The Trespasser (Dublin Murder Squad #6)

I mainly feel he should shut his trap and do what the lead D tells him, but I catch the pop-eyed panic on Steve’s face. It makes me want to laugh, which takes me off the boil. ‘That’s a point,’ I say, pleasantly. ‘Let’s do this: for now, we’ll take it slow, like I was saying. As soon as I think we can afford to ramp it up, I promise I’ll give the word. Fair enough?’

Breslin doesn’t look pleased, but after a moment he shrugs. ‘Suit yourselves. In that case, can we get started while there’s still some of the shift left?’ And, when I straighten up off the table: ‘You might want to do something about that first, Detective. Unless it’s part of your cunning plan.’

‘That’ is a dab at the corner of his mouth. I rub at my face: a flake of egg yolk, which I’ve obviously been wearing since that breakfast roll. ‘Thanks,’ I say, partly to Breslin and partly to my partner Captain Eagle-Eye. He makes an apology face back.

‘First impressions and all that jazz. If we’re ready now, let’s rock and roll.’

Breslin holds the door open for me to leave the observation room first, so I can’t get a last word with Steve behind his back – not that we need to swap meaningful whispers, but still. The corridor should fold around me like home, scuffed sludge-green paint and worn carpet and all; should feel like my marked track through my own territory, leading me straight and safe to the enemy neatly arranged in my interview-room crosshairs. Instead it feels like an unflagged trail through No Man’s Land, pocked with ankle-breaking mud holes and booby-trapped all the way.





Chapter 4



Everyone has an interview shtick. One guy on the squad does a beautiful line in Father Confessor, piling on the guilt and waving absolution like a doggy treat; another one does Narky Headmaster, staring over his glasses and snapping out questions. I do Warrior Woman, ready to rush out with her guns blazing and avenge all your wrongs, if you’ll just tell her what they are, and her flipside Stroppy Man-Hating Bitch when we want to piss off a rapist or a Neanderthal; I also do Cool Girl, who’s one of the lads and stands her round and has a laugh, who guys can talk to when they wouldn’t feel comfortable talking to another fella. Steve does Nice Boy Next Door and variations. With women, Breslin does Gallant Gentleman, taking their coats and bending his head to listen to every word; with guys he does Chief Jock, your best pal but you better stay on his good side or he’ll flush your head down the jacks. We size up the target and wheel out the one that we think has the best chance.

Rory doesn’t need Warrior Woman, at least as far as we know, and Stroppy Man-Hating Bitch would probably scare him under the table, but Cool Girl should relax him a notch or two. It sounds like he’d get on great with Nice Boy Next Door, but that’s out for now. I just hope Chief Jock doesn’t intimidate him enough, or piss me off enough, to send this whole thing off the rails.

Rory starts off our relationship by costing me a tenner: he doesn’t cry. He jumps a mile when Breslin throws the door open, but when I give him my Cool Girl nod and grin, he comes up with some kind of smile back. ‘Howya,’ I say, throwing myself into a chair opposite him and pulling out my notebook. ‘I’m Detective Conway, and that’s Detective Breslin. Thanks for coming in.’

‘No problem.’ Rory tries to work out whether we’re going to shake hands. We’re not. ‘I’m Rory Fallon. Is—’

‘Morning,’ Breslin says, heading over to the video recorder. ‘You OK to talk? Not too hungover? I know how it goes: young guy like you, Sunday morning . . .’

‘I’m fine.’ Rory’s voice cracks on the word. He clears his throat.

Breslin grins, hitting buttons. ‘Disgraceful. You’ll have to do better next weekend.’

I nod at his half-drunk cup of tea. ‘Can I get you a reheat on that? Or a coffee, maybe?’

‘No, thanks. I’m fine.’ Rory barely has the edge of his arse on the seat; he looks ready to leg it at the first loud noise, if there was anywhere to leg it to. ‘What’s this about?’

‘Ah-ah,’ Breslin says, turning from the video to point a finger at him. ‘Hang on there, man. We can’t get down to business yet. These days we have to get any conversation on tape and video. For everyone’s protection, you know what I mean?’

After a second Rory nods uncertainly. ‘Yeah. I guess.’

‘Course you do,’ Breslin says cheerfully. ‘Just give me a minute and we can chat away to our hearts’ content.’ He goes back to messing with the recorder, whistling softly between his teeth.

Rory’s shoulders are up around his ears. He says, ‘Do I need a lawyer? Or something?’

‘I don’t know,’ I say, lowering my notebook to give him my full attention. ‘Do you?’

‘I just mean – I mean, shouldn’t I have one?’

I raise my eyebrows. ‘Any reason why?’

‘No. I don’t have anything to— Am I not supposed to have one?’

‘You can have one if you want, man,’ Breslin tells him. ‘Absolutely. Pick a solicitor, give him a ring, we’ll all wait around till he can join us; not a problem. I can tell you exactly what he’ll do, though. He’ll sit next to you, every now and then he’ll say, “You don’t have to answer that question,” and he’ll charge you by the minute for it. I can tell you the same thing for free: you don’t have to answer any of our questions. We tell everyone, first thing: you are not obliged to say anything unless you wish to do so, but anything you do say will be taken down in writing and may be given in evidence. Clear enough? Or would you be happier paying for it?’

‘No. I mean— Yeah. I guess I’m OK without a solicitor.’

And that’s the caution out of the way. ‘You are, of course,’ Breslin says, giving the video recorder a pat. ‘Okely-dokely: that’s working. Detectives Conway and Breslin interviewing Mr Rory Fallon. Let’s talk.’

Rory says – just like Lucy did – ‘Is this about Aislinn?’

‘Hey, whoa there, Rory,’ Breslin says, lifting his hands and laughing. I grin along. ‘Slow down, will you? We’ll get there, I promise. But me and Detective Conway, we’re going to be doing hundreds of these interviews, so we need to stick to asking the same questions in the same order, or we’ll get mixed up and forget what we’ve already asked who. So do us a favour: let us do this our way. OK?’

‘OK. Sorry.’ But Rory’s shoulders have dropped – what with him being just one of hundreds, and what with us being just a couple of dumb goons on the verge of losing our place in our script. Breslin is good. I’ve watched him work before, but I’ve never shared an interview room with him, and in spite of myself I’m not hating it.

‘No problem,’ I say easily. Breslin drops into the chair next to mine and we get comfortable, flipping notebook pages, settling our arses into the quirks of our chairs, checking that our Biros work. ‘So,’ I say, ‘let’s start at the beginning. What’d you do yesterday? From, like, noon onwards?’