“Oh, Mick,” you say, and then you say nothing more. Silence is your best friend.
He nuzzles your neck. It’s sloppy, and it feels akin to meeting a Newfoundland. But you pretend you love it. You two are in the bright lights of a Vegas casino. People can see you. You have to pretend that you do not notice them. That way, tomorrow, when they talk to the papers, they will say that the two of you were carrying on like a couple of teenagers.
You hope that Celia doesn’t pick up a single rag with your face on it. You think she’s smart enough not to. You think she knows how to protect herself. But you can’t be sure. The first thing you’re going to do when you get home, when this is all over, is to make sure she knows how important she is, how beautiful she is, how much you feel your life would be over if she were not in it.
“Let’s get married, baby,” he says into your ear.
There it is.
For you to grab.
But you can’t look too eager.
“Mick, are you crazy?”
“You make me this crazy.”
“We can’t get married!” you say, and when he doesn’t say anything back for a second, you worry that you’ve pushed slightly too far. “Or can we?” you ask. “I mean, I suppose we could!”
“Of course we can,” he says. “We’re on top of the world. We can do anything we want.”
You throw your arms around him, and you press against him, to let him know how excited—how surprised—you are by this idea and to remind him what he’s doing it for. You know your value to him. It would be silly to waste an opportunity to remind him.
He picks you up and sweeps you away. You whoop and holler so everyone looks. Tomorrow they will tell the papers he carried you off. It’s memorable. They will remember it.
Forty minutes later, the two of you are drunk and standing in front of each other at an altar.
He promises to love you forever.
You promise to obey.
He carries you over the threshold of the nicest room at the Tropicana. You giggle with fake surprise when he throws you onto the bed.
And now here comes the second-most-important part.
You cannot be a good lay. You must disappoint.
If he likes it, he’ll want to do it again. And you can’t do that. You can’t do this more than once. It will break your heart.
When he tries to rip your dress off, you have to say, “Stop, Mick, Christ. Get a hold of yourself.”
After you take the dress off slowly, you have to let him look at your breasts for as long as he wants to. He has to see every inch of them. He’s been waiting for so long to finally see the ending of that shot in Boute-en-Train.
You have to remove all mystery, all intrigue.
You make him play with your breasts so long he gets bored.
And then you open your legs.
You lie there, stiff as a board underneath him.
And here is the one part of this you can’t quite come to terms with but you can’t quite avoid, either. He won’t use a condom. And even though women you know have gotten hold of birth control pills, you don’t have them, because you had no need for them until a few days ago when you hatched this plan.
You cross your fingers behind your back.
You close your eyes.
You feel his heavy body fall on top of you, and you know that he is done.
You want to cry, because you remember what sex used to mean to you, before. Before you realized how good it could feel, before you discovered what you liked. But you push it out of your mind. You push it all out of your mind.
Mick doesn’t say anything afterward.
And you don’t, either.
You fall asleep, having put on his undershirt in the dark because you didn’t want to sleep naked.
In the morning, when the sun shines through the windows and burns your eyes, you put your arm over your face.
Your head is pounding. Your heart is hurting.
But you’re almost at the finish line.
You catch his eye. He smiles. He grabs you.
You push him off and say, “I don’t like to have sex in the morning.”
“What does that mean?” he says.
You shrug. “I’m sorry.”
He says, “C’mon, baby,” and lies on top of you. You’re not sure he’d listen if you said no one more time. And you’re not sure you want to find out the answer. You’re not sure you could bear it.
“OK, fine, if you have to,” you say. And when he lifts himself off you and looks you in the eye, you realize it has accomplished what you had hoped. You have taken all the fun out of it for him.
He shakes his head. He gets out of bed. He says, “You know, you’re nothing like I imagined.”
It doesn’t matter how gorgeous a woman is, to a man like Mick Riva, she’s always less attractive after he’s had sex with her. You know this. You allow it to happen. You do not fix your hair. You pick at the mascara flakes on your face.
You watch Mick step into the bathroom. You hear him turn on the shower.
When he comes out, he sits down next to you on the bed.
He is clean. You have not bathed.
He smells like soap. You smell like booze.
He is sitting up. You are lying down.
This, too, is a calculation.
He has to feel like the power is all his.
“Honey, I had a great time,” he says.
You nod.
“But we were so drunk.” He speaks as if he’s talking to a child. “Both of us. We had no idea what we were doing.”
“I know,” you say. “It was a crazy thing to do.”
“I’m not a good guy, baby,” he says. “You don’t deserve a guy like me. I don’t deserve a girl like you.”
It’s just so unoriginal and laughably transparent, feeding you the same line he fed the papers about his last wife.
“What are you saying?” you ask. You put a little spin into it. You make it sound like you might start crying. You have to do this because it is what most women would do. And you have to appear to him the way he sees most women. You have to appear to have been outsmarted.
“I think we should call our people, baby. I think we should get an annulment.”
“But, Mick—”
He cuts you off, and it makes you mad, because you really did have more to say. “It’s better this way, honey. I’m afraid I can’t take no for an answer.”
You wonder what it must be like to be a man, to be so confident that the final say is yours.
When he gets up off the bed and grabs his jacket, you realize there’s an element of this that you hadn’t accounted for. He likes to reject. He likes to condescend. When he was calculating his moves last night, he was thinking of this moment, too. This moment where he gets to leave you.
So you do something you hadn’t rehearsed in your mind.
When he gets to the door and turns to you and says, “I’m sorry it didn’t work out between us, baby. But I wish you all the best,” you pick up the phone on the side of the bed and throw it at him.
You do it because you know he’ll like it. Because he’s given you everything you came for. You should give him everything he came for.
He ducks and frowns at you, as if you’re a small deer he has to leave in the forest.
You start crying.
And then he’s gone.
And you stop.
And you think, If only they gave out Oscars for this shit.
PhotoMoment December 4, 1961