*
I’m a big believer in development—blame the property developers and their tame bankers and politicians for this recession if you want, but the fact is, if it wasn’t for them thinking big, we’d never have got out of the last one. I’d rather see an apartment block any day, all charged up with people who go out to work every morning and keep this country buzzing and then come home to the nice little places they’ve earned, than a field doing bugger-all good to anyone except a couple of cows. Places are like people are like sharks: if they stop moving, they die. But everyone has one place that they like to think is never going to change.
I used to know Broken Harbor like the back of my hand, when I was a skinny little guy with home-cut hair and mended jeans. Kids nowadays grew up on sun holidays during the boom, two weeks in the Costa del Sol is their bare minimum. But I’m forty-two and our generation had low expectations. A few days by the Irish Sea in a rented caravan put you ahead of the pack.
Broken Harbor was nowhere, back then. A dozen scattered houses full of families named Whelan or Lynch who’d been there since evolution began, a shop called Lynch’s and a pub called Whelan’s, and a handful of caravan spaces, just a fast barefoot run over slipping sand dunes and between tufts of marram grass to the cream-colored sweep of beach. We got two weeks there every June, in a rusty four-bunker that my dad booked a year in advance. Geri and I got the top bunks; Dina got stuck on the bottom, opposite my parents. Geri got first pick because she was the oldest, but she always wanted the land-facing side so she could see the ponies in the field behind us. That meant I got to open my eyes every morning on white lines of sea foam and leggy birds dashing along the sand, all of it glinting in the early light.
The three of us were up and out at daybreak with a slice of bread and sugar in each hand. We had all-day games of pirates with the kids from the other caravans, went freckly and peeling from salt and windburn and the odd hour of sunshine. For tea my mother would fry up eggs and sausages on a camping stove, and afterwards my father would send us to Lynch’s for ice creams. We’d come back to find my mum sitting on his lap, leaning her head into the curve of his neck and smiling dreamily out at the water; he’d wind her hair around his free hand, so the sea breeze wouldn’t whip it into her ice cream. I waited all year to see them look like that.
Once I got the Beemer off the main roads I started remembering the route, like I had known I would, just a faded sketch at the back of my head: past this clump of trees—taller, now—left at that kink in the stone wall. Right where the water should have risen into view over a low green hill, though, the estate came charging up out of nowhere and blocked our way like a barricade: rows of slate roofs and white gables stretching for what looked like miles in either direction, behind a high breeze-block wall. The signboard at the entrance said, in flamboyant curly lettering the size of my head, WELCOME TO OCEAN VIEW, BRIANSTOWN. A NEW REVELATION IN PREMIER LIVING. LUXURY HOUSES NOW VIEWING. Someone had spray painted a big red cock and balls over it.
At first glance, Ocean View looked pretty tasty: big detached houses that gave you something substantial for your money, trim strips of green, quaint signposts pointing you towards LITTLE GEMS CHILDCARE and DIAMONDCUT LEISURE CENTER. Second glance, the grass needed weeding and there were gaps in the footpaths. Third glance, something was wrong.
The houses were too much alike. Even on the ones where a triumphant red-and-blue sign yelled SOLD, no one had painted the front door a crap color, put flowerpots on the windowsills or tossed plastic kiddie toys on the lawn. There was a scattering of parked cars, but most of the driveways were empty, and not in a way that said everyone was out powering the economy. You could look straight through three out of four houses, to bare rear windows and gray patches of sky. A heavyset girl in a red anorak was shoving a buggy along a footpath, wind grabbing at her hair. She and her moon-faced kid could have been the only people within miles.
“Jaysus,” Richie said; in the silence his voice was loud enough that both of us jumped. “The village of the damned.”
The call sheet said 9 Ocean View Rise, which would have made more sense if the Irish Sea had been an ocean or even if it had been visible, but I guess you make the most of whatever you’ve got. The GPS was getting out of its depth: it took us down Ocean View Drive, dead-ended us down Ocean View Grove—which hit the trifecta by having no trees anywhere in sight—and informed us, “You have reached your destination. Good-bye.”
I did a U-turn and went looking. As we got deeper into the estate, the houses got sketchier, like watching a film in reverse. Pretty soon they were random collections of walls and scaffolding, with the odd gaping hole for a window; where the housefronts were missing the rooms were littered with broken ladders, lengths of pipe, rotting cement bags. Every time we turned a corner I expected to see a swarm of builders at work, but the nearest we got was a battered yellow digger in a vacant lot, listing sideways among churned-up mud and scattered mounds of dirt.
