Viyeki had never entered the sacred Chamber of the Well in all his long life, and as he emerged from the last stairwell into the cavern he could not help staring around in fearful fascination. Arched galleries ringed the chamber both at the bottom and higher up, but what drew his eye was the hole in the center of the cavern floor, a ragged gouge surrounded by a circular lip of carved, inlaid stones—the mouth of the Well. The radiance that oozed from it seemed like something heavier than mere light, lying close along the stony floor while leaving the reaches above the upper galleries lost in shadow. By its dull ocher gleam, Viyeki thought he could see faces gazing down from the dark openings in the walls above him—or at least things that looked like faces.
The Well itself blazed like the maw of one of the mountain’s flaming crevices, but its thick light seemed to come from a source even older than the mountain’s internal fires—a bleak, yellowish glow that might have lit the world before even the stars first began to burn, and which made everything in the great chamber seem to lean and loom. A shape hung in the column of wavering light above it, something real as blown glass yet insubstantial as smoke, an object Viyeki could not entirely understand or even completely see. This was the Breathing Harp, a sacred object brought to Nakkiga from lost Kementari when the immortals had fled the sudden ruination of that great city. From some angles the harp seemed near enough for Viyeki to touch, but even a slight tilt of his head reduced it to vanishingly faint scratches on the air, lines that were barely there at all, but with spaces between them that seemed to open onto limitless vistas and made his eyes ache. When Viyeki finally pulled his gaze away, the Harp seemed to linger before him like a shadow wherever he turned.
But even the Well and the Harp could not hold his attention for long, because like any of his people, when Viyeki saw the slender, silver-masked figure sitting still and pale as a statue on her great chair of black stone, he found it nearly impossible to look at anything else.
Mother of All, give strength to your servant. The sight of the queen brought old words of worship to his mind. My life is yours. My body is yours. My spirit is yours.
If this is an execution, Viyeki thought then, even a wholesale destruction of the noble caste, then at least my death will be at her command. It was a strangely reassuring idea. Dying, he would at least know that order prevailed—that the Mother of the People, not Akhenabi, still ruled in Nakkiga.
The Lord of Song was present, of course, standing to one side of the queen’s throne, facing the Well. Its weird pulsing light, which painted Utuk’ku’s white mourning garb with earthy yellows and strange blues, fell onto the darkness of Akhenabi’s hooded robes and vanished, so that the powerful Singer seemed to stand in his own shadow, only his mask of dried flesh and painted runes clearly visible.
More surprising to Viyeki, though, was the figure on the other side of the throne—Jijibo the Dreamer, a descendant of the queen so rarely seen outside of the palace as to be almost a legend in the rest of Nakkiga. Utuk’ku and Akhenabi were motionless as they watched the crowd assembling, but scrawny Jijibo was in perpetual, twitching motion, his fingers convulsively flexing and his wide mouth working as he muttered unendingly to himself.
Viyeki knew from experience that the Dreamer’s words seemed to leap from his thoughts to his tongue without even the faintest consideration for propriety or courtesy or even ordinary sense. Most of Nakkiga’s nobles considered Jijibo helplessly mad—a rare but not unknown affliction among the People—because he wore mismatched garments and talked to himself aloud, though often incomprehensibly. But the Dreamer had a talent for devices and plans that pleased his ancestor the queen, so he was suffered to go where he wished and to do largely as he pleased. Viyeki’s Order of Builders, in particular, often had to deal with his sudden demands for this or that space or materials they had planned to use themselves, but as a relative and favorite of the Mother of All, Jijibo was outshone perhaps only by mighty Lord Akhenabi himself, so Viyeki’s order seldom had any recourse but to let the Dreamer have his way.
Because his vision had been blocked by so many others, it was not until Viyeki reached a position in the crowd directly facing the queen’s throne that he saw a group of figures already kneeling at the queen’s feet as though to receive honors from their monarch—but their slumped postures and bound wrists told Viyeki more than he wanted to know about the nature of the reward they expected.
As the last of the Nakkiga nobles crowded into place behind Viyeki, the Lightless Ones began to sing in the unknown deeps below the Chamber of the Well, soft, strange cries as alien as bitterns booming in a marsh but also as complex as speech. Some said the Lightless Ones had lived in the depths even before the Hikeda’ya came to the mountain, some that their ancestors had traveled from the distant Garden on the Eight Ships with Queen Utuk’ku and the Keida’ya, but in truth nobody could say for certain whether they were many creatures or one thing with many voices. If the queen knew the Lightless’ full tale, she never spoke of it.
As they all waited in near-silence, Viyeki could feel fear and tension growing in his fellow nobles, as though they were a single flock of birds that might suddenly startle and take wing. Clearly most of them were as confused as he was, frightened by the unexpected summons, by the Hamakha guards who had led them here and the squadron’s worth of battle-armored Queen’s Teeth guards who stood behind Utuk’ku’s throne.
If we are not all to be executed, Viyeki thought, then there must be grave news indeed if the queen brings us all to the Well to hear it. Are we under attack? Have the mortals come again to besiege us?
Akhenabi spread his arms, his long sleeves hanging like the wings of a bat. “Silence for the Queen,” he said. “Hear the Mother of All.”
No one had been speaking above a whisper, but at the Lord of Song’s words the room grew silent in an instant. Utuk’ku leaned forward, her eyes glittering in the slots of her mask.
I need you, my children.
Her words were not spoken aloud, but flew straight into the minds of all those present like a sudden thunderclap, a crash of overwhelming fury that for a long moment turned Viyeki’s own thoughts into shards, splinters, powder.
I am weak, the queen told them, although the force of her thoughts brought tears of pain to Viyeki’s eyes. My strength has been spent in the defense of our race. The sacred sleep from which I just awakened will be my last—there is no further help for me there.
Many of the nobles around Viyeki began to moan, whether in pain like his at the force of the queen’s words, or in fear at what they signified, but Utuk’ku did not pause. Only with the aid of all your hearts and hands can I survive the present danger, she told them—can we all survive.
Several of the gathered nobles, overwhelmed by the force and terror of this message, now dropped to all fours and pressed their faces against the cavern floor like sacrificial beasts awaiting slaughter. Jijibo the Dreamer laughed and did a gleeful little loose-jointed dance beside the queen’s black stone chair, as though he had never seen finer entertainment.
Akhenabi raised his arms and spread his gloved hands and the observers quieted. “Our beloved queen has fought so long and hard for us,” the Lord of Song declared, “both here and in the lands beyond life, that she is weary—terribly weary. So she asks me to speak for her.” He raised one arm higher and curled his fingers into a fist. “Heed your queen! We are in peril! But before we can protect ourselves from the new dangers that threaten, we must put our house in order. There are those among us who took advantage of the queen’s keta-yi’indra—traitors who tried to use her long sleep for their own advantage.” He paused, and his masked face looked out blankly over the crowd of nobles and soldiers. “Libertines. Thieves. Traitors. And now they will face justice.”
A pair of tall Queen’s Teeth stepped forward and grabbed the first kneeling figure, dragged him to his feet, and then turned him around to face the crowd of nobles. His features, though battered and bruised, were all too familiar. It was Yemon, Viyeki’s secretary.