NINE
Armand Gamache walked briskly up the slippery sidewalk and into the park known as Place d’Armes, the bitter wind full in his face. Foot paths were worn through the deep snow criss-crossing the park. Horse-drawn carriages, the calèches, waited at the top of the park to take visitors around the old city. Behind Gamache was a row of small, picturesque stone buildings, all turned into restaurants. To his right rose the magnificent Anglican Cathedral of the Holy Trinity. Gamache knew this, from experience. But he didn’t look at it. Like everyone else, he kept his head down against the wind, only glancing up now and then to make sure he wasn’t about to hit a person or a pole. His eyes watered and the tears froze. Everyone else looked just like him, their faces round and red and glowing. Like mobile stoplights.
Losing his footing on some ice hidden under a dusting of snow he righted himself just in time, then turned his back to the wind and caught his breath. At the top of the hill, beyond the park and calèches, was the most photographed building in Canada.
The Chateau Frontenac hotel.
It was huge and gray, turreted and imposing, and rose as though expelled from the cliff face. Inspired by castles it was named for the first governor of Québec, Frontenac. It was both magnificent and forbidding.
Gamache walked toward the Chateau, past the large statue in the middle of the small park. The Monument de la Foi. A monument to Faith. For Québec had been built on Faith. And fur. But the city fathers preferred to raise a statue to martyrs than to a beaver.
Just ahead, the Chateau promised warmth, a glass of wine, a crusty bowl of French onion soup. émile. But the Chief Inspector stopped just short of the shelter, and stared. Not at the Chateau, not at the gothic statue to Faith, but to another monument off to the left, much larger, even, than the one to Faith.
It was of a man looking out over the city he’d founded four hundred years earlier.
Samuel de Champlain.
Bare-headed, bold, stepping forward as though wanting to join them, to be a part of this city that existed only because he had. And at the base of the statue another, smaller, image. An angel, sounding a trumpet to the glory of the founder. And even Gamache, who was no great fan of nationalism, felt wonder, awe, at the unshakable vision and courage of this man to do what many had tried and failed.
To not just come to these shores to harvest furs and fish and timber, but live here. Create a colony, a community. A New World. A home.
Gamache stared until he could no longer feel his face and his fingers in his warm mitts were numb. But still he stared at the father of Québec and wondered.
Where are you? Where did they bury you? And why don’t we know?
émile rose and waved him to their table by the window.
The two men with him also got up.
“Chief Inspector,” they said and introduced themselves.
“René Dallaire,” the tall, rotund man said, shaking Gamache’s hand.
“Jean Hamel,” the small, slim one said. Had René sported a cropped moustache the two men could have passed for Laurel and Hardy.
Gamache handed his coat to a waiter, shoving his hat, scarf and mitts into a sleeve. He sat and put his hands to his face, feeling the burning. Extreme cold left its ironic mark. It was indistinguishable from a sunburn. But within minutes it had subsided, and the circulation had returned to his hands, helped along by sitting on them.
They ordered drinks and lunch and chatted about Carnaval, about the weather, about politics. It was clear the three men knew each other well. And Gamache knew they’d all belonged to the same club for decades.
The Champlain Society.
Their drinks and a basket of rolls arrived. They sipped their Scotches and Gamache resisted the urge to take a warm roll in each hand. The men talked casually among themselves, Gamache sometimes contributing, sometimes just listening, sometimes glancing out the window.
The St-Laurent Bar was at the far end of the Chateau, down the gracious, wide, endless corridor, through the double doors and into another world. Unlike the rest of the mammoth hotel, this bar was modest in size and circular, being built into one of the turrets of the Chateau. Its curved walls were paneled in dark wood and fireplaces stood on either side. A round bar took up the center, with tables surrounding it.
That, for any normal place, would have been impressive enough but Quebec City was far from normal, and within it, the Chateau was unique.
For curving along the far wall of the bar were windows. Tall, framed in mahogany, wide and mullioned. Out of them opened the most splendid vista Gamache had ever seen. True, as a Québécois, no other view could ever match up. This was their Grand Canyon, Niagara Falls, Everest. This was Machu Picchu, Kilimanjaro, Stonehenge. It was their wonder.
From the bar he could see up and down the great river, the view so distant it broke into the past. From there, Gamache could see four hundred years in the past. The ships, surprisingly small and fragile, sailing down from the Atlantic, dropping anchor at the narrowest spot.
Kebek. An Algonquin word. Where the river narrows.
Gamache could almost see the sails being furled, men pulling ropes, securing lines, crawling up and down the masts. He could almost see the boats lowered into the water, and the men rowing ashore.
Did they know what they were in for? What the New World held?
Almost certainly not, or they’d never have come. Most never left, but were buried right below them, on the shores. Dying of scurvy, of exposure.