Ready Player One

I was awestruck. It was the most incredible display of power by an avatar I’d ever seen.

 

“Nobody busts into my joint uninvited!” Og shouted, his voice echoing through the now-silent club. The remaining avatars (the ones who hadn’t fled the club in terror or been killed in the brief battle) let out a victorious cheer. Og flew back into the DJ booth, which closed up around him like a transparent cocoon. “Let’s get this party going again, shall we?” he said, dropping a needle on a techno remix of “Atomic” by Blondie. It took a moment for the shock to wear off, but then everyone started to dance again.

 

I looked around for Art3mis, but she seemed to have vanished. Then I spotted her avatar flying out of the new exit the Sixer attack had created. She stopped and hovered outside a moment, just long enough to glance back at me.

 

 

 

 

 

My computer woke me up just before sundown, and I began my daily ritual.

 

“I’m up!” I shouted at the darkness. In the weeks since Art3mis had dumped me, I’d had a hard time getting out of bed in the morning. So I’d disabled my alarm’s snooze feature and instructed the computer to blast “Wake Me Up Before You Go-Go” by Wham! I loathed that song with every fiber of my being, and getting up was the only way to silence it. It wasn’t the most pleasant way to start my day, but it got me moving.

 

The song cut off, and my haptic chair reshaped and reoriented itself, transforming from a bed back into its chair configuration, lifting me into a sitting position as it did so. The computer began to bring the lights up slowly, allowing my eyes to adjust. No outside light ever penetrated my apartment. The single window had once provided a view of the Columbus skyline, but I’d spray-painted it completely black a few days after I moved in. I’d decided that everything outside the window was a distraction from my quest, so I didn’t need to waste time staring at it. I didn’t want to hear the outside world, either, but I hadn’t been able to improve upon the apartment’s existing soundproofing. So I had to live with the muffled sounds of wind and rain, and of street and air traffic. Even these could be a distraction. At times, I’d slip into a kind of trance, sitting with my eyes closed, oblivious to the passage of time, listening to the sounds of the world outside my room.

 

I’d made several other modifications to the apartment for the sake of security and convenience. First, I replaced the flimsy door with a new airtight armor-plated vacuum-sealed WarDoor. Whenever I needed something—food, toilet paper, new gear—I ordered it online, and someone brought it right to my door. Deliveries worked like this: First, the scanner mounted outside in the hallway would verify the delivery person’s identity and my computer would confirm they were delivering something I’d actually ordered. Then the outer door would unlock itself and slide open, revealing a steel-reinforced air lock about the size of a shower stall. The delivery person would place the parcel, pizza, or whatever inside the air lock and step back. The outer door would hiss shut and relock itself; then the package would be scanned, X-rayed, and analyzed eight ways from Wednesday. Its contents would be verified and delivery confirmation would be sent. Then I would unlock and open the inner door and receive my goods. Capitalism would inch forward, without my actually having to interact face-to-face with another human being. Which was exactly how I preferred it, thank you.

 

The room itself wasn’t much to look at, which was fine, because I spent as little time looking at it as possible. It was basically a cube, about ten meters long on each side. A modular shower and toilet unit were embedded in one wall, opposite the small ergonomic kitchen. I’d never actually used the kitchen to cook anything. My meals were all frozen or delivered. Microwave brownies were as close as I ever got to cooking.

 

The rest of the room was dominated by my OASIS immersion rig. I’d invested every spare cent I had in it. Newer, faster, or more versatile components were always being released, so I was constantly spending large chunks of my meager income on upgrades.

 

The crown jewel in my rig was, of course, my customized OASIS console. The computer that powered my world. I’d built it myself, piece by piece, inside a modded mirror-black Odinware sphere chassis. It had a new overclocked processor that was so fast its cycle-time bordered on pre-cognition. And the internal hard drive had enough storage space to hold three digitized copies of Everything in Existence.

 

Ernest Cline's books