FIFTY-FOUR
I LOOKED OVER the low wall at Joey’s house. The gates were still open and lights were still burning. But nothing else was happening. I gave the phone back to Bennett, and I said, ‘Why don’t you go take a short stroll?’
He said, ‘Why would I want to?’
‘I need to talk to Ms Nice alone.’
‘What are you going to say to her?’
‘Something inaudible, from where you’re going to be.’
He paused a beat, and then he got up and disappeared in the dark, there one minute, gone the next, like on the apartment balcony in Paris. Nice and I squatted side by side, with our backs against the wall.
I said, ‘This is the scene where I try to get rid of you.’
She didn’t answer.
I said, ‘Not for the reasons you think. I could use your help a dozen different ways, and you’d be good at all of them. But this is between Kott and me. He wants me gone, therefore I want him gone. Not fair to involve other people, in a private quarrel. I’m going to tell Bennett the same thing.’
‘Bennett will stay away anyway. He has to. There are rules. But I’m free to do what I want.’
‘This is me and Kott. Which has rules too. It’s one on one.’
‘You’re just saying that.’
‘Because I mean it.’
‘I think you’re being kind.’
‘That’s an accusation I don’t hear often.’
She said, ‘Why did he take my pill?’
‘Take as in deprive, or take as in swallow?’
‘Swallow.’
‘I’m guessing he took all kinds of pills. A guy that big gets aches and pains. In his back, and his joints. So he already likes the opiates and the painkillers, and then he starts to dabble in the bad stuff passing through his hands. Pretty soon, he sees a pill, he takes it. Occupational hazard.’
‘I don’t want to take them any more. Did you see his mouth? He was disgusting.’
‘Right now you can’t take them any more. Even if you wanted to.’
‘Is that the reason? You think I’m going to freak out?’
‘Are you?’
‘Not from anxiety, anyway. I can’t even see anxiety in the rear-view mirror.’
‘We’ll be OK.’
‘We?’
‘You out here, me in there.’
‘I should help.’
‘This is me and Kott,’ I said again. ‘I’m not going to gang up on him. Wouldn’t feel right, afterwards.’
The gates were still open, but I didn’t want to go in the front. It was the obvious point of entry. It was the main place Kott would watch. Probably MI5 would come up with a number. Kott spent 61 per cent of his time watching the front. In second place would be the back yard. Third and fourth place would be the end walls. But which was third and which was fourth? I guessed third place went to the end facing the bowling club. That was where the action had been thus far. So I headed the other way, to the other end of the house, fourth place, away from the night-vision, creeping through the shadows, then climbing the fence. Which was not easy, but it was feasible, because the ironwork had sculpted features that acted like rungs on a ladder. I stepped down into a flowerbed. The side of the house was right there, across a narrow path. There were eight ground-floor windows. They would all have been drawn small by the kid with the crayon, but I could have gotten through any one of them standing up.
I checked the nearest window. The sill was chest-high to me. A small room. Relatively speaking. A nook or a niche or a parlour. Or a library or an office or a sitting room. I moved on to the next window. Through which was a hallway. Which was much better. There was the foot of a staircase visible, about thirty-five feet away. I guessed the hallway turned ninety degrees to the right at some point, to reach the front door.
I stood still and took a breath. In, and out. Then again. Then I used the butt of the captured Browning, and I broke the window, smash, smash, smash, all the glass I could reach, until the hole was big enough to climb through. I figured Kott would instantly see it as a bluff. No more than a diversion. As in, he was supposed to investigate, and meanwhile I would come in the front door, behind him. He would predict that. So he would go guard the front door instead. Except he was professionally paranoid, so just as instantly he would call it a double bluff, and he would head for the window as planned, to meet me head-on. So I triple-bluffed him. I sprinted for the front. I knew the door was open. That kind of a lock, you have to stop and use the key, both ways, out as well as in. And the departing guards hadn’t. They had gotten straight in the Jaguar, and hit the gas, no delay at all, putting on their coats, and slicking down their hair.
