had always worked. Theirs was a business driven by passion. No passion and everything was mediocre. From the designers, to the photographers, to the stylists, to the models, if any one of them wasn't excited about the clothes and the shoot, the outcome was lukewarm at best. And when it came to the House of Armani, lukewarm just didn't cut it.
Many words could be used to describe Donatella Rahn, but lukewarm was not one of them. She had the practicality and decisiveness of her Austrian father and the creativity and passion of her Italian mother. It had taken her a good portion of her life to sort out these traits and learn to control them, or at a bare minimum channel them into the right areas of her life. It was easy for people to never make it past Don Atellas stunning beauty, but in reality she was an extremely complex person. Many men over the years had failed to see that she was more than a pretty face, and they had either been left with a broken heart or no heart at all.
At thirty-eight, Donatella looked and felt better than at any other time in her life. Yes there were a few more wrinkles around her eyes and her skin didn't have the glow that it did when she was eighteen, but she had grown into herself. There was an air of confidence in everything she did. This had not been there when she was modeling, at least not in the early years. She was five feet ten inches of statuesque woman, with a mane of silky black hair. The hair had a slight kinky curl to it that hinted at her wild side. She had a pair of full firm breasts that had been surgically enhanced back in her modeling days, and from time to time she'd gone to see her favorite plastic surgeon to have some problem areas dealt with, but the face was untouched. Her body was the perfect mix of elegance and athleticism. Gone was the rail-thin anemic look of her modeling days. Her heroin polluted body had been cleansed, replaced by a layer of well-toned muscle. In short, she was the type of woman that men lusted after.
Donatella's good looks were all the more amazing when one considered the type of life she'd led in her early twenties. At the time she had been impressionable, too concerned about her weight and about pleasing the photographers and creative directors. But more than anything she had been stupid and weak. Donatella had been seduced by the dark side of modeling. Every night of the week was a Friday night. And not just in Milan. The whole world was her playground. There were wild parties in exotic places with wealthy men. It had turned into one long party. Her life had been spinning out of control for almost a year when everything came crashing down around her.
She'd flown to Tel Aviv for a shoot and run into a bit of a snag trying to get through customs. Two ounces of heroin had been found in her luggage, and she'd been thrown into the clink. She had not been treated well. She couldn't remember all of the details, the whole thing was a bit hazy, but there'd been a lot of screaming. They'd even slapped her a few times, but more than anything she remembered the cold. It had been so cold and then after what seemed like an eternity, a man had shown up.
It was rather ironic that the first image she had in her mind of Ben Freidman was that he was a caring and compassionate soul. He had brought her a blanket; he had brought her warmth. And then after a brief visit he had brought her a doctor who gave her a shot to help with her heroin withdrawal. It was then that the stocky man had offered her a deal. It was a deal she couldn't refuse. She could either spend the best years of her life in an Israeli jail or she could come to work for him. At the time it hadn't been a difficult decision, since she had no idea what coming to work for him entailed. All she knew was that she didn't want to stay in jail.
Freidman had made all the arrangements. Donatella was checked into a treatment clinic in Israel. She called her booking agent in Milan and informed her that she had finally hit bottom and was seeking help. The agent wasn't surprised. She'd seen it happen before and would see it again. She wished Donatella the best and told her to get well. There would be plenty of work for her when she was better. Next there was the tearful phone call to her mother. Her mother was relieved, as was Donatella that the charade was over. Now she could go about healing herself. As per Freidmans instructions, Donatella explained to her mother that they could talk only once a week on Sundays. She gave her mother a phone number to use in case of an emergency and said goodbye. The phone number was not to the rehab clinic; it was routed to Mossad headquarters where a person would answer in the name of the clinic and relay any messages.
There never was a clinic. Donatella was taken to a military facility near the town ofabda in southern Israel. A doctor and staff of nurses monitored her health closely. A constant stream of instructors pushed her hard. There was small-arms training, self-defense courses, grueling physical exercise, memory exercises and much more. She was pushed from dawn until dusk every day of the week. There were many times where she didn't think she was going to make it. There were moments of despair where she thought that prison might have been the better alternative, but every time she was about to hit rock bottom Ben Freidman would show up. He'd made a habit of it over the years.
It wasn't until much later that she caught on to his little game. He wanted to be seen as the savior. The one person she could always count on. During those cold nights at the desolate camp, Freidman would show up with a bottle of wine and some bread. He would sit with her for hours, listening to her stories, trying to find out as much about her as possible. At least that's what she'd thought at the time. In reality Ben Freidman already knew a great deal about Donatella Rahn. He was testing her to find out how honest she was.
