The Refugees

“We’ll dance when we get home. I promise.”

Despite his condition, or perhaps because of it, the professor insisted on driving them back. Mrs. Khanh was tense as she watched him handling the car, but he drove in his usual slow and cautious manner. He was quiet until he took a left at Golden West instead of a right, his wrong turn taking them by the community college from where he’d retired last spring. After coming to America, he’d been unable to find work in oceanography, and had settled for teaching Vietnamese. For the last twenty years, he’d lectured under fluorescent lighting to bored students. When Mrs. Khanh wondered if one of those students might be Yen, she felt a jab of pain that she mistook at first for heartburn. Only upon second thought did she recognize it as jealousy.

The professor suddenly braked to a stop. Mrs. Khanh braced herself with one hand against the dashboard and waited to be called by that name again, but the professor made no mention of Yen. He swung the car into a U-turn instead, and as they headed toward home, he asked in a tone of great reproach, “Why didn’t you tell me we were going in the wrong direction?” Watching all the traffic lights on the street ahead of them turn green as if on cue, Mrs. Khanh realized that his was a question for which she had no good answer.

The next morning, Mrs. Khanh was standing at the stove preparing brunch for their eldest son’s visit when the professor came into the kitchen, freshly bathed and shaved. He took a seat at the kitchen counter, unfolded the newspaper, and began reading to her from the headlines. Only after he’d finished did she begin telling him about last night’s events. He’d asked her to inform him of those moments when he no longer acted like himself, and she had gotten as far as his lunge for the dance floor when the sag of his shoulders stopped her.

“It’s all right,” she said, alarmed. “It’s not your fault.”

“But can you see me on the dance floor at my age?” The professor rolled up the newspaper and rapped it against the counter for emphasis. “And in my condition?”

Taking out a small blue notebook from his shirt pocket, the professor retreated to the patio, where he was writing down his errors when Vinh arrived. Fresh from his graveyard shift at the county hospital, their son wore a nurse’s green scrubs, which, shapeless as they were, did little to hide his physique. If only he visited his parents as much as he did the gym, Mrs. Khanh thought. The edge of her hand could have fitted into the deep cleft of her son’s chest, and her thighs weren’t quite as thick as his biceps. Under one arm, he was carrying a bulky package wrapped in brown paper, which he propped against the trellis behind his father.

The professor slipped the notebook into his pocket and pointed his pen at the package. “What’s the surprise?” he asked. While Mrs. Khanh brought out the eggs Benedict, Vinh stripped off the wrapping to reveal a painting in a heavy gilded frame evocative of nineteenth-century Europe. “It cost me a hundred dollars on Dong Khoi,” he said. He had gone to Saigon on vacation last month. “The galleries there can knock off anything, but it was easier to frame it here.”

The professor leaned forward to squint at the painting. “There was a time when that street was called Tu Do,” he remarked wistfully. “And before that, Rue Catinat.”

“I hoped you’d remember,” Vinh said, sitting down next to his mother at the patio table. Mrs. Khanh could tell that the subject of the painting was a woman, but one whose left eye was green and whose right eye was red, which was nowhere near as odd as the way the artist had flattened her arms and torso, leaving her to look less like a real person and more like a child’s paper doll, cut out and pasted to a three-dimensional chair. “There’s a new study that shows how Picasso’s paintings can stimulate people like Ba.”

“Is that so?” The professor wiped his glasses with his napkin. Behind him was the scene to which Mrs. Khanh was now accustomed, an entrance ramp rising over their backyard and merging onto the freeway that Vinh would take home to Los Angeles, an hour north of their Westminster neighborhood. Her boys used to pass their afternoons spotting the makes and models of the passing cars, as if they were ornithologists distinguishing between juncos and sparrows. But that was a very long time ago, she thought, and Vinh was now a messenger dispatched by the rest of their six children.

Viet Thanh Nguyen's books