Devil's Claw

“Clayton spoke very highly of you—and of you, too, Jenny,” Carol Hubbard continued. “And don’t you have some kind of funny-looking dog? I seem to remember Clayton saying his name is Tiger.”

 

 

“Tigger,” Jenny corrected. “Not like the golfer. Like the character from Winnie the Pooh. And Tigger’s really funny. He’s half golden retriever and half pit bull, and he loves to jump.”

 

“How did you know Clayton?” Joanna asked. “Are you a relative?”

 

“Oh, no. Nothing like that. Just friends. He and my first husband, Hank, met during the war,” Carol Hubbard replied. “World War Two, that is. They were in the U.S. Air Force— the Air Corps back then. Hank was stationed in India with the Four Hundred Ninety-first Bomber Squadron and worked intelligence for them. According to him, his major task assignment was sobering up pilots so they were straight enough to fly the Hump. He was a voice major in college, though—a talented soloist—and later on in the war he was pulled into entertaining the troops. He and a group of other performers went to bases all over India and Burma putting on variety shows. That’s where he met Clayton.”

 

“Mr. Rhodes could sing?” Jenny asked.

 

Carol Hubbard laughed. “Actually, he couldn’t sing a note, and he couldn’t dance, either, but they had him in every show—moving his lips and acting like he was singing his heart out. You know how these days they have those traveling Broadway productions that go all over the country? I believe they call them bus-and-truck shows. Well, this was the same thing, only it was a plane-and-truck show. According to Hank, Clayton Rhodes was the best mechanic in India. They flew from show to show in planes that were so old and rickety that they were in danger of falling out of the sky every time they took off, but by hook or crook Clayton somehow managed to keep them running and in the air. Hank and some of the others had wonderful voices. Hank was the soloist for Saint Philips in the Hills up in Tucson for many years after the war. But he always said that if it hadn’t been for Clayton, those shows in India never would have gotten off the ground.”

 

“So Clayton and your husband stayed in touch after the war?”

 

Carol nodded. “You may remember seeing my husband. He was a news anchor in Tucson for many years.”

 

Suddenly the name finally clicked in Joanna’s head, and she remembered a handsome, smooth-voiced, silver-haired man sitting at a television news desk. That Hank Hubbard.

 

“He was a big deal up in Tucson, but even so, there was nothing Hank liked better than coming down here to Bisbee for a few days and staying with Clayton and Molly. The two of them—Clayton and Hank, that is—would go out hunting in Clayton’s old beat-up Ford. During the gas shortage back in the mid-seventies he added an extra gas tank so they could go as far as they wanted without having to worry about having to stop for gas.

 

“The two of them would come dragging home with whatever they’d caught—venison and javelina and dove, and Molly—bless her heart—and I would figure out a way to cook whatever it was on Molly’s old woodstove.” Carol Hubbard paused. “Have you ever cooked javelina?” she asked Joanna.

 

“Venison and dove, yes,” Joanna said. “But I have to admit, no javelina.”

 

Carol grinned. “The best thing to do with that is cook it the way the Indians do—in a pot of Anaheim chili paste and let it simmer for hours. Otherwise, it’s tough as it can be. Still, the four of us had great times together. I know Rhodes Ranch was real life for Clayton and Molly, but for Hank and me, the time we spent there was like time apart—like camping out.

 

“Whenever we were with them it seemed as though we were a world away from the high-pressure life in Tucson. While we were there, we could afford to be ourselves—Hank and Carol. That’s important sometimes, especially when you’re in the public eye. It’s easy to get too full of yourself, to take yourself too seriously. If Hank ever started getting all puffed up, Clayton was the one person who could throw Hank Hubbard off his high horse.”

 

At that juncture Reba Singleton, accompanied by Marliss Shackleford, chose to make her grand entrance. She swept into the room and went straight to the head of the line, where she helped herself to a cup of coffee and declined an offer of cookies. Carol Hubbard regarded her behavior with a raised eyebrow. “Some things never change,” she murmured.

 

“I beg your pardon?” Joanna asked.

 

Carol shook her head. “Molly and Clayton both would be embarrassed beyond belief to see their daughter behaving like that—pushing her way to the head of the line—but then it’s not very surprising. Reba was always that way—pushy—from way back, from when she was tiny. She was the kind of child who wanted her way, and she wanted it now.”

 

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