*
The morgue was in the hospital basement, small and low-ceilinged, with dirt and probably worse things ground into the grout between the floor tiles. The air was chilly and damp, motionless. “Detectives,” Cooper said, eyeing Richie with a faint anticipatory smirk. Cooper is maybe fifty, but in the tube lighting, against white tile and metal, he looked ancient: grayish and shriveled, like an alien stepped out of some hallucination, probes at the ready. “How nice to see you. We will begin, I think, with the adult male: age before beauty.” Behind him, his assistant—heavy build, stolid stare—pulled open a storage drawer with a horrible grating screech. I felt Richie brace his shoulders beside me, a tiny jerk.
They broke the seals on the body bag, unzipped it to reveal Pat Spain in his blood-stiffened pajamas. They photographed him clothed and naked, took blood and fingerprints, bent close while they picked at his skin with tweezers and clipped his fingernails for DNA. Then the assistant swung the instrument tray around to Cooper’s elbow.
Post-mortems are brutal things. This is the part that always catches rookies off guard: they expect delicacy, tiny scalpels and precision cuts, and instead they get bread knives sawing fast careless gashes, skin ripped back like sticky paper. Cooper at work looks more like a butcher than a surgeon. He doesn’t need to take care to minimize scarring, hold his breath making sure not to nick an artery. The flesh he works on isn’t precious any more. When Cooper is done with a body, no one else will need it, ever again.
Richie did well. He didn’t flinch when the pruning shears snapped Pat’s ribs open, or when Cooper folded Pat’s face downwards on itself, or when the skull saw sent up a thin acrid smell of scorched bone. The squelching sound when the assistant dumped the liver on the weighing scales made him jump, but that was all.
Cooper moved deftly and efficiently, dictating into the hanging mike and ignoring us. Pat had eaten a cheese sandwich and some crisps, three or four hours before he died. Traces of fat in his arteries and around his liver said he should have been getting fewer crisps and more exercise, but overall he had been in good shape: no illnesses that showed, no abnormalities, a long-ago broken collarbone and thickened ears that could have been rugby injuries. I said quietly, to Richie, “Healthy man’s scars.”
Finally Cooper straightened, stretching his back, and turned to us. “To summarize,” he informed us, with satisfaction, “my preliminary statement at the scene was correct. As you will remember, I posited that the cause of death was either this wound”—he prodded the gash in the middle of Pat Spain’s chest with his scalpel—“or this one.” A poke to the slit below Pat’s collarbone. “In point of fact, each of these was potentially fatal. In the first, the blade glanced off the central edge of the sternum and nicked the pulmonary vein.”
He folded back Pat’s skin—delicately, holding the flap between thumb and finger—and pointed with his scalpel, to make sure Richie and I both saw exactly what he meant. “Absent any other wounds or any medical treatment, this injury would have resulted in death within approximately twenty minutes, as the subject gradually bled out into the chest cavity. As it happened, however, this sequence of events was interrupted.”
He let the skin drop back into place and reached to pry up the flap below the collarbone. “This is the wound that proved fatal. The blade entered between the third and fourth ribs, at the mid-clavicular line, causing a one-centimeter laceration to the right ventricle of the heart. Blood loss would have been rapid and extensive. The drop in blood pressure would have led to unconsciousness within fifteen or twenty seconds, and to death perhaps two minutes later. The cause of death was exsanguination.”
So there was no way Pat had been the one who got rid of the weapons; not that I thought he had been, not any more. Cooper tossed his scalpel into the instrument tray and nodded to the assistant, who was threading a thick, curved needle and humming softly to himself. I said, “And the manner of death?”
Cooper sighed. He said, “I understand that you currently believe a fifth party was present in the house at the time of the deaths.”
“That’s what the evidence tells us.”
“Hmm,” Cooper said. He flicked something unthinkable off his gown, onto the floor. “And I am sure this leads you to assume that this subject”—a nod at Pat Spain—“was a victim of homicide. Unfortunately, some of us do not have the luxury of assumption. All of the wounds are consistent with either assault or self-infliction. The manner of death was either homicide or suicide: undetermined.”
Some defense lawyer was going to love that all over. I said, “Then let’s leave that blank on the paperwork for now, and come back to it when we’ve got more evidence. If the lab finds DNA under his fingernails—”
Cooper leaned over to the hanging mike and said, without bothering to look at me, “Manner of death: undetermined.” That little smirk slid over me, to Richie. “Do cheer up, Detective Kennedy. I doubt there will be any ambiguity as to the next subject’s manner of death.”
Emma Spain came out of her drawer with her bedsheets folded neatly around her like a shroud. Richie twitched, at my shoulder, and I heard the fast rasp as he started scratching at the inside of a pocket. She had curled up all cozy in those same sheets, two nights ago, with a good-night kiss. If he started thinking along those lines, I would have a new partner by Christmas. I shifted, nudging against his elbow, and cleared my throat. Cooper gave me a long stare across that small white shape, but Richie got the message and went still. The assistant unfolded the sheets.
I know detectives who learn the knack of unfocusing their eyes at the bad parts of post-mortems. Cooper violates dead children searching for signs of violation, and the investigating officer stares intently at nothing but a blur. I watch. I don’t blink. The victims didn’t get to choose whether or not to endure what was done to them. I’m spoiled enough, next to them, without claiming to be too delicate even to endure looking.
Emma was worse than Patrick not just because she was so young, but because she was so unblemished. Maybe this sounds twisted, but the worse the injuries, the easier the autopsy. When a body comes in macerated to something from an abattoir, the Y incision and the grating snap as the top of the skull comes off don’t pack much punch. The injuries give the cop in you something to focus on: they turn the victim from a human being into a specimen, made out of urgent questions and fresh clues. Emma was just a little girl, tender-soled bare feet and freckled snub nose, sticking-out belly button where her pink pajama top had ridden up. You would have sworn that she was only a hairsbreadth from alive; that if you had just known the right words to say in her ear, the right spot to touch, you could have woken her. What Cooper was about to do to her in our name was a dozen times more brutal than anything her murderer had done.
The assistant took off the paper bags tied over her hands to preserve evidence, and Cooper bent over her with a palette knife to take fingernail scrapings. “Ah,” he said suddenly. “Interesting.”
He reached for tweezers, did something finicky at her right hand, and straightened up holding the tweezers high. “These,” he said, “were between the index and middle fingers.”
Four fine, pale hairs. A blond man crouched over the pink ruffled bed, that tiny girl fighting— I said, “DNA. Is there enough there for a shot at DNA?”
Cooper shot me a thin smile. “Control your excitement, Detective. Microscopic comparison will, of course, be necessary, but judging by color and texture, there appears to be every probability that these hairs come from the head of the victim herself.” He dropped them into an evidence bag, pulled out his fountain pen and bent to scribble something on the label. “Assuming the evidence bears out the preliminary theory of suffocation, I would theorize that her hands were trapped beside her head by the pillow or other weapon, and that, unable to claw at the attacker, she pulled at her own hair in her final moments of consciousness.”
That was when Richie left. At least he managed not to put a fist through the wall, or puke his guts onto the floor. He just turned on his heel, walked out and closed the door behind him.
The assistant sniggered. Cooper gave the door a long, chilly stare. “I apologize for Detective Curran,” I said.