She turned toward the voice of the new general manager, Andy Bolen. He was a young guy, not more than thirty. With his tall stature, muscles, and thick blond hair, she could have invited him into a few of her dreams if not for the fact she was old enough to be his mother and he considered her ancient. He was also trying to force her out in favor of younger reporters willing to do her job for half the pay.
If not for her coverage of the Jeb Jones retrial last year and the national exposure her reporting had garnered, she’d have been gone by now. But the glow of that story had all but faded and no amount of Botox or decades’ worth of experience was going to save her career. She needed another big story soon.
However, when she smiled up at him, none of that worry reflected in her green eyes as she sat a little straighter. “Will be ready in a half hour.”
“Cops talk to you?”
“Not yet, but I’m working on them.”
“We could send in Brandy.”
Ah, Brandy, the cub reporter who looked as if she still had one foot in college or maybe even high school. She couldn’t tell anymore. They got younger and younger every year.
“What would she be able to do that I haven’t?” Susan asked. “The cops aren’t talking.”
“She can sweet-talk just about anyone,” Andy countered.
Cops barely respected her and she’d been covering them for three decades. They sure as hell weren’t going to talk to a baby. “I’ve got a couple of leads, but they’ll only talk to me.”
Andy studied her and she sensed that no matter what she said, Brandy would be covering this story soon. “Let me see the copy when you have it.”
“I’m reporting this story.”
“I didn’t say you weren’t.” He folded his arms, a sign he’d soon be real trouble.
Cat and mouse. They could dance all afternoon if she had the patience. “I’m not stupid, Andy.”
A brow arched. “No, you’re not. Look, Susan, you know the drill. Brandy has tested well with viewers. Your tests have not been as positive in the last few months.”
She picked up a pencil and held it so tight in her hands she could feel the wood bending, bowing to the point of snapping. “Smart but bitchy . . . I remember that from one of the focus groups.”
He slid a hand into his pocket. “That’s about it.”
“Andy, I thought we were better than cotton-candy news.”
“We are. We’ve got the awards to prove it.”
“Many of which, I earned.”
“Susan.” Her name traveled over a long sigh. “If I don’t keep the ratings high, we’re all going to be out of a job.”
So you throw me under the bus to buy you another year on the job before you move on to greener pastures. As much as she wanted to argue, any argument wouldn’t save her. She considered the pills in her purse. They’d bring emotions into focus, but they’d also take the edge off and right now she needed every edge she could sharpen.
Only a great story would buy her more time.
And she’d walk over hot coals to get one.
Chapter Four
Tuesday, August 15, 2 P.M.
Jenna glanced up at the concrete building that housed the Nashville Police Department and tightened her fingers around the strap of her satchel purse. As she’d dressed for the appointment, she’d had a moment of panic, wishing she’d had her uniform to wear. In her uniform, with the Baltimore Police Department badge pinned to her chest, she’d felt armored, buffered from worries.
But in Nashville, she was on her own. There was no Force, no friends, and no distractions to keep her nerves calmed. An hour ago, when her nerves had rattled and jangled, she’d considered canceling. This was not her town. She wasn’t here to stay or put down roots. There were many reasons not to help, but in the end she realized she’d keep the appointment. Not for Morgan, Bishop, Georgia, or even her own pride. But for the Lost Girl.
So as a compromise, she’d opted to wear a makeshift uniform: dark slacks, a white blouse, and flats. She’d chosen simple gold-hoop earrings and a small cross, which nestled in the hollow of her neck. Instead of twisting her hair into a regulation bun secured at the base of her head, she’d worn her hair loose as a reminder to herself that here, she was not a cop but a volunteer.
She came into the city six nights a week to draw street portraits, but she was discovering she didn’t enjoy the noisy fast pace. Too many people. Too much buzzing of needless activity. But she kept returning to joke with KC and to study the endless stream of faces that passed by her easel. And KC was one of the few fragile links to her past that she wouldn’t let go. She’d researched this town when she’d arrived, pulling old newspaper articles at the library on those nine days she’d been lost. KC Kelly had been one of the cops on her case. One day, she’d screw up the courage to ask what he remembered.
As she approached the medical examiner’s office, Morgan’s Lost Girl triggered one memory after another, each jostling the next like falling dominoes until she was remembering her last call in Baltimore.
Though she was a trained forensic artist, she worked the streets several shifts a month to keep her skills sharp. She and her backup had responded to a domestic call. Man and woman fighting. Neighbors reported sounds of shattering glass and one thought they’d heard a gunshot. That night there had been the roar of cars racing on side streets, honking horns, and people shouting in back alleys.
Jenna and Officer Gus Bradford had guns drawn as they approached the crumbling row house, tattooed in spray-painted gang signs, and ringed with broken glass and trash. A cat had howled as they’d climbed the stairs. Though the streets were alive with people and chaos, there’d been no noise from inside the house; in fact, the house had been as quiet as a tomb.
But the hair on the back of her neck had been standing up and her stomach had been churning. Quiet did not mean safe. Gus had stood to the side of the door and rapped hard while she’d remained at the bottom of the front stairs, the flesh of her hand pressing into the cold metal of her Glock.