As time progressed, and the days became increasingly difficult, Donatella found herself looking forward to her evenings with Freidman. It was the first real intellectual relationship she'd ever had with a man. Thanks to her looks, most of the men in her life had been more interested in her body than her mind. But not Freidman; all he ever wanted to do was talk. At first Donatella thought he might be married, and then she thought maybe he was gay, but in the end it turned out to be neither. He was simply an incredibly dedicated and professional man.
Eventually Freidman did more talking. He explained in detail the tenuous position that Israel was in. He helped Donatella explore her own Jewish roots, and he talked passionately of the horrible injustices thrust upon the House of David. Slowly but surely over the two-month period Donatella grew stronger, and with each step forward came an increasing sense of devotion to Ben Freidman. Her sense of loyalty grew so strong that she would eventually kill for him, and not just once, but many times.
Rapp kissed Anna on the cheek and left the Prada store. She had gladly cut him loose after more than an hour of shopping. He was slowing her down. She'd never seen such good prices on designer clothes and accessories. There was serious shopping to be done and she wasn't going to be distracted. He'd explained to her the lay of the land and said that he would catch up with her at Chanel in an hour or so. His mission, as he told Anna, was to find a bookstore and a cafe that served good coffee.
As Rapp walked down the street he was awash in a steady stream of conflicting emotions. He was not a big fan of lying to Anna, but when it came to his profession he found the need to omit certain details. That's at least what he'd been telling himself since they'd left Baltimore. He was definitely about to take care of a very important piece of business with someone who worked for another foreign intelligence agency, but that someone also happened to be someone he'd been romantically involved with. He'd debated how best to tell Anna about Donatella, but every time he envisioned the discussion it ended in disaster. Maybe he wasn't giving Anna enough credit? After all, he never asked her about her ex boyfriends and on the rare occasions when she'd talked about them, it hadn't bothered him. She'd had a life before they'd ever met. He could hardly be jealous about men he'd never met.
As he walked down the sidewalk he decided the same should hold true for Anna. Donatella was pre-Anna. She was not the woman he wanted to marry, and that was that. Rapp nodded smugly at his own logical deduction. Satisfied that he was doing nothing wrong, he continued down the sidewalk toward the House of Armani. The smugness vanished a few steps later as he realized that meeting in secret with a former lover while on vacation with the woman you were about to ask to marry you was fraught with trouble. There was nothing about the picture that Anna would like. Rapp grimaced as he thought of her reaction to the whole thing. After wrestling with the idea for a while longer he decided to stop trying to find a solution, for it was painfully obvious that there was none. He could not maintain both secrecy and complete honesty with Anna. It was impossible. He would just have to make sure his past didn't run into his future.
Instinctively, Rapp forced the issue from his mind and began to focus on his surroundings. He was about to conduct a clandestine meeting and it was time to get down to business. As he worked his way down the sidewalk, he studied the vehicles parked on the street. There was only one van parked on the block. Rapp noted the make, model and plate number. It was all memorized in an instant. The van was on the other side of the street so he crossed over to get a closer look at it. As he did so he scanned the cars to be sure they were unoccupied. As he walked past the van, he studied the roof for any antennas or directional microphones. It looked to be clean.
Up ahead there was a florist and then a sidewalk cafe. Rapp walked past the florist and entered the cafe. On his way in, he took note of the patrons sitting outside. At the counter he ordered a cup of coffee in Italian and paid for it. Rapp's Italian was decent but nowhere as good as his French and Arabic. With the piping hot cup of coffee in hand he went back to the flower shop. The middle-aged woman behind the counter greeted him warmly and asked if there was anything she could help him with. Rapp walked over to the rose case and expressed an interest. The woman informed him that the long stem red roses were on sale. Rapp thought about it for a second, and then decided that red might send the wrong signal. He decided that yellow would be a safer color. He ordered a dozen of them and waited while the woman put them into an arrangement and wrapped them in tissue paper. Again he paid in cash, and with the flowers in one hand and the coffee in the other he walked across the street.
Next to the glass display windows on the first floor was a door with a security camera mounted above it. To the left of the door was a call box and then under the box a sign in Italian that read, Business by Appointment Only. Rapp instinctively kept his face turned away from the camera and pressed the call button. A second later a woman's voice came over the intercom and asked him his business. Rapp told her he had a flower delivery for Donatella Rahn. The door buzzed, and he entered the small foyer.
