Station Eleven

“You couldn’t even look directly at them,” Jackson said. He hadn’t liked baseball much but had gone a few times as a child anyway, sitting dutifully in the stands with his father.

 

“You going to stand there all day?” Sayid asked, and Kirsten glared at him but returned to work. They were cutting grass for the horses, to carry with them in case there was a place farther down the road where there was nothing for the animals to eat. Eleanor sat by herself in the shade of the first caravan, humming tunelessly, braiding and unbraiding pieces of grass. She’d spoken very little since they’d found her.

 

 

The scouts reported a school, just beyond the trees at the edge of the field. “Take a couple of the others and check the school for instruments,” the conductor told Kirsten and August. They set out with Jackson and the viola. It was a degree or two cooler in the shade of the forest, the ground soft with pine needles underfoot.

 

“I’m glad to get out of that field,” Viola said. She’d had a different name when she was younger, but had taken on the name of her instrument after the collapse. She sniffled quietly. She was allergic to grass. The forest had crept up to the edges of the school parking lot and sent an advance party out toward the building, small trees growing through cracks in the pavement. There were a few cars parked on flat tires.

 

“Let’s watch for a moment,” August said, and they stood for a while at the edge of the woods. The saplings in the parking lot were stirred by a breeze, but otherwise nothing moved in the landscape except birds and the shimmer of heat waves. The school was dark and still. Kirsten brushed sweat from her forehead with the back of her hand.

 

“I don’t think anyone’s here,” Jackson said finally. “The place looks desolate.”

 

“I don’t know,” Viola muttered. “Schools give me the creeps.”

 

“You volunteered,” Kirsten said.

 

“Only because I hate cutting grass.”

 

They skirted the building first, looking in windows, and saw only ruined classrooms with graffiti on the walls. The back door gaped open into a gymnasium. Sunlight poured through a hole in the ceiling, a few weeds growing in the debris where light touched the floor. This place had been used as a shelter, or possibly a field hospital. A jumble of cots had been piled in a corner of the room. Later someone had built a fire under the hole in the ceiling, old ashes mixed with animal bones. Easy to read the broad outlines of the room’s history, the shelter that had later become a place where people cooked meals, but as always all of the details were missing. How many people had stayed here? Who were they? Where had they gone? On the opposite side of the gym, a set of doors opened into a corridor lined with classrooms, sunlight spilling across the floor from the broken-down front door at the end.

 

This had been a small school, six classrooms. The floor strewn with broken glass, unidentifiable garbage, the remains of binders and textbooks. They picked their way between rooms, searching, but there was only wreckage and disarray. Layers of graffiti, unreadable names in puffy dripping letters across blackboards, old messages: “Jasmine L., if you see this, go to my dad’s lake house.—Ben.” Overturned desks. A fire had darkened a corner of a classroom before someone had put it out or it had died on its own. The band room was immediately identifiable as such by the heap of twisted music stands on the floor. The sheet music was gone—perhaps used to start the cooking fire in the gymnasium—and there were no instruments. But Viola found half a jar of rosin in a closet, and Kirsten found a mouthpiece for a flute buried under trash. Words spray-painted on the north wall: “The end is here.”

 

“Creepy as hell,” Viola said.

 

Jackson appeared in the doorway. “There’s a skeleton in the men’s room.”

 

August frowned. “How old?”

 

“Old. Bullet hole in the skull.”

 

“Why would you look in the bathroom?”

 

“I was hoping for soap.”

 

August nodded and disappeared down the hall.

 

“What’s he doing?” Viola asked.

 

“He likes to say a prayer over the dead.” Kirsten was crouched on the floor, poking through the debris with a broken ruler. “Help me check the lockers before we go.”

 

But every student locker had been emptied, doors hanging askew. Kirsten picked up a couple of mildewed binders to study the stickers and the Sharpie incantations—“Lady Gaga iz da bomb,” “Eva + Jason 4 evah,” “I ♥ Chris,” etc.—and on a cooler day she might have spent more time here, interested as always in any clues she could find about the lost world, but the air was foul and still, the heat unendurable, and when August emerged from the men’s room it was a relief to walk out into the sunlight, the breeze, and the chatter of crickets.

