“You’re a good daughter.”
She raised her chin. “I’ve always tried to be the best I could be for her. She sacrificed so much for me.”
Brenda watched as Rachel stepped out onto the front porch and scanned the street for signs of Oscar. “He seems to be gone.”
Rachel tensed. “I think you’re right.”
“What did he want with you?”
“He’s a bit overzealous.”
Brenda shook her head. “I didn’t like his look. You need to be careful of him.”
She fished her keys out of her purse. “I will. Thanks for the tea, Brenda.”
“Any time, Ms. Wainwright. Any time.”
Rachel slid behind the wheel of her car and locked the doors before firing up the engine. She glanced back at the house and saw the faintest flutter of lace curtains in the front window as if Brenda lingered to watch over her.
“Keep tailing him,” Deke said. “He’ll make a move sooner than later.” He listened to protest on the other end of the call. “Don’t care what the captain says. I’m right about this. Stay on him.”
Deke ended the call as he arrived at the Forensics lab. Brad had arranged the ten original letters on the light table in chronological order as well as the copies Rachel had made of the missing letters.
Deke shrugged off his coat and set it aside. He moved to the table and studied the arrangement. “So what do you have?”
“An interesting story.”
“Entertain me.”
Before he could answer Georgia breezed in the room. She shrugged off her jacket and laid it on top of Deke’s. She didn’t bother a glance at the men as she scanned the letters. “Hope I’m not late for the party.”
“Georgia,” Deke warned. “This doesn’t concern you.”
Georgia glared at her brother. “Since when? I don’t see why I can’t be a part of this. Fact I was helping Rick review the case files the other night.”
Shit. As much as he wanted to bark at Rick, how could he? Rick was no match for Georgia, who since she was a small kid, had hated being left out. She’d nosed her way into more private conversations. How many times had she hammered on a closed door, demanding it be opened? If Georgia wanted in, there was no stopping her.
He shifted attention to Brad. “Go ahead.”
Brad glanced at Georgia who folded her arms. She remained in battle stance as if expecting Deke to change his mind and toss her out. She’d not leave without one hell of a fight.
Brad cleared his throat. “The first letter is fairly straightforward. The victim . . .”
Georgia shook her head. “Call her Annie. She had a name and deserves to be remembered as a person.”
Brad scratched his neck. “Sure. I’m assuming this is Annie’s handwriting based on a sample Deke obtained from her sister.”
Georgia glanced at Deke. “How did that meeting go?”
Deke kept his expression neutral, giving no hint to the tense exchange he’d shared with Margaret. “Fine.”
“She gave you a sample just like that?”
“For the most part.”
A frown wrinkled her brow. “Okay.”
Brad watched the interchange and, certain that it had ended, continued. “Note the large looping style? Also note the way she adds an upward flourish to her letters. It suggests a woman wrote the letters but of course that is not a given. It suggests an emotional immaturity.”
“She was in her early twenties,” Georgia added.
“Understood. But I’ve seen folks in their late forties write in a similar manner. Handwriting can’t confirm age but it suggests emotional maturity.”
“Young and reckless fits her profile, Georgia,” Deke said.
She ignored the comment and waved a hand toward the letters. “What else do you see?”
“Note the size of the letters. That suggests a confidence. Maybe vanity. Arrogance.”
Deke rubbed the tensing muscles in the back of his neck. “Anything else?”
“Note how small her A is at the end of each letter. Suggests perhaps isolation, loneliness.”
“How can we be sure Annie wrote these letters?” Georgia asked.
Brad glanced toward a frowning Georgia and then back at Deke before pulling out the song sheet. “This is the sheet from her sister. It’s our control. We know she wrote this. And I can say for sure that she wrote the first sixteen letters. The handwriting is consistent.”
“And all the remaining letters?”
“I see small changes that I missed on the first pass. I noticed them on the second pass and they make me question the validity of the latter letters.”
“Why?” Deke asked.
“Note the way she crosses a t on the song sheet and in the initial letters. A clear loop at the front of the t. But in the last letters the loop is much smaller and tighter. And note the signature A is larger.”
“Maybe she was under stress,” Georgia said.
“Maybe,” Brad said. “All the handwriting looks like hers in the last five letters but closer inspection reveals a tighter command of the lettering. It’s as if she’s not writing naturally but thinking about each letter.”
Deke straightened. “The last five letters are fakes?”
“That would be my professional opinion.” Brad pointed to the last letters, which he’d grouped together. “The word choices are different, courser, and angrier. It’s as if two different authors wrote the letters.”
Georgia picked up the last letter. Frown lines deepened. “Are you sure Rachel Wainwright hasn’t had some hand in this? She’s been trying to tear into Buddy’s case. Maybe she faked them all to cast reasonable doubt.”
“I don’t see her doing that,” Deke said without much thought.
“She’s trying to make a name for herself,” Georgia challenged. “Attack the victim is a common technique for defense attorneys.”
“The paper stock is thirty years old and from the same lot,” Brad said. “The ink is as old.”
Deke said to Georgia, “This would not be Rachel’s style.”
Georgia arched a brow. “How do you know what her style is?”
Shit. He did not need to open a nonexistent can of worms with his sister. “Georgia, stop talking.”
Her eyes narrowed. “You stop.”
Brad cleared his throat, fatigue making him edgy. The Saunders crime scene had taken twenty hours to process. “Intelligent.”
Georgia glared at Brad.
Brad looked at Deke. “Bottom line: two different people wrote these letters thirty years ago. Annie and someone else.”
Georgia shook her head. “And that someone sends them to Rachel and attacks her and kills another woman to get them back. Why? Change of mind?”
“Or one person went against the wishes of another,” Deke said.
“You’ve three murder victims who were all beaten to death,” Georgia said.
He nodded. “Your point?”
“Those crime scenes,” she said. “The blood spray and the pools of blood. Annie Rivers Dawson’s crime scene looked similar.”