A flight of stairs later he was standing in front of the woman who had buzzed him in. She was all legs, and almost every inch of them were on display underneath the glass desk where she was seated. She was very pretty, but unfortunately had the emaciated look that was popular among the fashion crowd. In most other cities she would have probably been a model, but in Milan she was relegated to receptionist. Rapp disarmed the woman with a soft smile and said, "I'm an old friend of Donatella's, and I was hoping I could surprise her with these." Rapp held up the flowers.
The woman gave him a nice smile and eyed him from head to toe as if she were trying to place a value on him. "You look like Donny's type." The woman gave him a flirtatious smile and then reached for the phone.
Rapp stepped forward."I really wanted to surprise her."
The woman hesitated for a moment holding the phone at her shoulder. Finally she set it back in the cradle and asked, "Do you know where her office is?"
"Is it still down the hall at the end on the left?"
"Yes"
"Thank you. You're a sweetheart." Rapp gave the woman a wink and headed down the hall. As he neared Donatellas office door he slowed his steps and took note of the fact that his heart had started to beat faster. He knew it had nothing to do with a sense of ambush or violence. It was the anticipation of seeing Donatella. They had been through a lot together, both in the trenches and between the sheets.
The door was open. Rapp neither knocked nor did he enter. He just stood frozen, looking at the curvaceous silhouette of Donatellas figure. She had her back to him, standing over her desk looking at something. Rapp watched as she placed one hand on her hip and with the other pulled her thick hair to one side and began kneading the muscles at the back of her neck. The woman exuded a sexuality unlike anything he'd ever seen. She was wearing a pair of black leather pants that complemented her figure to perfection, a white blouse and a pair of black spiked boots. Just the sight of her long tanned fingers resting on her leather-clad hip brought back a flood of erotic memories. Rapp felt a tinge of betrayal for such thoughts and forced himself to get his mind back on the business at hand.
There was a genuine reason why he wanted to surprise Donatella. He would know almost instantly by the expression on her face if she had been involved in the plot to kill him in Germany. He didn't think she had been or at least he didn't want to believe she had been. As he had already discussed with Kennedy, it didn't make any sense for the Israelis to ambush him. Mossad had been known to do some pretty ruthless things, but there was no recognizable benefit to killing Rapp and humiliating the CIA and America. Rapp was doing the dirty work for them and had been doing so for years. No, Rapp believed Donatella was doing some free-lancing on the side and he had a plan to get her to come clean.
He cleared his throat and waited for Donatella to turn around. When she did her dark almond eyes opened wide, and her full lips parted to form an inviting smile. Donatella threw her arms out and walked quickly across her office. Rapp smiled back. He couldn't help it. He stepped forward and met Donatella's embrace. With the familiarity of an old lover Donatella brought her arms inside Rapp's leather jacket. Her hands shot up, grabbing his taut shoulders and she pressed her breasts firmly against his body. With her eyes closed she found his lips and gave him a passionate kiss. After a moment she buried her head in his chest and squeezed him with all her considerable might.
"Oh, I've missed you," she said in Italian.
Rapp awkwardly held the flowers in one hand and his coffee in the other. He kissed the top of her head and said in Italian, "I've missed you, too."
Donatella gave him one more squeeze and then released him. Closing the office door she said, "Why didn't you call me?" Rapp innocently shrugged his shoulders. "I was in the neighbor hood so I decided to stop by. I'd expect you to do the same if you were in America." It was in that instant that Rapp knew Donatella had been the woman he'd seen at George Washington University. She averted her eyes from his for the briefest of moments. She had killed Peter Cameron.
"Are these for me?" Donatella thrust her arms out and took the flowers from Rapp. She walked over to a long credenza in front of a window that overlooked a courtyard. "This was very nice of you. You didn't have to bring me flowers After unwrapping them, she turned to Rapp, the bouquet in her outstretched hands. "What is this?"
Rapp looked at the flowers, and then the look on Donatella's face. He wasn't quite sure what she meant.
"Yellow," said Donatella in a disappointed voice. "Yellow is for your secretary, not a woman whose bed you've shared." She dropped the flowers on the credenza and folded her arms across her chest.
Rapp felt bad for just a second and then remembered Anna. He couldn't very well be planning to ask her to marry him and go around giving red roses to former lovers. "They are very pretty flowers."
"Yes they are, but they are not red." Donatella eyed him suspiciously. "There is someone else, isn't there? Someone very important?"
"Yes," he replied with a mix of pride and dread. Donatella meant a lot to him, and he did not want to hurt her feelings.
