This Savage Song (Monsters of Verity #1)

The black sedan cut through the city like a knife.

Kate watched as it carved down streets, across bridges, the traffic splitting like flesh as the car sliced its way through North City. Outside, the morning was loud and bright, but from within, it looked like an old movie, all the color leeched out by the tinted windows. Classical music piped through the radio, soft but steady, reinforcing the illusion of calm that most people bought into so willingly. When she asked the driver, a stone-faced man named Marcus, to change the station, and he ignored the request, she put her left earbud in and hit play. Her world became a heavy beat, a rhythm, an angry voice, as she leaned back into the leather bench of the backseat and let the city slide past. From here, it looked almost normal.

V-City was a place Kate knew only in glimpses, snapshots, time-lapse moments strung together with years of space between each one. She’d been sent away once for her own safety, stolen a second time in the dead of night, and banished a third for her mother’s crimes. But she was finally back where she belonged. In her father’s city. At her father’s side.

And this time, she wasn’t going anywhere.

Kate fiddled with her lighter as she studied the tablet propped in her lap, a map of V-City filling the screen. At first glance, it looked like every other supercity—a high-density center trailing off at the edges—but when she tapped the screen with a metallic nail, a new layer of information appeared.

A black line cut across the image from left to right, bisecting the city. The Seam. In reality, it wasn’t a straight line, but it was a hard one, carving V-City in two. Stand on the North side, and you were in Callum Harker’s territory. Stand on the South side, and you were in Henry Flynn’s. Such a simplistic solution to six messy, brutal years of fighting, of sabotage and murder and monsters. Draw a line in the sand. Stay on your half. No wonder it wasn’t holding up.

Flynn was an idealist, and it was well and good to talk of justice, to have a “cause,” but at the end of the day his people were dying. Flesh and bone versus tooth and claw.

V-City didn’t need a moral code. It needed someone willing to take control. Someone willing to get his hands dirty. It needed Harker. Kate had no pretentions—she knew her father was a bad man—but this city didn’t need a good one.

Good and bad were weak words. Monsters didn’t care about intentions or ideals. The facts were simple. The South was chaos. The North was order. It was an order bought and paid for with blood and fear, but order all the same.

Kate traced her finger along the Seam, over the grayed square that marked the Barren.

Why had her father settled for only half the city? Why did he let Flynn hide behind his wall, just because he had a few strange monsters on a leash?

She chewed her lip, tapped the map again, and a third layer of information appeared.

Three concentric circles—like a bull’s-eye—ghosted over the top of the map. It was the risk grid, designed to show the increase in monsters and the need for vigilance as one traveled in toward the center of the city. A band of green formed the outer ring, followed by yellow, and red at the center. Most people didn’t pay attention to the zones during the day, but everyone knew the boundaries, the place where the violent red gave way to the vigilant yellow before bleeding into the relative safety of the green. Of course, for those with her father’s protection, the risk dropped to almost zero . . . so long as you stayed within the North City limits. Go past the green and you hit the Waste, where North and South didn’t matter, because it was every man for himself.

Go far enough and you eventually found safe ground again; out near the borders where monsters were still rare, the population kept low. Out where supercity people weren’t welcome in case they brought the darkness with them like a plague. Where a girl might burn down a chapel, or lie in a field of grass beside her mom and learn the summer stars . . .

Somewhere, a horn, and Kate looked up, the house in the country dissolving back into the city streets. She stared past the partition and the driver and the front window, at the silver gargoyle on the hood. The car had originally come with an angel ornament, arms and wings flung back by some invisible wind, but Harker had broken it off and replaced it with the beast, hunched forward, tiny claws curling around the front lip of the grill.

“This is a city of monsters,” he’d said, tossing the angel in the trash.

Her father was right about that. But monsters—real monsters—didn’t look like the stupid little hood ornament. No, real monsters were much worse.



Victoria Schwab's books