2
PRESENTS
By the time we reach the top of the hillside, the sky has turned dark as the eggplants in the Mission garden.
Ro pulls me up the last slide of rocks. “Now. Close your eyes.”
“Ro. What have you done?”
“Nothing bad. Nothing that bad.” He looks at me and sighs. “Not this time, anyway. Come on, trust me.”
I don’t close my eyes. Instead, I look into the shadows beneath the scraggly trees in front of me, where someone has built a shack out of scraps of old signboard and rusting tin. The hood of an ancient tractor is lashed to the legs on a faded poster advertising what looks like running shoes.
DO IT.
That’s what the bodiless legs say, in bright white words spilling over the photograph.
“Don’t you trust me?” Ro repeats, keeping his eyes on the shack as if he was showing me his most precious possession.
There is no one I trust more. Ro knows that. He also knows I hate surprises.
I close my eyes.
“Careful. Now, duck.”
Even with my eyes shut, I know when I am inside the shack. I feel the palmetto roof brush against my hair, and I nearly tumble over the roots of the trees surrounding us.
“Wait a second.” He lets go of me. “One. Two. Three. Happy birthday, Dol!”
I open my eyes. I am now holding one end of a string of tiny colored lights that shine in front of me as if they were stars pulled down from the sky itself. The lights weave from my fingers all across the room, in a kind of sparkling circle that begins with me and ends with Ro.
I clap my hands together, lights and all. “Ro! How—? Is that—electric?”
He nods. “Do you like it?” His eyes are twinkling, same as the lights. “Are you surprised?”
“Never in a thousand years would I have guessed it.”
“There’s more.”
He moves to one side. Next to him is a strange-looking contraption with two rusty metal circles connected by a metal bar and a peeling leather seat.
“A bicycle?”
“Sort of. It’s a pedal generator. I saw it in a book that the Padre had, at least the plans for it. Took me about three months to find all the parts. Twenty digits, just for the old bike. And look there—”
He points to two objects sitting on a plank. He takes the string of lights from my hand, and I move to touch a smooth metal artifact.
“Pan-a-sonic?” I sound out the faded type on the side of the first object. It’s some sort of box, and I pick it up, turning it over in my hands.
He answers proudly. “That’s a radio.”
I realize what it is as soon as he says the words, and it’s all I can do not to drop it. Ro doesn’t notice. “People used them to listen to music. I’m not sure it works, though. I haven’t tried it yet.”
I put it down. I know what a radio is. My mother had one. I remember because it dies every time in the dream. When The Day comes. I touch my tangled brown curls self-consciously.
It’s not his fault. He doesn’t know. I’ve never told anyone about the dream, not even the Padre. That’s how badly I don’t want to remember it.
I change the subject. “And this?” I pick up a tiny silver rectangle, not much bigger than my palm. There is a picture of a lone piece of fruit scratched on one side.
Ro smiles. “It’s some kind of memory cell. It plays old songs, right into your ears.” He pulls the rectangle out of my hand. “It’s unbelievable, like listening to the past. But it only works when it has power.”
I shake my head. “I don’t understand.”
“That’s your present. Power. See? I push the pedals like this, and the friction creates energy.”
He stands on the bike pedals, then drops onto the seat, pushing furiously. The string of colored lights glows in the room, all around me. I can’t help but laugh, it’s so magical—and Ro looks so funny and sweaty.
Ro climbs off the bicycle and kneels in front of a small black box. I see that the string of lights attaches neatly to one side. “That’s the battery. It stores the power.”
“Right here?” The enormous ramifications of what Ro has done begin to hit me. “Ro, we’re not supposed to be messing with this stuff. You know using electricity outside the cities is forbidden. What if someone finds out?”
“Who’s going to find us? In the middle of a Grass Mission? Up a goat hill, in view of a pig farm? You always say you wish you knew more about what it was like, before The Day. Now you can.”
Ro looks earnest, standing there in front of the pile of junk and wires and time.
“Ro,” I say, trying to find the words. “I—”
“What?” He sounds defensive.
“It’s the best present ever.” It’s all I can say, but the words don’t seem like enough. He did this, for me. He’d rebuild every radio and every bicycle and every memory cell in the world for me, if he could. And if he couldn’t, he’d still try if he thought I wanted him to.
That’s who Ro is.
“Really? You like it?” He softens, relieved.
I love it like I love you.
That’s what I want to tell him. But he’s Ro, and he’s my best friend. And he’d rather have the mud scrubbed out of his ears than mushy words whispered in them, so I don’t say anything at all. Instead, I sink down onto the floor and examine the rest of my presents. Ro’s made a frame, out of twisted wire, for my favorite photograph of my mother—the one with dark eyes and a tiny gold cross at her neck.
“Ro. It’s beautiful.” I finger each curving copper tendril.
“She’s beautiful.” He shrugs, embarrassed. So I only nod and move on to the next gift, an old book of stories, nicked from the Padre’s bookcase. Not the first time we’ve done that—and I smile at him conspiratorially. Finally, I pick up the music player, examining the white wires. They have soft pieces on the ends, and I fit one into my ear. I look at Ro and laugh, fitting one in his.
