“You’ll have to be careful with that paper,” Lantos said, touching the prayer of absolution that the corpse still held in one hand. “It could disintegrate.”
Slater knew she was right, and when he separated the scroll from the dead flesh that held it, he gently laid it aside on one of the metal trays arrayed on the counter behind him. As if it were a living creature, hiding from a predator, the paper curled even more tightly in on itself.
Lantos went about removing the icon clutched in the deacon’s other hand, but even that was dicey. “He doesn’t seem to want to let go,” she said, giving it another tug and finally freeing it. Glancing at it through her goggles, she said, “And now I can see why.”
She turned it over for Slater to see. It was a picture of the Virgin and Child, preserved enough to show a faint red in her veil and pale blue in the gown she wore. It was Byzantine in appearance, the two figures lacking all perspective, but on the forehead and shoulders of the Virgin there were three diamonds sparkling in the light of the overhead lamp. “We’re rich,” Lantos joked as Slater admired the brilliance of the stones.
“Wait’ll Kozak sees this,” he remarked, placing it beside the paper. “I’m sure he’ll be able to tell us all about it.”
But Lantos, like a busy tailor, was already snipping away at the black cassock, cutting long strips down the length of the body, then peeling them off like Band-Aids. As each strip was removed, she used the foot pedal to open the refuse bin and drop it in. When the fabric was all gone, she and Slater together pulled the boots off the deacon’s feet and dropped them in the bin, too. They landed with a clunk.
The body, completely naked now, lay on the table, its arms still stiffly in place, crossed just below the chest. There were puncture wounds where the aerosol drill had suctioned up the initial specimens, and Slater could not but be reminded of the wounds on the body of Christ, especially as the young deacon was otherwise almost beatific. His long blond locks had thawed sufficiently to brush his shoulders again, and his skin, nearly hairless, was a marmoreal white, like the Pietà. His blue eyes were wide open.
Taking the digital camera from the counter behind him, Slater took several shots of the body, first, full-figure, then close-ups of the face and other areas where the first incisions had been made. Next, he checked the weight as it registered on the table scale, and noted it down by speaking aloud: a voice-activated recorder was running in the room. When he was done, Lantos held up the body block, a wedge of firm foam rubber, and said, “Okay, how about you do the heavy lifting, and I’ll put it under?”
As Slater raised the upper half of the body from the table, the deacon’s eyes seemed to bore into his own, questioning these terrible liberties being taken with him. Lantos jammed the block under the small of the cadaver’s back. When Slater eased the body down again, its head and arms now fell backwards, while its chest was stretched and lifted up for easier dissection. Lantos brushed her hands together, as if to say that’s that.
“What’s your choice?” she said to Slater. “Y or T or straight down the middle?”
There were several standard methods of opening a corpse, but for Slater’s purposes in this instance, he had already decided that the first choice was the best. “We’ll do a Y,” he said, “so we can get the maximum exposure of the neck and respiratory tract.”
Lantos nodded, her mop of frizzy hair looking positively electrified under the high-intensity lamp. Handing Slater the shears, she waited patiently while he made two large and deep incisions starting at the top of each of the deacon’s shoulders and running down the front of the chest, all the way to the sternum where they met. Once there, he continued cutting straight down the rest of the body, deviating just enough to the left to pass around the navel, and stopping only when he bumped up to the pubic bone. Because the body had not completely thawed, the skin crackled as the blades did their work.
Slater wished he had remembered to put on some music. It helped with focus.
“Very neatly done,” Lantos said, her voice muffled by her face mask.
And it was. Even Slater would concede as much; the firmness of the flesh made the cutting more precise. And though autopsies always involved less blood than might be expected—with no cardiac activity, it was only gravity that affected the pressure and flow—he was still surprised at just how little fluid was present. The blood remaining must have crystallized, he thought, or maybe evaporated … but that was before he put the shears away and, with Lantos pulling from the other side, split open the torso like cracking a pumpkin. Then he could see why.
It looked like a blowtorch had been applied to the deacon’s entrails. Beneath the rib cage, everything appeared blackened and engorged. It reminded Slater of a fire victim he had autopsied years ago, during a stint in Sierra Leone.