She studied her old lover for a moment and could sense that this was very hard for him. Determined to hide her true feelings she wrapped her arms around his shoulders and gave him a big hug. Inside, however, she could feel herself plunging toward darkness. Part of her, however foolishly, had always hoped that someday, she and Mitch would walk away from their respective intelligence agencies, get married and have a baby. Deep down she had always known it had been an irrational indulgence, but she had allowed it nonetheless.
Now she kissed him on the cheek and said, "Congratulations. Do I get to meet her?"
Caught off guard, Rapp stammered and then said, "I don't know ... maybe."
"Is she here in Milan?" Donatella locked onto him with her piercing brown eyes.
Rapp thought of lying and then quickly decided against it. "Yes, she is."
"You don't want me to meet her."
"No ... I didn't say that. It's just that it might be a little tricky."
"Please tell me she knows what you do for a living. Or I should say what you really do for a living."
"Yes." Rapp nodded. "Unfortunately, she knows more than she should."
"Then what's the problem? I'd love to meet her."
The meeting wasn't going exactly as he'd planned. "We were lovers, Donatella. I have no burning desire to meet any of her ex boyfriends."
Donatella chose to focus on the first part of his comment. "Yes, we were lovers." She cocked her head to the side in a confident manner and asked, "How is the sex?"
Rapp frowned. "Donatella."
She persisted. "Is it as good as the sex we had?" Her Italian passion was showing through.
"Donatella, I don't think we should be talking about this."
She looked at him with utter confidence and said, "It must not be."
"We have a wonderful relationship."
"Is she an American?"
"Yes, she's an American."
Donatella let out a laugh that was more of a scoff. "Then it's impossible. There is no way the sex is better."
For some reason Rapp felt the need to defend Anna. "Hey, we have great sex."
In a disbelieving tone she asked, "Better than the sex we had?"
Rapp knew there was no way he could answer this question without either angering Donatella or being disloyal to Anna. "It's different, Donatella, okay?"
"Ha," she laughed with an obvious tone of satisfaction. "It is not better. I can see it in your eyes." She walked over to her desk and yanked open a drawer in search of a pack of cigarettes. "I would like to meet her. Maybe we can have dinner tonight?" She found her cigarettes and lit one.
Rapp declined to take one even though he was tempted. He took the opportunity to get down to the real reason he'd traveled all the way from America. "There is something I need to talk to you about."
"What does she do for a living?"
"We are going to change the subject." Rapp stood firmly in front of her desk.
Donatella took a drag from her cigarette and through the smoke she eyed Rapp suspiciously and said, "I don't believe you. There is no way she knows what you've done for your government."
"She does. In fact, she's seen me in action."
"How ... When?"
"Remember the incident at the White House last spring?" "Of course. Ben told me you were involved in it."
"She was one of the hostages."
"Ah ... Stockholm syndrome."
Rapp frowned. Stockholm syndrome was a psychological term for hostages who began to sympathize with their captors. "Donatella, I wasn't one of the terrorists. I was the one killing the terrorists."
"Oh well, then Florence Nightingale syndrome."
"No." He shook his head and smiled. "I wasn't a nurse, either."
"Oh ..." She waved her hand in frustration. "You know what I mean."
"No, I don't actually, but we don't need to get hung up on this." Rapp stopped abruptly and studied Donatella as she nervously puffed on her cigarette. With a playful grin he said, "I didn't expect you to be so jealous."
"Of course I am, and you would be too if I was the one in love."
Rapp had to be honest. He thoughtfully said, "Yes, I'm sure I would be." He went around the desk and wrapped his arms around her.
Donatella stabbed her cigarette out in the ashtray on her cluttered desk. "This is a lonely f*cking life we live. And now I'm all alone and you're not." She buried her head in his chest. "You re the only man I've ever really loved. The only person who really knows me."
Rapp stroked her hair. "I felt the same way about you too, but you know in the long run it would never have worked out between us. We're too much alike."
Donatella looked up at him. There were no tears in her eyes. She was too tough for that. "Yeah, you're probably right." She released him and took a step back. "Have you asked her to marry you yet?"
"Not yet."
"So you are going to ask her?"
Rapp nodded. "I really would like to meet her." She read Rapp's expression and added, "I'm serious. Don't worry, I won't do anything crazy. If you've fallen in love with her I'm sure she's a lovely woman."
"She's a reporter." Rapp wasn't sure why he'd offered that piece of information.
"You can't be serious."
"I am."
"Does she know about me?"
"No," answered Rapp.
Donatella thought about this twist for a moment. "You obviously trust her."
"Yes."
