THE TRIAL Chapter 3: DISCOVERY Chapter 12 Downhill Run
The ship was gaining speed at last, on the downhill run toward Jupiter. It had long since passed the gravitational no-man's-land where the four tiny outer moons - Sinope, Pasiphae, Ananke, and Carme - wobbled along their retrograde and wildly eccentric orbits. Undoubtedly captured asteroids, and completely irregular in shape, the largest was only thirty kilometres across. Jagged, splintered rocks of no interest to anyone except planetary geologists, their allegiance wavered continually between the Sun and Jupiter. One day, the Sun would recapture them completely.
But Jupiter might retain the second group of four, at half the distance of the others. Elara, Lysithea, Himalia, and Leda were fairly close together, and lying in almost the same plane. There was speculation that they had once been part of a single body; if so, the parent would have been barely a hundred kilometres across.
Though only Carme and Leda came close enough to show disks visible to the naked eye, they were greeted like old friends. Here was the first landfall after the longest ocean voyage - the offshore islands of Jupiter. The last hours were ticking away; the most critical phase of the entire mission was approaching - the entry into the Jovian atmosphere.
Jupiter was already larger than the Moon in the skies of Earth, and the giant inner satellites could be clearly seen moving around it. They all showed noticeable disks and distinctive colouring, though they were still too far away for any markings to be visible. The eternal ballet they performed - disappearing behind Jupiter, reappearing to transit the daylight face with their accompanying shadows - was an endlessly engaging spectacle. It was one that astronomers had watched ever since Galileo had first glimpsed it almost exactly four centuries ago; but the crew of Leonov were the only living men and women to have seen it with unaided eyes.
The interminable chess games had ceased; off-duty hours were spent at the telescopes, or in earnest conversation, or listening to music, usually while gazing at the view outside. And at least one shipboard romance had reached a culmination: the frequent disappearances of Max Brailovsky and Zenia Marchenko were the subject of much good-natured banter.
They were, thought Floyd, an oddly matched pair. Max was a big, handsome blond who had been a champion gymnast, reaching the finals of the 2000 Olympics. Though he was in his early thirties, he had an open-faced, almost boyish expression. This was not altogether misleading; despite his brilliant engineering record, he often struck Floyd as naive and unsophisticated - one of those people who are pleasant to talk to, but not for too long. Outside his own field of undoubted expertise he was engaging but rather shallow.
Zenia - at twenty-nine, the youngest on board - was still something of a mystery. Since no one wished to talk about it, Floyd had never raised the subject of her injuries, and his Washington sources could provide no information. Obviously she had been involved in some serious accident, but it might have been nothing more unusual than a car crash. The theory that she had been on a secret space mission - still part of popular mythology outside the USSR - could be ruled out. Thanks to the global tracking networks, no such thing had been possible for fifty years.
In addition to her physical and doubtless psychological scars, Zenia laboured under yet another handicap. She was a last-minute replacement, and everyone knew it. Irma Yakunina was to have been dietician and medical assistant aboard Leonov before that unfortunate argument with a hang-glider broke too many bones.
Every day at 1800 GMT the crew of seven plus one passenger gathered in the tiny common room that separated the flight deck from the galley and sleeping quarters. The circular table at its centre was just big enough for eight people to squeeze around; when Chandra and Curnow were revived, it would be unable to accommodate everyone, and two extra seats would have to be fitted in somewhere else.
Though the 'Six O'Clock Soviet', as the daily round-table conference was called, seldom lasted more than ten minutes, it played a vital role in maintaining morale. Complaints, suggestions, criticisms, progress reports - anything could be raised, subject only to the captain's overriding veto, which was very seldom exercised.
Typical items on the non-existent agenda were requests for changes in the menu, appeals for more private communication time with Earth, suggested movie programmes, exchange of news and gossip, and good-natured needling of the heavily-outnumbered American contingent. Things would change, Floyd warned them, when his colleagues came out of hibernation, and the odds improved from I in 7 to 3 in 9. He did not mention his private belief that Curnow could outtalk or outshout any three other people aboard.
When he was not sleeping, much of Floyd's own time was spent in the common room - partly because, despite its smallness, it was much less claustrophobic than his own tiny cubicle. It was also cheerfully decorated, all available flat surfaces being covered with photos of beautiful land and seascapes, sporting events, portraits of popular videostars, and other reminders of Earth. Pride of place, however, was given to an original Leonov painting - his 1965 study 'Beyond the Moon', made in the same year when, as a young lieutenant-colonel, he left Voskhod II and became the first man in history to perform an extravehicular excursions
Clearly the work of a talented amateur, rather than a professional, it showed the cratered edge of the Moon with the beautiful Sinus lridum - Bay of Rainbows - in the foreground. Looming monstrously above the lunar horizon was the thin crescent of Earth, embracing the darkened nightside of the planet. Beyond that blazed the Sun, the streamers of the corona reaching out into space for millions of kilometres around it.
It was a striking composition - and a glimpse of the future that even then lay only three years ahead. On the flight of Apollo 8, Anders, Borman and Lovell were to see this splendid sight with their unaided eyes, as they watched Earth rise above the farside on Christmas Day, 1968.
Heywood Floyd admired the painting, but he also regarded it with mixed feelings. He could not forget that it was older than everybody else on the ship - with one exception.
He was already nine years old when Alexei Leonov had painted it.
2010 Odyssey Two
Arthur C. Clarke's books
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