I fall back from the window, gasping, my heart struggling behind my ribcage like a wounded animal. I hear a noise, and look up, trying to regulate my breathing. A crow is perched on the roof of the house just above my head. Its oiled feathers melt into the darkness of the sky, but I can see its outline, the sharpness of its curved beak. It’s looking at me, cocking its head this way then that. It caws at me as if to tell me something, then lifts its wings and flies away.
My soul reacts. It’s a deep awakening of something I thought was dead. My brain says: You’re going to lose control. You’re going to lose control. You’re going to lose control. And my brain may be right, but what do I care? How has keeping control ever benefitted me? Something else is speaking too. There is another voice—primitive, soft, foreign. The words don’t make sense, but then they also do. Go, go, go. It says. Do, do, do. Soul speak. I look for the crow to see what he says, but he is long gone. The longer I linger out here, the more she hurts Mo.
My heart roars. Lub dub, lub dub. I am at the front door. Lub dub, lub dub, lub dub. I test the knob. Why is it open? Lub dub, lubdublubdub. I step inside. Close it softly. Lub dub, lub dub. The baby’s car seat is abandoned on the floor, lying on its side, and her keys are on the floor next to it, like she dropped them there in a hurry. In her hurry, she forgot to lock the door—something Mo would not take kindly to. His business needed locked doors, and guns, and thugs. Where were his thugs? The house is empty. Lubdublubdublubdub. I walk through the kitchen. Messy counters: food, plates, cat hair. A giant spider scuttles up a bottle of vegetable oil and sits on its lid. The house smells like pot and cigarette smoke and mold. Same as the eating house, minus the pot. A steak knife covered in mayo lays on the counter. No. Too messy. I follow the hallway to a door I believe is Vola’s and Mo’s. I’m emotionless, calm. For a moment I stare down at the brass knob. I can see my reflection on its surface. It’s warm when my hand touches it. It’s smooth when my hand turns it. She doesn’t see me right away; she’s too focused on what she’s doing—beating the crap out of a baby.
I lunge forward as her hand is suspended mid-air. I have no plan, no choice of action. In fact, I feel as if I’m not acting at all, just watching my body from a far removed corner of the universe. I grab her braid. It’s long and thick. She’s not expecting my attack, so she starts to fall backward. Half my weight, and a foot shorter, she feels hollow and light. I yank her off the bed, her braid wrapped around my hand. She falls on her rear, her cry of surprise drowned out by the baby and the music. Her mouth is open, her eyes wide as she stares up at me. I glance up at the bed to make sure Little Mo isn’t about to roll off. His eyes are open, and he’s sucking his fist.
The sight of him trips a switch in me. I can almost hear it. Click. My brain suddenly stops warning me that I am going to lose control, though I do not in fact lose control. I am about as calm as I’ve ever been. A smooth river. A sleeping baby. The melody of a harp. My body moves naturally. I don’t just want to stop what’s happening. I want vengeance. The same voice that urged me in here is telling me that she needs to pay for what she was doing to Little Mo.
I drag her by her hair to the dresser, chipped and old with sharp edges. There are bottles of nail polish lined up on top of it—blues and turquoises. Vola is over her initial shock, struggling to get away from me. I wind her hair tighter around my fist and lift her knees off the ground ‘til she’s in a half-standing position. Her mouth is moving, her lips curling over words that I can’t hear. Her fists slam into my sides and stomach, anything that she can reach. She’s ineffective, a light breeze trying to move a tree. I look down in her empty eyes for long seconds, trying to drag answers out of them. No answers. She’s sick. Demented. Physically beautiful. Not worth the life she was given. A predator. A bully. I see my mother in her gray ghost irises. And then, as hard as I can, I slam her left temple into the corner of the dresser. She falls at my feet. Limp. Flesh and bones, but I took her soul.
I smile gravely, and somewhere deep, deep inside of me I know that what I am doing is not normal. I look over at the bed. Little Mo’s unfocused eyes are on me. I calmly walk to him and pick him up, holding him against my chest, rocking him side to side. “Shh,” I say. I rub his little back, kiss his temple. How long had she been doing this to him? I thought there was something wrong with him mentally, but now I know that’s not true. His unfocused eyes, the limpness of his body when you hold him, the way he doesn’t really hear your voice—it’s all her, what she’s done to him.
When he’s asleep, I lay him in his crib. There is a stool in the corner of the bedroom. I drag it over to the dresser and place it in between the wall and Vola’s body. Then I go to the closet to look for a shoe. I find a plastic flip-flop from Old Navy.
Then I go to the kitchen to find the spider. It’s on the wall above the sink, not far from the bottle of oil where I first saw it. A furrow spider. I cup it in my hands and carry it to the bedroom. I let it crawl up the wall above Vola’s body, watching it zigzag a path. I never once think about the grown-up Mo, downstairs cooking his crack. At any moment he could walk into the bedroom, but I am not afraid. I do not care about anything except the spider. When it’s almost to the ceiling, I climb onto the stool and hit it with the flip-flop, making sure to smear it across the wall. A dramatic death. Poor spider. I wipe the flip-flop clean of fingerprints, and position it in Vola’s limp hand. Then I turn the stool on its side, glance at Little Mo one last time. He sighs in his sleep, the deep and raspy sigh of someone who spent the evening crying.