And then I do it. Something risky. I crawl through Leroy’s kitchen window after he leaves for work, balancing my Docs on the sink, and then sliding my feet to the spotless linoleum. His home has the smell of an animal, but not one with fur and paws. Leroy Ashley’s house smells of a predator. There is a metallic dink to the air, like a jar full of pennies. I walk light-footed across the kitchen floor to the avocado-colored refrigerator. Inside is the orange juice Leroy drinks every day. I am hoping he makes it in a jug, one that is not clear. I open the fridge to find a clear, plastic jug with a blue lid. The plastic is frosted, which will do just fine. When I lift the lid and sniff the liquid, I laugh. Leroy spikes his juice with vodka. I take the vial of crushed sleeping pills from my pocket and empty it into his morning liquid, stirring it with a wooden spoon I find in a drawer. When I am finished, I wash the spoon and dry it on my shirt. I go home to get my things.
As I prepare, I wonder if something went wrong. Perhaps, come morning, he will notice the specks of white floating at the bottom of the jug. Or that it tastes different, but no, the vodka would disguise a change in taste. Maybe the whole jug went bad, and he’ll throw it down the drain, never drinking it. I’m wound up so tight by all the possibilities that my hands shake. No, I tell myself. Everything will go as planned. Tomorrow Leroy will wake up and drink his juice; perhaps then he will get dressed and consider what to do with his day. But, instead of leaving the house, he will become tired and lie back down. Maybe he will call in to work, but it doesn’t matter, because no one will come looking for him. Leroy doesn’t have people. With his eyes unable to stay open, and his body sluggish and slow moving, he will wonder if he’s been drugged. But, by that time, it will be too late.
I’ll have made my entrance, coming in through the same window I used this morning, and if that’s locked, I’ll dig the spare key from the dirt in one of the empty potters in the shed. Leroy Ashley will not be expecting me, because I have been very, very careful. I will punish him for what he’s done. I will get what I want: vengeance.
I dress in black pants and a black shirt. I am not slight or skinny. I do not give the appearance of someone able to be blown away by the slightest gust of wind. I have evolved from a pink, doughy girl, who kept her eyes firmly glued to the sidewalk, to a killing woman corded with muscle, who looks everyone in the eye, searching for their sins. I twist my hair into a tight knot on top of my head, securing it with bobby pins. I pull on my steel-toed boots, and then slip my fingers into my gloves. Before I leave, I look at myself in the mirror. Not the girl from the Bone. Not a girl from anywhere. I look dangerous … like an animal. Or worse. Animals don’t kill for sport. They kill to eat.
I carry my weapons in a duffel bag, to the garage where I keep my Jeep. I lay them side by side in the trunk, underneath a blanket—three knives of various sizes, rope, plastic handcuffs that I bought at a fetish shop, a Taser, and a pocket pistol, a Kel-Tec P-3AT that I bought from the fry cook at work. I’d taken it to a shooting range, and was pleased with how light it was. Next to all of my dangerous-looking weapons is a small, pink Zippo, taken from and never returned to Judah Grant. It was this weapon that I intended to use on Leroy. I pocket the Zippo, put the handcuffs, the Taser, and the smallest knife in my knapsack, and cover the rest of the weapons with a thick, felt blanket. Over the blanket I put half a dozen plastic bags of groceries I keep there for show. Bags of canned vegetables, two boxes of Diet Coke, a giant sack of dog food. All deterrents in case the police pull me over.
But, the police do not pull me over. I drive the sixty miles to Leroy’s grimy neighborhood, slowing down when I pass his gravel driveway to see if the lights are on in his kitchen. They aren’t. Which means he is following his routine and is in bed. Tomorrow morning he will get up, smoke his joint, pop his waffles into the toaster, and pour himself a giant glass of orange juice. Then it will be a waiting game.
A mile from Leroy’s, and down a driveway covered in overgrowth, is a dilapidated house that is scheduled to be demolished. I found it weeks earlier, and called the city pretending to inquire about purchasing the property. It’s already sold and set to be demolished, a woman told me. Then, after a brief pause, she added, They’re building a new house, one with three stories and a pool! I wondered what anyone in Washington would want with a pool? I thanked her and hung up. I had the house to myself for the next few weeks at least. I pull the Jeep into the garage; the floor is scattered with smashed beer bottles, strewn about like the last tenants had an epic party before they said goodbye. The garage door has to be lifted manually. I pull it down, over the Jeep, over me, and make my way into the house where I wait.
I think about Leroy as I wait, wondering what sort of childhood he had. If he justifies what he does to women, or accepts himself as a monster, like I have about myself. When I think about the big, hulking man as a small, innocent baby like Mo, I feel ill. We are all innocent once—every killer, every rapist, every terrorist. None of us asking for this life, but life as it is, being thrust at us by our parents, who hadn’t the slightest clue what they were getting into. And while some parents thrived under the flush of the demands that came from parenting, others grew emotionally slight, withdrawing, silently blaming the small humans who were ruining their lives. Humans who never asked to be brought into their morass in the first place. But still … not every person who was handed the shitty parent card turned into a murderer or a rapist. People prosper, children are resilient. What is it that turns a soul sour? What is it that turned me sour?