He decants the wine, putting out stemless wineglasses for the adults, heavy tumblers for the twins. Andrew Brant, almost forty when Lu was born, had been considered an “old” father and he remains undeniably old-fashioned. He believes that children should learn to negotiate the adult world, that plastic cups with lids only retard their progress. To his credit, he never gets angry over spills or breakage. Teensy is the one who mourns the destruction of the Brants’ material possessions. But then—she’s the one who has been cleaning them for two generations. When Lu moved back in with her father, she was amazed to realize how little he knows about domestic arrangements. He cannot scramble eggs or make a bed. Or maybe he just doesn’t. He will buy groceries for special occasions—steaks, homemade ice cream, sushi-grade tuna from Wegman’s—but it would never occur to him to go to Giant or Target for everyday things like paper towels and detergent. Teensy does his laundry and ironing. Only his, she made clear to Lu with Teensy-ian logic. “You and the children have so many bright-colored things,” she said. “I can’t mix them with Mr. Brant’s.” How many Andrew Brants does it take to screw in a lightbulb? Lu has never been able to nail the precise punch line, but it would probably have to do with him not needing to change the lightbulb. He could just sit in the glow of his own saintly perfection.
The twins helped her finish setting the table, and with only a minimum of nagging. They look forward to their uncle’s visits as well. He plays with Justin and is fatherly with Penelope. Lu gazes with satisfaction at the inviting room. Winter is the house’s best season. With the trees bare, the lake is in full view from three sides. Hard to remember now the raw, immature landscaping that legendarily offended Adele Brant more than forty years ago. Lu always thought trees took centuries to reach maturity, yet now they are huge and she is still not old. Forty-five isn’t old, right? Especially when one is beginning a new, big job. Lu likes to joke that her mid life crisis was postponed because widowhood was more pressing. What would a midlife crisis even look like for a single mother of two? Some people might point to the one part of her life that she keeps rigidly compartmentalized, but no one knows about it, so no one can cite it.
Which just proves, Lu thinks, how very good she is at compartmentalizing.
AJ—of course—managed to have an original midlife crisis: at age forty-four, he shucked his gorgeous, funny, brilliant wife of ten years, headed out for a wanderjahr, returned and fell in love with a mousy yoga teacher. Lu still finds it hard to reconcile herself to this. Lauranne is a drag. A drag on conversation, a drag on meals—a vegan alternative always has to be provided and is never quite right. Yet AJ remains smitten. Lauranne represents the new life he created for himself after walking away from Lehman Brothers. Granted, he walked away in 2006, excellent timing on his part. Two years later and his fortune would have walked away from him. He divested himself of most of his material goods—although only half of his considerable cash—telling his first wife, Helena, that she could have the house in Greenwich, the apartment in New York City, the beach house on Cape Cod. He then made his own Eat, Pray, Love pilgrimage around the world, although ascetic AJ skipped the eating part. He found Lauranne in some yoga class along the way and eventually brought her to Baltimore, where they became pioneers in urban gardening, something that Lu and her father privately find hilarious. “AJ didn’t even like cutting grass as a boy,” her father says. “Now he’s practically a farmer.”
AJ’s embrace of simple living has only made him richer. He wrote a book about his travels that became an unexpected hit in paperback, the sort of thing that book clubs love. The book made him an in-demand speaker, someone hired for $10,000, $20,000 a night. A local radio show on AJ and Lauranne’s locavore life ended up being nationally syndicated. Three years ago, he even was named a MacArthur fellow, receiving one of the so-called genius grants. The couple still lives in Southwest Baltimore and AJ is often photographed outside their home, a simple redbrick rowhouse. Photographers and reporters are never allowed inside, however. Luisa suspects this is because AJ and Lauranne actually own three rowhouses, reconfigured inside so that there is an open courtyard with a pool bracketed on three sides by the two end rowhouses, a walled garden at the back of the property. Lu has to give AJ his due; it is still a pretty scruffy neighborhood and he is cheerful about the price he pays to live there—graffiti, vandalism, petty larcenies. And he is doing something incontestably good, helping families in Southwest Baltimore grow their own vegetables and learn to cook and eat seasonally. He, in turn, credits Lauranne for much of his success, but Lu cannot bear to ascribe anything positive to her brother’s second wife. To her, Lauranne is just a lucky hanger-on.
She misses Helena. Funny, bright, a lawyer. AJ says they broke up over the issue of children, yet AJ and Lauranne don’t seem to be interested in having children, either, although she’s still just young enough, in her thirties. But Lu can tell, by the way she interacts with Penelope and Justin—which is to say, the way she doesn’t interact—that Lauranne has no desire to be a mom. Fair enough. Let her eat vegetables and tie her body up in knots and live forever. AJ seems happy, which is all that matters.