On the way home, the boys bounced off the backseat, chattering about the rides they had ridden, everything they had eaten, the new tie-dye T-shirts they were wearing, the clay vase painted yellow and white that Joan was holding in her lap, bought from the girl with the bird’s-nest hair. Bounding into the house, the boys said they were full, they did not want dinner, and did not argue when Joan said, “Baths! Alone or together, whatever you want, but you both need to wash your hair.” Wonderfully worn out, they were asleep long before their usual, well-guarded bedtimes.
Joan fixed salads with tomatoes and cucumbers from their own garden. She held up a bottle of wine, and Martin shook his head, “Work,” he said. She opened the bottle anyway, poured herself a glass, and they ate at the kitchen table, the windows all thrown open. The sun was just setting, it was nearing eight, and Martin was on his way back to the hospital. “I may sleep there tonight,” he said, which he sometimes did when he was worried about a patient who was not doing well. He kept a clean suit, shirt, and tie in his office. He never told her the names of his patients, gave her only brief précis of who they were. This one that he was worried about was Japanese, a grandfather, father, husband, a lover of the tea ceremony, and Joan had named him Mr. Kobayashi.
Martin grabbed a couple of apples from the bowl on the counter, kissed the top of Joan’s head, and shut the back door quietly. She heard his new car rev up, a Mercedes, all black. Years of driving secondhand Toyotas, he adored his car like a mistress, teaching the boys how to wash and wax on a couple of weekends. He had gotten the top-of-the-line sound system installed. Once he was beyond Rhome, he had twenty miles of pure highway, always racing beyond the speed limit, blasting the music, the windows down, screaming the lyrics.
The kitchen was clean and Joan was back at the table, her typewriter, silently retrieved from Eric’s closet just minutes earlier, plugged in for the first time in five years. She had dusted it off, checked that the cartridge still had ink, which it did. She had found reams of paper in that closet too, had taken one. Ripping off the wrapping around five hundred sheets of virgin paper had felt like love to her, overwhelming, never-going-to-happen-again love. She was thrilled Martin had gone back to the hospital to watch over Mr. Kobayashi. The idea had come to her in one fell swoop during the afternoon, because of the fair, and she had to start to get it down.
There was a potential novel there, she knew. She felt its commanding logic, both internal and external, powerful enough to keep her tethered to home, to silence the fears that she would never write again, eliminate the horrid daydream in which she sometimes indulged, about simply walking away from this alternative life she was living, filled with its soft poetry and hard tediousness, its spectacular, love-ridden times measured against meaningless hours and days and weeks and months, a life where her past accomplishments were long forgotten, where she was called, most often, Joan Manning, leaving her tongue-tied and wishing she could say, “I’m not Joan Manning, I’m Joan Ashby, the writer.” That indulgent daydream about leaving all this behind. Leaving the children, Martin, the house that was too small, the great stretch of land that was, like the house, in her name alone, where she used to think she would set up a writers’ colony. Leaving it all behind and never returning, stepping back into her original skin, where she was only, foremost, supremely, the writer Joan Ashby, no longer tied to the person she still mostly loved, the children they had made together that she loved with unequal force.
She thought about the boys in their beds, before their existences entirely fell away, their breathing no longer her concern. There was only the hum of the overhead light and the refrigerator, and then only the words in her head rushing onto the page.
We were young, and some of us were beautiful, and others of us were brilliant, and a few of us were both. Citizenship demanded only an ability to create, to use our minds and hands and bodies in unforeseen ways. We believed we knew more than those who had tried before us. Their experiment had failed, but their hard lessons would serve as our guide. Passionate, arrogant, certain we would not falter, or deceive, or betray ourselves, that we would not blacken our lives with whitewashed expectations, our presence here, in this arcadia, proved we had slipped the ropes and chains of expected, normal life. We considered everything. Except everything. By its very nature, everything resists corralling; it is far too expansive. You think you’ve avoided every last trap, but what you hadn’t considered, what you never could plan for, it is that which trips you up.
11
Joan had never liked fairs, had only occasionally pushed through the crowded blocks of the Feast of San Gennaro in Little Italy when she lived in New York, down the avenues closed to traffic for the street fairs that sprung up in spring and summer there. But it was the fair here, in the place she referred to as home, regardless of how it actually felt to her, with its tie-dye artists, potter, painter, writer, that cast a spell, shifted the gears in her brain, charged up her heart, unleashed her soul. She felt the bonds loosening, her tortured body stretching, already picturing herself walking free and unfettered. There was a future out there, only a spot on the horizon, and years away, but she could see it there in the distance, with her naked eyes.
It was past midnight when she stepped outside. In one hand she held the piece of paper with the single paragraph it took her twenty-four attempts to get right, and a glass of wine in the other. Her old desk was still pitched in the grass, and she set down the paper and glass, sat down on the wooden bench they had found somewhere, a yard sale, or the thrift shop, and she looked up, searching for the man in the moon.
The last time she felt this flame she was writing the Rare Baby stories, and before that The Sympathetic Executioners, no matter its failure, and before that, her celebrated collections. Five long years of a depleted brain, worried, then certain, that the precious part of herself had been destroyed. Fiction was what she read in books written by others, borrowed from the Rhome Library, purchased from Odile at the Tell-Tale, from Sessa at the Inveterate Reader, sent to her by Iger in the form of Gravida’s prepublication copies, where Annabelle was now the senior vice president and associate publisher. Joan had not written a single line in these last years, not even an entry in those small notebooks she once stashed in various places, all discovered and used for other purposes a long time ago.
But now there was most of August to endure, before Eric started kindergarten and Daniel fifth grade. A sprawling month before Eric was gone from nine until noon, and Daniel gone until three. She could not bear the thought of delaying, of shuffling through the rest of the summer while the story was fresh in her mind. She could make notes, write longhand, but it would not be the same, she had not written that way since she was a girl. She needed quiet, emptiness, the compression of her fingertips on the keys, her Olivetti pulsing to her internal beat.