Station Eleven

Clark hung up the phone and leaned back in his chair. He worked at the kind of firm where doors are never closed unless someone’s getting fired, and he was aware that by now he was no doubt the topic of speculation all over the office. Drama! What could possibly be happening in Clark’s office? He had ventured out once, for coffee, and everyone had arranged their faces into neutral yet concerned expressions as he passed—that “no pressure, but if there’s anything you need to talk about …” look—and he was having one of the worst mornings of his life, but he derived minor satisfaction from saying nothing and depriving the gossips of fuel. He drew a line through Miranda Carroll’s name, lifted the receiver to call Elizabeth Colton, changed his mind and went to the window. A young man on the street below was playing a saxophone. Clark opened his window and the room was flooded with sound, the thin notes of the saxophone on the surface of the oceanic city, a blare of hip-hop from a passing car, a driver leaning on his horn at the corner. Clark closed his eyes, trying to concentrate on the saxophone, but just then his assistant buzzed him.

 

“It’s Arthur Leander’s lawyer again,” Tabitha said. “Shall I tell him you’re in a meeting?”

 

“Bloody hell, does the man never sleep?” It had been Heller who’d left the voice mail at midnight in Los Angeles, three a.m. in New York—“an urgent situation, please call me immediately”—and Heller who’d been up and working when Clark called him back at six fifteen a.m. in New York, three fifteen in L.A. They’d agreed that Clark should be the one to call the family, because Clark had met Arthur’s family once and it seemed kinder that way. Clark had decided to also notify the ex-wives, even the most recent one whom he didn’t like very much, because it seemed wrong to let them read about it in the newspaper; he had an idea—too sentimental to speak aloud and he knew none of his divorced friends would ever own up to it—that something must linger, a half-life of marriage, some sense memory of love even if obviously not the thing itself. He thought these people must mean something to one another, even if they didn’t like one another anymore.

 

Heller had called him again a half hour later to confirm that Clark had notified the family, which of course Clark hadn’t, because three forty-five a.m. in Los Angeles is also three forty-five a.m. on the west coast of Canada, where Arthur’s brother lived, and Clark felt that there were limits to how early one should call anyone for any reason. Now it was still only nine a.m. in New York, six a.m. on Heller’s coast, and it seemed obscene that this man who’d apparently been up all night was still up and working. Clark was beginning to imagine Heller as a sort of bat, some kind of sinister night-living vampire lawyer who slept by day and worked by night. Or maybe just an amphetamine freak? Clark’s thoughts wandered to a particularly exciting week in Toronto, eighteen or nineteen years old, when he and Arthur had accepted some pills from a new friend at a dance club and stayed up for seventy-two hours straight.

 

“You want to take the call?” Tabitha asked.

 

“Fine. Put him through, please.”

 

For just a beat Tabitha did nothing, and after seven years of working together in close quarters he knew that this particular brand of silence meant “Tell me what’s going on, you know I like gossip,” but he didn’t oblige, and he knew her well enough to catch the note of disappointment in the perfectly professional “Hold for your call, please” that followed.

 

“Clark? Heller here.”

 

“So I gathered,” Clark said. There was something obnoxious, he thought, in people who introduced themselves by their surnames while calling one by one’s first. “How are you, Gary? We haven’t spoken in a solid ninety minutes.”

 

“Hanging in, hanging in.” Clark mentally added this to his private list of most-hated banalities. “I went ahead and notified the family,” Heller said.

 

“Why? I thought we’d agreed—”

 

“I know you didn’t want to wake up the family, but with this kind of thing, a situation like this, you have to wake up the family. You actually want to wake the family, you know? Actually more decent. You want the family to know before someone leaks something, a photo, video, whatever, and then Entertainment Weekly calls the family for comment and that’s how they find out about it. Think about it, I mean, the man died onstage.”

