What if she really could change my life?
It would be a crime against love to not take this chance, so I send a silent thank-you to June and sail past the on-ramp to the bridge. Mark actually lets out a whoop as we pass it, like I just made some great play at one of his baseball games.
A daisy, a zinnia, a lilac, an aster.
As I list them to myself, I see a new series of paintings. Individual flowers against cobalt-blue backgrounds. If I paint them right, they’ll look like more than pretty flowers. They’ll look like the possibility of love.
The Embarcadero is dark and still. Parking, for once, is easy to find.
I turn off the engine and we get out. I can hear the sea lions barking, but nothing else. The quiet throws me off because I was expecting to find the pier crowded with tourists carrying souvenirs, their bellies full of clam chowder and sourdough bread.
But it’s late and everything is closed. Mark must feel my worry, because he says, “She wasn’t here to shop. She was here for the sea lions. Let’s walk toward the water.”
With each step, I feel a little hope escaping.
“What does she look like?” Mark asks, as if there’s anyone here to distinguish her from.
I play along.
“She has short dark hair. In the pictures I’ve seen, it’s usually falling into her eyes. In a perfect way.”
He smiles.
“And she has really great cheekbones, and a tiny scar by her eye from a circus accident.”
“A what?”
I laugh. I feel like he should already know everything; I forgot that he barely knows me.
So I tell him everything about her, which feels like telling him about myself, because when you think about something so intensely for so long, it kind of has a way of taking over everything else. I tell him about the circus and Mathilde, about the words Violet uses in the letters she writes. I tell him about a photograph I’ve stared at for hours, of her standing in front of a collapsing circus tent, with gold paint on her face and bangles on her wrist, her hand through her messy hair, the curve of her collarbone so gorgeous it hurts. I keep telling him about all of it even as we come to the end of the pier and the last traces of hope disappear.
I keep talking so that I won’t cry.
And then I’ve said all that I know about her.
We sit on a bench overlooking the sea lions sleeping in heaps, the bay to one side of us, the city with its empty, towering buildings to the other. All of the photos of her, all of the stories, all of the facts spin in a loop in my head, but I spare him a second round of the monologue. I look toward the bay, but all I’m seeing is that photograph of Violet. The tent is billowing in the wind, the fiercest red. She’s looking straight at me, wondering what I’ll do next.
Mark and I must have been destined for each other, because what two-hour-old friendship can endure such a deep silence? Eventually, his phone vibrates.
“Your mom again?” I ask.
He grimaces.
“We can go.”
“I’ll try to make the last train. You might still be able to find her.”
“No,” I say. “We should spare me from subsequent chances to let myself down.”
He nods, and then he leans forward and puts his head in his hands.
“I’m sure you aren’t in that much trouble,” I say.
“It isn’t that.”
“Oh,” I say. “Right.”
“I keep seeing him with those guys. I keep wondering what he’s doing. Who he’s doing it with. And, as far as he knows, I should be home by now. I can’t believe he hasn’t even texted to see what kind of heinous punishment my mother is inflicting on me.”
“Well, if it’s any consolation, Tattoo Boy has nothing on you. Pretty much every guy in that bar shared my opinion.”
“Unfortunately, there’s only one opinion I really care about at the moment.” He peers up at me. “Sorry,” he says.
“No, I get it,” I say. “And what will happen next? He’ll call you tomorrow and tell you all about it and you’ll have to act happy for him? Or will it be more like he calls you and talks about the weather and, like, his plans for the literary journal next year?”
“I don’t even know. This is uncharted territory for us.” He looks across the water, to the bridge looming above us. “But what if he does want to swap stories? What if he tells me all about his awesome night with the college guys and all the college hipster parties he went to after the bar, where they drank beers out of mason jars and spun records or something? Then he’ll ask me what I did and I’ll say that I ruined your night and made you drive me home and then got lectured by my mother before going to sleep.”
“That’s bleak,” I say.