Alaric took over the Newsies; one of our more promising betas—another George, amusingly enough, although he goes by “Geo” to prevent confusion—took over the Irwins; and I? I took over the entire operation, with Maggie as my second. We work well together. Maybe it’s not as flashy and exciting as it was during the Mason era, but it does well enough by us.
We changed the world. That’s all the news can hope to do, I suppose.
The last postcard I had from the Masons came not a week before that reporter’s early-morning call. It summed up the whole situation rather neatly:
“Still having a wonderful time. Still glad you’re not here.
All our love—G&S.”
Sanjukta sighed, drifting back into sleep. I kissed her on the forehead as I turned to carry her back to her own room, where I settled her down on the mattress of her crib. She fussed, but didn’t wake.
I drew the blanket over her and backed out of the room, pausing in the doorway to whisper, “They may not have lived happily ever after. But they lived happily long enough.”
And then I turned, and I went back to bed.
Acknowledgments
Well: here we are. The story of the Masons is finally told, and it wouldn’t have been possible without the assistance of an amazing assortment of people. As before, they ranged from medical professionals who worked with both humans and animals to gun experts and epidemiologists. Blackout has been an incredible adventure to both research and write, and I am grateful to everyone who has contributed to its creation.
Michelle Dockrey once again lent her incredible eye for blocking to the action scenes and logistics to my work, improving the book beyond all measure in the process. Brooke Lunderville consulted on medical standards and processes, while Kate Secor not only edited, she tolerated endless dinners where I talked about horrible viral outbreaks over dessert.
The entire Deadline Machete Squad returned for this book, and I remain honored by their willingness to work with me to make sure it comes out mostly right. Priscilla Spenser and Lauren Shulz joined the Squad for the first time with this book, and did incredible work. Many thanks to them all, and to the endlessly patient, endlessly tolerant, absolutely wonderful staff of Borderlands Books, who have put up with more from me than any one bookstore should.
Most of all, on this volume, I must thank DongWon Song, my editor, and Diana Fox, my agent. Both of them put in hours upon hours improving and refining the text. They are truly amazing people to work with. (Not to discount all the other amazing people at Orbit, both US and UK. A special thank-you must go to Lauren Panepinto for her amazing cover design. I am seriously amazed by the work she does.)
Finally, and once again, acknowledgment for forbearance goes to Amy McNally, Shawn Connolly, and Cat Valente, who put up with an amazing amount of “talking it out” as I tried to make the book make sense; to my agent, Diana Fox, who remains my favorite superhero; to the cats, for not eating me when I got too wrapped up in work to feed them; and to Tara O’Shea and Chris Mangum, the incredible technical team behind www.MiraGrant.com. This book might have been written without them. It would not have been the same.
Both the CDC and EIS are real organizations, although I have taken many liberties with their structure and operations. To learn more about the history of the EIS, check out Inside the Outbreaks: The Elite Medical Detectives of the Epidemic Intelligence Service, by Mark Pendergrast. (Thanks to Bill McGeachin for supplying my copy of this wonderful book.)
Rise up while you can.
extras
www.orbitbooks.net
meet the author
Born and raised in California, Mira Grant has made a lifelong study of horror movies, horrible viruses, and the inevitable threat of the living dead. In college, she was voted Most Likely to Summon Something Horrible in the Cornfield, and was a founding member of the Horror Movie Sleep-Away Survival Camp, where her record for time survived in the Swamp Cannibals scenario remains unchallenged.
Mira lives in a crumbling farmhouse with an assortment of cats, horror movies, comics, and books about horrible diseases. When not writing, she splits her time between travel, auditing college virology courses, and watching more horror movies than is strictly good for you. Favorite vacation spots include Seattle, London, and a large haunted corn maze just outside of Huntsville, Alabama.
Mira sleeps with a machete under her bed, and highly suggests you do the same. Find out more about the author at www.miragrant.com.
introducing
If you enjoyed BLACKOUT, look out for
COUNTDOWN
AN EBOOK ONLY NEWSFLESH NOVELLA
by Mira Grant
The year is 2014, the year everything changed. We cured cancer. We cured the common cold. We died.
This is the story of how we rose.
When will you rise?
COUNTDOWN
“The Rising is ultimately a story of humanity at both its very best, and at its very worst. If a single event were needed to represent all of human history, we could do worse than selecting the Rising.”
—MAHIR GOWDA
“People blame science. Shit, man, people shouldn’t blame science. People should blame people.”
—SHAUN MASON