 

“Right,” Clark said. “I see.” The saxophonist had disappeared. The gray of the November sky reminded him that he was about due for a visit to his parents in London. “Has Elizabeth been notified?”

 

“Who?”

 

“Elizabeth Colton. The second wife.”

 

“No, I mean, she’s hardly family, is she? When we talked about notifying family, I really just meant Arthur’s brother.”

 

“Well, but she is the mother of Arthur’s only child.”

 

“Right, right, of course. How old is he?”

 

“Eight or nine.”

 

“Poor little guy. Hell of an age for this.” A crack in Heller’s voice, sadness or exhaustion, and Clark revised his mental image from hanging-upside-down bat lawyer to sad, pale, caffeine-addicted man with chronic insomnia. Had he met Heller? Had Heller been at that ghastly dinner party in Los Angeles all those years ago, just before Miranda and Arthur divorced? Maybe. Clark was drawing a blank. “So hey, listen,” Heller said, all business again, but a faux-casual style of all-business that Clark associated overwhelmingly with California, “in your time with Arthur, especially recently, did he ever mention anything about a woman named Tanya Gerard?”

 

“The name’s not familiar.”

 

“You’re sure?”

 

“No. Why? Who is she?”

 

“Well,” Heller said, “just between the two of us, seems our Arthur was having a little affair.” It wasn’t delight in his voice, not exactly. It was importance. This was a man who liked to know things that other people didn’t.

 

“I see,” Clark said, “but I admit I fail to see how that’s any of our—”

 

“Oh, of course,” Heller said, “of course it isn’t, you know, right to privacy and all that, none of our business, right? Not hurting anyone, consenting adults, etcetera, and I mean I’m the most private, I don’t even have a Facebook account for god’s sake, that’s how much I believe in it, in privacy I mean, last guy on earth without a Facebook account. But anyway, this Tanya person, seems she was a wardrobe girl on King Lear. I just wondered if he’d mentioned her.”

 

“No, Gary, I don’t believe he ever did.”

 

“The producer told me it was all very secret, apparently this was the girl who did costumes or actually maybe it was babysitting, something to do with the child actresses, costumes for the child actresses? I think that was it, although child actors in Lear? That one’s a head scratcher. But look, anyway, he …”

 

Was that sunlight on the other side of the East River? A beam had pierced the clouds in the far distance and was angling down over Queens. The effect reminded Clark of an oil painting. He was thinking of the first time he’d seen Arthur, in an acting studio on Danforth Avenue in Toronto. Arthur at eighteen: confident despite the fact that for at least the first six months of acting classes he couldn’t act his way out of a paper bag, or so the acting instructor had pronounced one night over drinks at a bar staffed exclusively with drag queens, the instructor trying to pick up Clark, Clark offering only token resistance. And beautiful, Arthur was beautiful back then.

 

“So the question, obviously,” Heller was saying, “is whether he intended to leave this girl anything in the will, because he emailed me last week about changing the will, said he’d met someone and he wanted to add a beneficiary and I have to assume that’s who he meant, really what I’m thinking about here is the worst-case scenario, where there’s a shadow will somewhere, some informal document he drew up himself because he wasn’t going to see me for a few weeks, that’s what I’m trying to get to the bottom of here—”

 

“You should’ve seen him,” Clark said.

 

“I should’ve seen … I’m sorry, what?”

 

“Back at the beginning, when he was just starting out. You’ve seen his talent, his talent was obvious, but if you’d seen him before any of the rest of it, all the tabloids and movies and divorces, the fame, all those warping things.”

 

“I’m sorry, I’m not sure I understand what you’re getting at here, I—”

 

“He was wonderful,” Clark said. “Back then, back at the beginning. I was so struck by him. I don’t mean romantically, it was nothing like that. Sometimes you just meet someone. He was so kind, that’s what I remember most clearly. Kind to everyone he met. This humility about him.”

 

“What—”

 

“Gary,” Clark said, “I’m go

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