"Then I'd like to meet her."
"All right. I'll see what I can do." Rapp set his coffee cup on the desk and grabbed both of Donatella's hands. "I need something from you, and it's very important." Rapp looked into her beautiful eyes and waited for an answer.
Donatella could sense that something serious was on its way. She cautiously studied Rapp for a moment and then said, "I have always been there for you, and I always will be."
"Thank you. You know the same goes for me."
"Of course."
"Were you in Washington two weeks ago?" Rapp saw the flicker of surprise in her eyes.
Donatella's mind was reeling as she tried to figure out how Mitch could have known she was in Washington. Her disguise had been perfect, and the hit had gone down without a problem. He had to know something. Whatever the case was she could not talk about it in her office. It wasn't secure. She held her index finger to her lips to signal that it wasn't safe to talk about such matters, and then said, "I was in New York but not Washington. I'm sorry I didn't call, but I was only in town for a few days."
"That's too bad." Rapp nodded and stepped back. He pointed to a tablet of paper on the desk and motioned for Donatella to answer him with a pen.
She shook her head vigorously and said, "Oh my God, I forgot all about the shoot." She pointed to the photos on her desk. "I have to tend to this right away. It's a complete disaster. Why don't we meet for a drink after work."
"I'd love to. Name a time and a place."
"Let's say six o'clock, the Jamaica Cafe."
"Sounds good to me." Rapp pointed at the paper one more time, but she shook her head even more vigorously than before. Reluctantly, he kissed her on the cheek and then mouthed the words, I need to know.
Separation of Power
Vince Flynn's books
- Executive Power
- Consent To Kill
- American Assassin
- Act of Treason
- The Last Man
- Kill Shot
- Extreme Measures
- Memorial Day
- Protect And Defend
- Pursuit of Honor
- Term Limits
- The Third Option
- Transfer of Power
- A Dangerous Fortune
- Betrayed: A Rosato & DiNunzio Novel (Rosato & Associates Book 13)
- Eye of the Needle
- Faithful Place
- Gone Girl
- Personal (Jack Reacher 19)
- The Long Way Home
- Top Secret Twenty-One: A Stephanie Plum Novel
- Whiteout
- World Without End
- The Cuckoo's Calling
- Gray Mountain: A Novel
- The Monogram Murders
- Mr. Mercedes
- The Likeness
- I Am Half-Sick Of Shadows
- A Red Herring Without Mustard: A Flavia de Luce Novel
- The Dead in Their Vaulted Arches
- The Curious Case of the Copper Corpse
- Speaking From Among The Bones
- The Beautiful Mystery
- Faithful Place
- The Secret Place
- In the Woods
- Broken Harbour
- A Trick of the Light
- How the Light Gets In
- The Brutal Telling
- The Murder Stone
- Still Life (Three Pines Mysteries)
- The Hangman
- Bury Your Dead
- Dead Cold
- The Silkworm
- THE CRUELLEST MONTH
- Top Secret Twenty-One: A Stephanie Plum Novel
- Veronica Mars
- Bullseye: Willl Robie / Camel Club Short Story
- Mean Streak
- Missing You
- THE DEATH FACTORY
- The Gods of Guilt (Mickey Haller 5)
- The Hit
- The Innocent
- The Target
- The Weight of Blood
- Silence for the Dead
- The Reapers
- The Whisperers
- The Wrath of Angels
- The Unquiet
- The Killing Kind
- The White Road
- Monster Hunter International
- The Wolf in Winter
- Every Dead Thing
- The Burning Soul
- Darkness Under the Sun (Novella)
- THE FACE
- The Girl With All the Gifts
- The Lovers
- Vampire Chronicles 7: Merrick
- Come Alive
- LYING SEASON (BOOK #4 IN THE EXPERIMENT IN TERROR SERIES)
- Ashes to Ashes (Experiment in Terror #8)
- Dust to Dust
- Old Blood - A Novella (Experiment in Terror #5.5)
- The Dex-Files
- And With Madness Comes the Light (Experiment in Terror #6.5)
- Into the Hollow (Experiment in Terror #6)
- On Demon Wings
- Darkhouse (Experiment in Terror #1)
- The Benson (Experiment in Terror #2.5)
- Dead Sky Morning
- The Getaway God
- Red Fox
- Where They Found Her
- All the Rage
- Marrow
- The Bone Tree: A Novel
- Penn Cage 04 - Natchez Burning
- Twisted
- House of Echoes
- Do Not Disturb
- The Girl in 6E
- Your Next Breath
- Gathering Prey