I shoved my hand into her jeans and rubbed her clit through her panties. We were so fucked if the elevator had cameras.
“Your gallery on Venice Beach,” I said.
She stopped kissing me. Stopped clawing at my hair. She jerked her eyes up and inspected me, suspicious. “No,” she said.
“Yup,” I responded. “I never understood why galleries are always so fucking white, you know?”
“Vic.” Her lips trembled, and her eyes glistened with tears. Happy tears. Because now I made her happy. All the fucking time.
“I love you so much, sometimes I feel like it’s not even real anymore,” she admitted.
I knew exactly how she felt. “It’s real, and it’s ours.”
I smoked weed while she danced on the roof and threw me smiles every now and again. I watched her with a smirk. Life was good. It was about to get even better soon, when this woman became completely mine.
And it was right, because Dad was dead, Daryl was dead, and Jo was living in a studio apartment on the outskirts of San Diego, working as a waitress, doing double shifts. She never made it back to Hawaii. Sometimes she tried to message me, begging for a loan. I never answered.
We spent no more than ten minutes up on the roof before going back down to the maternity floor where we were all waiting for Trent’s stripper to give birth, but no one was in the hallway. No one.
“You sure we got the right floor?” Emilia looked around us, confused. It looked like the right place. Then again, the problem with hospitals was that everything looked fucking identical.
We spotted her sketchpad on the chair down the hall just as a plump nurse breezed out of a room, squinting at the clipboard in her hand. “Friends of Vasquez and Rexroth?”
We both nodded.
“Congratulation, a healthy baby girl. Let me show you to the room.”
We practically jogged after her. The nurse knocked on a door, waited, and then Trent said, “Yeah?” and she let us inside.
Emilia went in first, but I held her hand, right behind her. Trent looked good. Happy. Fucking glowing, even. He held a tiny little thing in his hands, wrapped in a white blanket, with a light pink and baby-blue wool hat on her head. She looked so peaceful and sweet. Valenciana was lying in her bed, speaking in Portuguese with her mother who sat beside her.
“Brazilian, African American, and German,” Trent said, introducing his baby to us, and Emilia squeezed my hand.
“That’s a pretty long name. How about we use the initials and call her “Bag” for short?” I quirked a brow, and Trent laughed.
It was hard to tell, but I thought his daughter might be as good-looking as both of her parents, which was terrible news for the rest of the male population. Her skin tone was a light brown, and her eyes were grayish. Like Trent’s.
“That’s her heritage, dickbag.”
“Trent!” everybody in the room shouted in unison, and I grinned like the ass*ole that I was.
“Tsk-tsk,” I said, shaking my head. “So what are you going to call her?”
He handed Emilia the baby without asking her if she wanted to hold her, but by the smile that almost split her face in two, I knew she was game. She clutched the baby tight to her chest and cooed.
Then Trent looked at Valenciana, and she looked at him. Something passed between them. I knew they weren’t together. Even more than that, I knew this baby probably wasn’t an accident. Trent was one of the richest people in his Chicago zipcode, hot as fuck, and was bound to become even richer as we expanded. But none of it mattered right now, because it was clear that despite everything, they were both committed to this baby and loved her a whole fucking lot more than some married parents loved their kids.
“Luna,” they both said.
Emilia was close to fainting from happiness. She smiled and cooed some more and held Luna closer, mumbling about how it was a perfect name for a perfect girl.
Finally, it was Melody’s turn to hold the baby, and she took her from my fiancée before the latter managed to run away with her. The room was buzzing with excitement and laughter, and I kicked back, sat next to Emilia and smiled.
This was my family.
My fiancée.
The HotHoles.
And even the nameless chicks they brought with them.
“I changed my mind about babies,” Emilia said through the chatter, leaning into me. “Maybe not right now or in a few years, but down the road, I want it. I think I really want it. What do you say?”
I smirked. Emilia LeBlanc of Richmond, Virginia was asking me to put a baby in her.
Then I shrugged and leaned back into her. “Don’t worry. I won’t stop trying to impregnate you, even after you get pregnant.”
She laughed.
“Deal?” I asked.
“Deal.”
This book never would have happened if it wasn’t for so many people. This is the part where I forget 40% of them, but I’m still going to do my best to cover the majority of strong, sassy, talented ladies who helped me every step of the way.
Sunny Borek. Seriously. This chick. One of my best friends and the only person who has the ability to drive me crazy and keep me sane at the very same time. Thank you for beta-reading Vicious time and time again. Thank you for loving him. For always being there when I needed you. But most of all, for being you.
My beta-readers: Amy. Thank you for reading the story again and again, providing legal advice and making me laugh when I went through major meltdowns. Lilian, Paige, Josephine, Ilanit, Sabrina, Rebecca Graham, Ava Harrison and Ella Fox. You’re amazing. I appreciate your time, patience and efforts so, so much. Each and every one of you brought something into this book that made it better in my opinion.
My street team members, to name a few: Julia Lis, Lin Tahel Cohen, Kristina Lindsey (who also took on managing my release and organized my release party, because she’s badass like that. Thank you for spending long, grueling hours on my marketing, fabulous woman!), Sonal, Jessica, Brittany, Sher, Tamar, Avivit, Tanaka, Oriana and so many more. No matter where I go, you’re there to support me. I’m the luckiest girl in the world to have you by my side.
Big thanks my professional team. To my editors, Karen Dale Harris, who makes every book I write so, so, SO much better than it initially was, and Vanessa Leret Bridges. To Stacey Ryan Blake for the beautiful formatting and Letitia Hasser for the wonderful cover (it was fun working on it, huh?)