Ro clicks a round button on the side of the rectangle. Screaming music streams into the air—I jump and my earpiece goes flying. When I stick it back in, I can almost feel the music. The nest of cardboard and plywood and tin around us is practically vibrating.
We let the music drown out our thoughts and occupy ourselves with singing and shouting—until the door flies open and the night comes tumbling inside. The night, and the Padre.
“DOLORIA MARIA DE LA CRUZ!”
It’s my real name—though no one is supposed to know or say it—and he wields it like a weapon. He must be really angry. The Padre, as red-faced and short as Ro is brown and long, looks like he could flatten us both with one more word.
“FURO COSTAS!”
But I’ve given Ro his own turn with the earphones, and the music is so loud he can’t hear the Padre. Ro’s singing along badly, and dancing worse. I stand frozen in place while the Padre yanks the white cord from Ro’s ear. The Padre holds out his other hand and Ro drops the silver music player into it.
“I see you’ve raided the storage room once more, Furo.”
Ro looks at his feet.
The Padre rips the lights out of the black box, and a spark shoots across the room. The Padre raises an eyebrow.
“You’re lucky you didn’t burn down half the mountain with this contraband,” he says, looking meaningfully at Ro. “Again.”
“So lucky.” Ro snorts. “I think that every day, right before dawn when I get up to feed the pigs.”
The Padre drops the string of lights like a snake. “You realize, of course, that a Sympa patrol could have seen the lights on this mountain all the way down to the Tracks?”
“Don’t you ever get tired of hiding?” Ro glowers.
“That depends. Do you ever get tired of living?” The Padre glares back. Ro says nothing.
The Padre has the look he gets when he’s doing the Mission accounting, hunched over the ledgers he fills with rows of tiny numbers. This time, he is calculating punishments, and multiplying them times two. I tug on his sleeve, looking repentant—a skill I mastered when I was little. “Ro didn’t mean it, Padre. Don’t be angry. He did it for me.”
He cups my chin with one hand, and I feel his fingers on my face. In a flash, I sense him. What comes to me first is worry and fear—not for himself, but for us. He wants to be a wall around us, and he can’t, and it makes him crazy. Mostly, he is patience and caution; he is a globe spinning and a finger tracing roads on a worn map. His heart beats more clearly than most. The Padre remembers everything—he was a grown man when the first Carriers came—and most of what he remembers are the children he has helped. Ro, and me, and all the others who lived at the Mission until they were placed with families.
Then, in my mind’s eye, I see something new.
The image of a book takes shape.
The Padre is wrapping it, with his careful hands. My present.
He smiles at me, and I pretend not to know where his mind is.
“Tomorrow we will speak of bigger things. Not today. It’s not your fault, Dolly. It’s your birthday eve.”
And with that, he winks at Ro and draws his robed arm around me, and we both know all is forgiven.
“Now, come to dinner. Bigger and Biggest are waiting, and if we make them wait much longer, Ramona Jamona will no longer be a guest at our table but the main dish.”
As we slide our way back down the hillside, the Padre curses the bushes that tug at his robes, and Ro and I laugh like the children we were when he first found us. We race, stumbling in the darkness toward the warm yellow glow of the Mission kitchen. I can see the homemade beeswax candles flickering, the hand-cut paper streamers hanging from the rafters.
My birthday eve dinner is a success. Everyone on the Mission is there—almost a dozen people, counting the farmhands and the church workers—all crammed around our long wooden table. Bigger and Biggest have used every cracked plate in the shed. I get to sit in the Padre’s seat, a birthday tradition, and we eat my favorite potato-cheese stew and Bigger’s famous sugar cake and sing old songs by the fire until the moon is high and our eyes are heavy and I fall asleep in my usual warm spot in front of the oven.
When the old nightmare comes—my mother and me and the radio going silent—Ro is there next to me on the floor, asleep with crumbs still on his face and twigs still in his hair.
My thief of junk. Climber of mountains. Builder of worlds.
I rest my head on his back and listen to him breathe. I wonder what tomorrow will bring. What the Padre wants to tell me.
Bigger things, that’s what he said.
I think about bigger things until I am too small and too tired to care.
EMBASSY CITY TRIBUNAL AUTOPSY
CLASSIFIED TOP SECRET
Performed by Dr. O. Brad Huxley-Clarke, VPHD
Note: Conducted at the private request of Amb. Amare
Santa Catalina Examination Facility #9B
Also see adjoining DPPT in addendum file.
Deceased Personal Possessions Transcript
Deceased classified as victim of Grass Rebellion uprising. Known to be Person of Interest to Ambassador Amare.
Gender: Female.
Ethnicity: Indeterminate.
Age: Estimate mid-to-late teens. Postadolescent.
Physical Characteristics:
Slightly underweight. Brown hair. Blue eyes. Skin characterized by some discoloration indicative of elemental exposure. Exhibits human protein markers and low body weight indicative of predominantly agrarian diet. Staining patterns on teeth consistent with consumption habits of local Grass cultures.
Distinguishing Physical Markings:
A recognizable marking appears inside the specimen’s right wrist. At the Ambassador’s request, a specimen of the has been removed, in observance of security protocols. .
Cause of Death: .
Survivors: No identified family.
Note: Body will be cremated following lab processing.
Embassy City Waste Facility Assignment: Landfill .