The door handle was a grand affair, a neat Georgian style swelled up to about thirty inches tall. The lever I turned was the size of most people’s forearms. Inside I saw a lobby with black and white marble on the floor, and a chandelier the size of an apple tree.
No sign of Kott.
Which was good. It let me open the door all the way, for an unrestricted field of fire. Behind the lobby was a long section of hallway, with the staircase at the far end, which meant the part of the hallway with the busted window was on the left, at ninety degrees.
I stepped inside.
No sign of Kott.
Which meant if he had only doubled where I had tripled, he was right then staring at the broken glass, or searching room to room in the immediate vicinity, through all the pesky nooks and niches and parlours and libraries and offices and sitting rooms.
He was on my left, at ninety degrees.
I walked through the lobby to the hallway. Like any other hallway it was rectangular, much longer than it was wide, with hallway-style furniture, with doors left and right, to the kind of rooms that big houses always seemed to have. But I had been in big houses before, and Joey’s place didn’t feel like any of them. I remembered doors that looked way further apart than normal, implying huge rooms beyond, which turned out to look even bigger than expected, mostly because the walls went on and on, as if the room was saying, You know I’m big, because my walls go on for ever. Proportion, in other words. Joey’s place really was a regular house all swollen up in perfect lock step. The rooms were huge, but they didn’t look it, because the doors were the regular distance apart, except the doors were more than nine feet tall, more than ten with the architrave frames, so the regular distance was an optical illusion.
The marble squares on the floor would have been two feet on a side in any designer magazine, but in Joey’s house they were three. A full yard. The baseboards would have been twelve inches high in a fancy Victorian place. In Joey’s house they were a full foot and a half. A regular door knob would hit me in the thigh. Joey’s door knobs would hit me in the ribs. And so on. The net effect was I felt very small. Like I had been shrunk, by a mad scientist. Maybe the aluminium glass people would take it up next.
And I felt slow. Obviously. It took 50 per cent longer to get anywhere. Three steps from A to B was really four and a half. It was like walking through molasses. Or walking backward. Always hustling, and getting nowhere. Like going up the down escalator. Disorienting, like a whole different dimension.
I stopped what I thought was six feet from where the hallway turned. But it could have been nine. Either way I held my breath and listened. And heard nothing. No crunching of broken glass underfoot, and no opening and closing of doors. So I inched towards the corner, or three-quarter-inched, or an inch and a half, or whatever it really was. I had the Browning in my left hand, and the Glock in my right, with one in the chamber and twelve in the magazine. Five rounds expended so far, four under the Jaguar’s hood at Charlie’s house, and one into the bowling club’s subsoil, via Joey.
I figured if Kott was expecting a head to come around the corner, he would be expecting it at normal height, purely as a matter of default instinct. But what was normal? Eye level about five feet six inches from the ground, probably, which was 55 per cent of a normal room’s height. Which would translate to about eight feet three inches in Joey’s funhouse world. Which would mean Kott would be staring way over my head. But even so I played it safe. I made sure he would be staring over my head. I knelt down low and took a look at baseboard level, which because of the millwork’s exaggerated height was perfectly comfortable.
I pictured my brow and my eyes, suddenly visible, but tiny next to the extravagant moulding.
No sign of Kott.
I saw shards of glass on the marble. From the window. I saw closed doors. To parlours, and libraries, and sitting rooms. I didn’t see Kott. Was he behind a closed door? Temporarily, maybe. Or perhaps he had never moved. Perhaps he was still upstairs, in the guest accommodations, patient like snipers were, with his .50-calibre Barrett on a table, aimed directly at the door to the suite.
I thought back to the architect’s blueprint we had seen. The guest suite was in the rear left quadrant of the house. Above the kitchen wing, basically. Up the stairs, and turn right. I stood up again, and checked all four ways, and breathed in, and breathed out.
Then I started up the stairs.