No one lived here. I tried to aim us back in the general direction of the entrance, but the estate was built like one of those old hedge mazes, all cul-de-sacs and hairpin turns, and almost straightaway we were lost. A tiny dart of panic shot through me. I’ve never liked losing my bearings.
I pulled up at an intersection—reflex: it wasn’t like anyone was going to dash out in front of me—and in the quiet where the noise of the motor had been, we heard the deep boom of the sea. Then Richie’s head went up. He said, “What’s that?”
It was a short, raw, ripped-open shriek, repeating over and over, so regular it sounded mechanical. It spread out across mud and concrete and bounced off unfinished walls till it could have come from anywhere, or everywhere. As far as I could tell, that and the sea were the only sounds on the estate.
I said, “I’m going to bet that’s the sister.”
He gave me a look like he thought I was yanking his chain. “That’s a fox or something. Run over, maybe.”
“And here I thought you were Mr. Streetwise who knew just how bad this was going to be. You’re going to need to brace yourself, Richie. Big time.”
I rolled down a window and followed the sound. The echoes led me off course a few times, but we knew it when we saw it. One side of Ocean View Rise was pristine, bay-windowed white semi-ds lined up in pairs, neat as dominoes; the other side was scaffolding and rubble. Between the dominoes, over the estate wall, slivers of gray sea moved. A couple of the houses had a car or two in front of them, but one house had three: a white Volvo hatchback that had Family written all over it, a yellow Fiat Seicento that had seen better days, and a marked car. There was blue-and-white crime-scene tape along the low garden wall.
I meant what I said to Richie: in this job everything matters, down to the way you open your car door. Long before I say Word One to a witness, or a suspect, he needs to know that Mick Kennedy is in the house and that I’ve got this case by the balls. Some of it is luck—I’ve got height, I’ve got a full head of hair and it’s still ninety-nine percent dark brown, I’ve got decent looks if I say so myself, and all those things help—but I’ve put practice and treadmill time into the rest. I kept up my speed till the last second, braked hard, swung myself and my briefcase out of the car in one smooth move and headed for the house at a swift, efficient pace. Richie would learn to keep up.
One of the uniforms was squatting awkwardly by his car, patting at someone in the back seat who was pretty clearly the source of the screaming. The other one was pacing in front of the gate, too fast, with his hands clasped behind his back. The air smelled fresh, sweet and salty: sea and fields. It was colder out there than it had been in Dublin. Wind whistled halfheartedly through scaffolding and exposed beams.
The guy who was pacing was my age, with a paunch and a sandbagged look: he had obviously made it through twenty years on the force without seeing anything like this, and had been hoping to make it through twenty more. He said, “Garda Wall. That’s Garda Mallon, by the car.”
Richie was sticking out a hand. It was like having a puppy. I said, before he could start buddying up, “Detective Sergeant Kennedy and Detective Garda Curran. You’ve been in the house?”
“Only when we got here first. As soon as we could, we got out and rang ye.”
“Good call. Tell me exactly what you did, entrance to exit.”
The uniform’s eyes went to the house, like he could hardly believe it was the same place he had arrived at only a couple of hours earlier. He said, “We were called in for a welfare check—the occupant’s sister was worried. We reached the premises just after eleven o’clock and attempted to make contact with the residents by ringing the doorbell and by phone, but got no response. We saw no signs of forced entry, but when we looked in the front window, the lights on the ground floor were on and the sitting room appeared to be in some disorder. The walls—”
“We’ll see the disorder for ourselves in a minute. Carry on.” Never let anyone describe the details before you get on the scene, or you’ll see what they saw.
“Right.” The uniform blinked, pulled himself back on track. “Anyhow. We attempted to go around to the back of the house, but you can see for yourselves, sure—a child couldn’t get through there.” He was right: the gap between the houses was just wide enough for the side wall. “We felt that the disorder and the sister’s concerns warranted forcing entry through the front door. We found . . .”
He was shifting on his feet, trying to angle the conversation so that he could see the house, like it was a coiled animal that might pounce at any second. “We entered the sitting room, found nothing to speak of—the disorder, but . . . We then proceeded to the kitchen, where we found a male and a female on the floor. Both stabbed, by the looks of it. One wound, on the female’s face, was clearly visible to myself and Garda Mallon. It appeared to be a knife wound. It—”