Under the Lights: A thrilling, second-chance romance duet. (Bright Lights Duet #1)

“And into which category do I fall?” Anger rises in me again, and I don’t want to be in his arms.

For a moment he simply looks at me. Then he steps forward and catches my face. I’m about to speak when he bends down and kisses me, pushing my lips apart with his.

My stomach clenches, and the metallic taste of his blood is in my mouth as I fumble with the scratchy wool of his coat, trying to get away. He holds our lips together a second longer before letting go and pulling back.

Then he looks directly into my eyes. “Which do you think?”

“Why did you do that?”

“Because there’s a bond between us. You know it.”

I seize that sentiment. “Because you looked out for me when I came here. Don’t you see? That’s how it is with Molly and me.”

“It’s not the same.”

“It is!” My throat is tight again.

“Molly has none of the history we share. None of the debt I owe your mother.” His voice softens at the words, at some memory I don’t know. He steps to me, and smooths the tear off my cheek with his thumb. “That I owe you.”

“You have no debt to me.”

But he smiles and waves a hand, and just like that I watch his own invisible curtain rise. “I’ll help you. But I won’t let you put yourself in danger.”

I’m still trying to understand what just happened, but his words give me hope. “You’ll help me?”

“Of course. But not like this.” He motions to the cottage. Then he crooks his arm and nods in the direction of the theater. “Come on.”

With hesitation, I take his arm. I believe him, but still… He doesn’t have to know if I return to the cottage, and there is only one way I know to stop Guy permanently.

I’ll be back, if only for insurance.





Mark


The men are back.

All of them.

Since the night of Lara’s birthday, I’ve been to Algiers to basically stand with my arms crossed while men unloaded crates from a barge, I’ve made two more trips to the Walgreen’s on Magazine for Narcan, which turns my stomach, and I drove to the airport to pick up the Canadian and the other guy, Esterhaus.

Tanya is fading fast, and I’m pretty sure her decline started the night I stood outside the door, guarding the gangbang happening under the stage. I didn’t see her there, but a few of the girls said they were given pills to “help them relax.”

I’m not doing that job again.

I’ve made five thousand dollars in five days, and every cent I don’t spend on food, gas, clothes, or prescriptions, I put in the Bank of the French Quarter. It’s small, but it’s cheap. I’m lucky to be living rent-free, but when Terrence returns, I’ll have to start coughing up rent money. My hope is by then, I’ll have found a better job and a place for the three of us—Lara, Molly, and me—to live.

The last time I held her, she tried to push me away, but when I kiss her, I feel where her heart is. She’s mine. I just have to show her I can and I will take care of her. And Molly. I lost points that night I went to Atlanta, but Lara has a phone now. I don’t even care if that rich guy bought it. I have her number, and I always tell her where I am, whether she wants to know or not.

For instance, tonight I had to go all the way to Holly Grove, almost to Metairie to collect payment from some asshole who runs a laundry service.

It turned my stomach because it felt like the kind of shit Rick was into before they blew him away. As far as I’ve been able to learn, Guy is the puppet master in all their seedier affiliations, but I’m puzzled that Gavin knew my uncle and he didn’t.

Gavin only appears to run the Pussycat Angels club, and, to my knowledge, Rick didn’t have any dealings with strippers or prostitutes. That I know of…

I’m still working that one out.

The rain hasn’t let up for a week, but it’s not storming. Mist hangs in the air, almost as if it’s too saturated for precipitation. I hop off the streetcar at Dauphine and continue walking toward the theater. I’ve got less than an hour to get there before intermission.

Pulling my topcoat closer at my neck, I lean into the wind, keeping my eyes on my feet as I cross, block after block, headed to Orleans Street. I stay east of Bourbon, trying to avoid that mob as long as possible.

I pull out my phone, scrolling to Lara’s number in my recent calls, grinning at the nickname Wifey I’ve given her. I study the photos I’ve taken of her. Her smiling, her looking tolerant, her in my arms, her face buried in my chest.

She still says we have to break it off, but that Freddie bastard is back in Paris, and I plan to tell her my money situation and make another pitch for staying with me when I get back tonight.

A dark figure in a long black topcoat jogs fast south. The wind whips around me, fanning my coattails and shooting the runner’s hat off his… her head?

“Lara?”

She’s panting and leans against a brick wall, looking at the sky. We’re surrounded by buildings in the middle of a block, and I can tell she’s disoriented. My stomach tightens, and my fists clench, preparing for a fight. I don’t know why she’s running, but I’ll kick some ass if someone’s bothering her.

A quick look left, and I cross the one-way street to where she’s collapsed against the side of a building. “Lara,” I say louder, and she lets out a little yelp.

Her eyes are huge, and I reach for her arm, pulling her to me. “I thought that was you. What are you doing out here?”

She takes a step as if she’ll bury herself in my topcoat against my chest—a welcome place for her always—but she stops herself.

“I… I…” She looks away and then down at her hand in mine. “I lost my way.”

“Well, lucky for you Gavin sent me uptown this afternoon. I’ll take you back.”

We walk beside each other in silence for a while. The strong gusts hit us in the face, and I want to pull her to me, put my coat around her, and shelter her from the damp. She glances sideways and our eyes catch.

“How are you?”

She shakes her head. “The same.”

“Something’s changed. Freddie’s gone.”

“Just for a month.”

Catching her arm, I stop our progress and turn her to face me. “It gives us more time. There’s still a chance for us.”

She looks down, and her eyes blink faster. “You’re so good.” She places her narrow hand on the sleeve covering my forearm. Her slim fingers widen and narrow as she pulls it back. “I would give anything for that to be true.”

We’re at the corner of Royal and St. Anne Streets, and before I can pull her to me and reassure her it can be true she turns. Her pace quickens, and she’s jogging ahead of me to the theater.

She hurries through the back doors, and I let her go for now. She has to get ready for the show, and I’ll be able to kiss her cheek and hold her to me in a few minutes. We will be together. She’ll believe it once she knows what I’ve done.





19





“In the end she became the journey.”





Lara


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