An hour later, I’ve cracked through its shields. It records a lot more data than I thought it did. Not only does it store information about the Phoenix Riders, but it also seems preset to serve the other teams, which means it has optional connections to everyone else’s NeuroLink accounts. I smile. Everyone in the world is connected in some way to everyone else.
I run a script to overwhelm Wikki’s security. While it’s working, I worm my way into each of my teammates’ accounts. I crack into their emails, their messages, their Memories. From there, I set up my hack to penetrate each of the accounts of the other teams.
It’s going to take a while to download everything, but it’s running now.
I replace Wikki’s panel, double-check to make sure I leave no trace of my presence behind, and then reboot the robot. It turns back on, its eyes blinking, its data gathering set back to normal. I pat it once on the head, then accept another strawberry soda.
“Thanks, Wikki,” I say, winking at it. It records my preference, then rolls out of my room again.
I pop open the soda and take a sip. By tomorrow, I should be in.
11
By the time the sun sets and we arrive in the heart of Shibuya, the neon lights of Tokyo have already lit up, casting the city in a glittering rainbow of color. Security guards swarm around our limo as we pull up to the nightclub’s entrance. The streets are fenced off, so that no cars other than ours can come through, and a red carpet lines the sidewalk.
We are all wearing our lenses. Through them, silver and gold sparks fly on either side of the club’s glass doors, while a Warcross logo hovers over the top of the building. The sidewalk’s pavement is aglow with a kaleidoscope of bright, swirling colors. The club’s name, Sound Museum Vision, hangs over the glass doors as a giant, glowing logo. Even from out here, I can hear pounding music from inside—the deep beats of a DJ Ren track.
The only people allowed inside the club tonight are the official Warcross players, the employees of Henka Games, and a smattering of Warcross fans who were picked by a lottery system to attend. Now they’re clustered outside in a haphazard line, waiting for the security to let them in. As our team approaches the entrance, the fans let out a chorus of screams.
The four of us are wearing matching black face masks tonight. Hammie is first, her curls loose, long, and full, her outfit a yellow-and-white dress paired with black heels. Asher comes behind her, looking sleek in a bold red suit, while Roshan is dressed from head to toe in black.
My hands fiddle constantly with the hem of one of my new dresses. It’s layered in soft white chiffon, which contrasts nicely with my tattoos and rainbow hair, but it rides up higher than I thought it would. I’ve never been inside an upscale club like this one, and as we walk past the crowd of fans, I wonder if maybe I should’ve picked a different outfit. Hideo will be here tonight, after all. The last thing I want to look like in front of him is uncomfortable.
A commotion farther down the fans’ line makes me look over my shoulder. Sure enough, Hideo is there, flanked by a bevy of bodyguards. They’re giving him some space tonight, though, and when I look closer, I realize that he’s kneeling to sign a poster for a little girl. She says something to him excitedly. Even though I can’t make the words out, I hear him laugh in return. The sound surprises me—it’s genuine and boyish, so unlike his distant demeanor from our meeting. I find myself lingering there for a moment before I finally turn back around and follow my team into the club’s main lobby.
The club is underground. As we step out of the elevator, the music suddenly turns deafening, the beat shaking my body through the floor. Hammie sidles up beside me as we go, taking off her face mask and folding it away in her purse. I follow her lead. “Sound Museum Vision’s got the best sound system in the city!” she shouts. “All custom-made. They revamped the space a few years ago, too—it’s double the size it used to be.”
We reach the bottom of the stairs, where another group of security guards lets us in. I step into a yawning cavern of darkness, flashing lights, and a pounding bass that shakes me deep in my chest.
Even without my lenses, this space would be impressive. The ceiling is at least three floors high, and lights of neon blue, green, and gold strobe the room, blinding us with color. A sea of people fills the room, their arms thrown up, their hair tossing wildly. A faint mist hugs the air, giving everything a surreal haze. Enormous screens stretching from floor to ceiling line the walls, as well as the backdrop of the main stage, rotating through an animatic of each Warcross team.
But with my lenses on, the space transforms into something magical. The ceiling looks like a night sky covered by a sheet of stars, with green and red streaks of what look like Northern Lights dancing from one end to the other. Some of the stars move toward us, showering us with sparks, as if stardust is raining over us. Every time a deep bass drops, the ground glows in a symphony of light. Official players on the floor shine in the dark, their outfits lit up in neon, their names, team affiliation, and level hovering over their heads like golden trophies. Around them cluster heavy crowds. Everyone’s trying to get a moment of their time on the dance floor.
Maybe Zero is here, watching, I remind myself. Maybe the other bounty hunters, too.
My eyes dart to the stage itself. The space is enormous, as big as a concert hall, and a live orchestra is sitting in the pit right below. Against the stage’s backdrop is a towering screen with an ice-blue dragon’s head breaking out through it. Fire appears to shoot out from its mouth in a spectacular display. It takes me another second to remember that the dragon itself is also virtual—it moves as if it were real, twisting and turning its head at every dropped beat, its growl echoing from somewhere deep in the sound system.
Standing in front of the dragon’s mouth is a singer with short, artificially blond curls and clothes in neon shades of blue. Frankie Dena! She’s singing the chorus to one of her collaborations with DJ Ren: “Hey Ninja Gangsta Dragon Lady Hey, where you from, no, where you really from, baby Hey, how ’bout you cut all that shit out Yeah!” Dancers pump their arms to the rhythm.
Then she sees us and pauses.