Marrow

“I’m moving,” I say flatly. “To Seattle.” I eye Bambi. Why didn’t I stuff it into one of the trash bags?

 

He eyes the bags stuffed into my trunk in a hurry, then opens the driver’s side door.

 

“Seattle,” he says. “Big ambitions. See your license and registration,” he says. I fumble in my wallet, then the glove box, and hand them over. I study him as he looks them over, carrying them back to his cruiser to run my plates. I consider putting the bear away, but if he’s already seen it, it will look suspicious.

 

“Start her up,” he says. “Let’s see.”

 

I walk past him, my hands clammy and shaking. You’re fine! I tell myself. He’s trying to help.

 

I slide into the driver’s side and turn the key. The Jeep grumbles to life. The officer eyes the dashboard. “Seems to be fine now,” he says. “But you might want to turn around and head back into town to get it checked out.”

 

I nod, pull my door closed, and grip the wheel ‘til my knuckles burn white.

 

“Do you have children?”

 

“What?”

 

His eyes are on Bambi. I can’t read them because he’s wearing sunglasses. Big, reflective things like a fly’s eyes.

 

“No,” I say. Just a childhood toy. Can’t bear to let it go, you know?”

 

“My daughter has one of those,” he says. “She’s eight. Didn’t know they’ve been out that long.” Bambi has bulging eyes. I didn’t know that she was a type of toy that people could recognize. That was stupid to assume. I breathe a sigh of relief when he steps back, allowing me to pull forward and back onto the highway.

 

“You have a nice day,” he calls over the engine. I wish I could see his eyes. I lift my hand in half a wave and pull away. My heart, my heart, my heart. When I look in the rearview mirror, he’s still watching me. People have looked at me like that before: Judah, Lyndee, even my own mother. Maybe there’s something about me that others can see. I try to imagine what they think when they look at me that way. A strange girl. Something about her … She creeps me out. I laugh at the last one.

 

Now I am determined. I have to leave. I was stupid to think that I could stay. A town the size of Bone Harbor can’t hold what’s inside of me. I turn on the radio to drown out my thoughts and drive, drive, drive the speed limit all the way to Seattle.

 

 

 

 

 

I DRIVE TO A MOTEL on the outskirts of Seattle and check in. The room is dingy, but it’s clean. At forty dollars a night, I am grateful for that at least. I lie quietly under the humorless fluorescent light on the ceiling and listen to a motorbike on the street. It grunts and farts probably as loudly as the middle-aged crisis who is driving it.

 

My entire life is a crisis, and I am glad that no one has paid enough attention to it to notice that something is off about me. The bike revs loudly one last time and then guns off down the street. Tomorrow I will find a paper, or perhaps use the computers at the library, to find a place to live. Then I will have to find a job, preferably not one at a thrift shop. I switch off the light and roll onto my side so that I can see the flashing neon sign of the strip club next door. IRLS!

 

I’ll be different. I’ll never go back to the Bone or the eating house. I have come this far, and I will go farther—running from who that place made me be. But before my eyes close and my mind drifts into sleep, I already know I’m lying to myself. The eating house will never stop calling to me, and I will never cease to answer.

 

The city burns my eyes, glinting demon, like under the rare winter sun. It isn’t like the pictures I’ve seen of New York City. It is industrial, hard metal hanging over clear, crisp water. Shipyards and skyscrapers outlined by the blunt, graphite sky. My small town eyes are accustomed to space and squat, colorless buildings. People who look soft to the touch and clothe their bodies in faded cottons and fleece. Here, the women wear bright, gem-colored coats and glossy rain boots. Their bodies look hard and strong. I don’t know how to drive amongst cars that seamlessly weave and wedge themselves into small spaces of road. People honk at me, their horns loud accusations that I don’t know what I am doing.

 

By the time I find the parking garage I am looking for, my shirt is damp with sweat and my hands are numb. I get lost in the garage, and during the twenty minutes it takes to make my way down to the street, I already doubt my ability to survive here. The apartment I am coming to see is on Sixth Avenue in a high rise. The website has pictures of a tiny kitchen and bathroom with black and white checkered tile, and a closet-sized bedroom. But it is affordable. I stand on the street, backed up against the window of a paperie, clutching my backpack to my chest. The people here don’t acknowledge the rain. They move through it like it’s a part of them—an extra leg or arm they’re used to working around. I am made breathless by the efficiency in their step, the impassivity on their faces. I can’t make myself move, because I can’t move like them.

 

It’s a crow that puts me back into my skin. It lands on the sidewalk a few feet away from where I am cowering, and caws at me, tilting its head from side to side. I blink at the street, then back at the crow. I am the essence of evil. Most of these people who are passing me have not taken someone’s life. They have not planned a murder, or poured gasoline over a woman’s body and lit a match. They may have thought it, thought murder, but by acting on my impulses, I have separated myself from the rest of the world. Released a beast from its cage. And here I am, so paralyzed by fear that I can barely move.

 

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