 

“Christ,” Jackson said, “I don’t know how you two can stand going into these places.”

 

“Well, we don’t go into public bathrooms, for starters,” August said.

 

“I just wanted some soap.”

 

“Yeah, but it’s a dumb move. Someone always got executed in the bathroom.”

 

“Yeah, like I said, I don’t know how you stand it.”

 

We stand it because we were younger than you were when everything ended, Kirsten thought, but not young enough to remember nothing at all. Because there isn’t much time left, because all the roofs are collapsing now and soon none of the old buildings will be safe. Because we are always looking for the former world, before all the traces of the former world are gone. But it seemed like too much to explain all this, so she shrugged instead of answering him.

 

 

The Symphony was resting under the trees by the side of the road. Most of them were napping. Eleanor was showing Olivia how to make a daisy chain. The clarinet was moving languidly through a series of yoga poses while the conductor and Gil studied a map.

 

“A mouthpiece!” the first flute said, when August revealed their discoveries, and August was the person in the Symphony who irritated her the most, but she actually clapped her hands and threw her arms around his neck.

 

“What was in the school?” Alexandra asked, when the horses were harnessed and the Symphony had set out again. She wanted very much to go into buildings with Kirsten and August, but Kirsten never let her join them.

 

“Nothing worth mentioning,” Kirsten said. Carefully not thinking about the skeleton in the men’s room, her eyes on the road. “Just that flute piece and a lot of debris.”

 

 

 

 

 

21

 

 

THE INTERVIEW IN Year Fifteen, continued:

 

 

FRANÇOIS DIALLO: Now, I believe you were very young when the Georgia Flu came, when the collapse happened.

 

KIRSTEN RAYMONDE: I was eight.

 

DIALLO: Forgive me, this is a fascination of mine when I speak with people who were children back then, at the time of the collapse, and I’m not sure how to phrase this, but I want to know what you think about when you consider how the world’s changed in your lifetime.

 

RAYMONDE: [silence]

 

DIALLO: Or to phrase it differently—

 

RAYMONDE: I understood the question. I’d prefer not to answer.

 

DIALLO: Okay. All right. I’m curious about your tattoo.

 

RAYMONDE: The text on my arm? “Survival is insufficient”?

 

DIALLO: No, no, the other one. The two black knives on your right wrist.

 

RAYMONDE: You know what tattoos like this mean.

 

DIALLO: But perhaps you could just tell me—

 

RAYMONDE: I won’t talk about it, François, and you know better than to ask.

 

 

 

 

 

22

 

 

WHEN KIRSTEN THOUGHT of the ways the world had changed in her lifetime, her thoughts always eventually circled back to Alexandra. Alexandra knew how to shoot, but the world was softening. There was a fair chance, Kirsten thought, that Alexandra would live out her life without killing anyone. She was a younger fifteen-year-old than Kirsten had ever been.

 

Now Alexandra walked quietly, sullen because she hadn’t been allowed to join the expedition to the school. The Symphony walked through the end of the day, clouds gathering and the air pressing down from above, rivulets of sweat running down Kirsten’s back. The sky low and dark by late afternoon. They were moving through a rural area, no driveways. Rusted-out cars here and there along the road, abandoned where they’d run out of gas, the caravans weaving carefully around them. Flashes of lightning and thunder, at first distant and then close. They waited out the rainstorm in the trees by the side of the road at twilight, pitched their tents on the wet ground when it was over.

 

 

“I dreamt last night I saw an airplane,” Dieter whispered. They were lying a few feet apart in the dark of his tent. They had only ever been friends—in a hazy way Kirsten thought of him as family—but her thirty-year-old tent had finally fallen apart a year ago an

Emily St. John Mandel's books