The Raven King (The Raven Boys #4)

“That’s a strange way of putting it. I would have said Richard Gansey and his band of merry men.”


He inclined his head as if he could see her point of view as well, even if he didn’t share it. “I was just thinking how much danger they’ve inherited. Colin Greenmantle leaving Henrietta doesn’t make it safer; it makes it more perilous.”

“Because he kept the others away.”

“Just so.”

“And now you think others will come here, even though no one is selling anything here? Why would they still be interested?”

Mr Gray indicated a buzzing streetlight as they drove by the courthouse. Three shadows passed over the top of it, cast by nothing Maura could see. “Henrietta is one of those places that looks supernatural even from a distance. It will be a perennial stop for people in the business, poking around for things that might be the cause or effect of it.”

“Which is dangerous for the merry men because there is actually something for them to find? Cabeswater?”

Mr Gray inclined his head again. “Mm. And the Lynch property. I don’t forget my part in this, either.”

Neither did Maura. “You can’t undo that.”

“No. But —” His pause at this point in the conversation was evidence of the Gray Man regrowing his heart. It was a pity that the seedling of it had to erupt into the same torched ground that had killed it in the first place. Consequences, as Calla often said, were a bitch. “What do you see for me? Do I stay here?” When she didn’t answer, he pressed, “Do I die?”

She removed her hand from his. “Do you actually want to know?”

“Simle treora sum tinga gehwylce, ?r his tid aga, to tweon weortee; adl otte yldo otte ecghete f?gum fromweardum feorh oetringee.” He sighed, which told Maura more about his mental state than his untranslated Anglo-Saxon poetry did. “It was easier to tell hero from villain when the stakes were only life and death. Everything in between gets harder.”

“Welcome to how the other half lives,” she said. With sudden clarity, she drew a loopy symbol in the air. “What’s the company with the logo like this?”

“Disney.”

“Har.”

“Trevon-Bass. It’s nearby.”

“Is there a dairy farm close to it?”

“Yes,” Mr Gray answered. “Yes, there is.”

He made a safe but illegal U-turn. In a few minutes, they passed the faded concrete monolith of the Trevon-Bass factory, then turned on to a back road, and finally down a drive bounded by four-board fence. Rightness trickled through Maura, like reaching for a pleasant memory and finding it exactly how you left it.

Maura said, “How did you know it was back here?”

“I’ve been here before,” Mr Gray said in a vaguely ominous tone.

“I hope you didn’t kill someone here.”

“No. But I did hold a gun to someone’s head here, in full disclosure.” A barely visible farm sign welcomed them to the vacation property. The drive ended in a gravel lot; the headlights illuminated a barn that had clearly been converted into stylish living space. “This is where the Greenmantles stayed when they were in town. The dairy’s way over there.”

Maura was already opening the car door. “Do you think we can get inside?”

“I would merely suggest brevity.”

The side door was unlocked. Both Maura’s clairvoyance and her heart could sense Mr Gray standing close behind her as they stepped inside, tense and watchful. Nearby, some cows lowed and grunted, sounding larger than they must have really been.

The inside of the rental was very dark, all shadows, no corners. Maura closed her eyes, letting them adjust to the idea of total blackness. She was not afraid of the dark, nor of the things in it. Fear was unworthy of her devotion; the rightness was.

She groped for it now.

Opening her eyes, she made her way around a lump that was probably a sofa. Certainty thrummed through her more strongly as she found a staircase and began to climb. At the top was an open-plan kitchen, dimly lit with purple-gray through the massive new windows, green-blue from the microwave clock.

It was unpleasant. She couldn’t tell if it was something about the room itself, or merely Mr Gray’s memories pressing up against her own. She proceeded.

Here was a pitch-black hallway, no windows, no light at all.

It was more than dark.

As she stepped cautiously into it, the darkness ceased to be darkness and instead became an absence of light. The two conditions are similar in several ways, but none of which were important when you were standing in one instead of the other.

Something whispered Blue in Maura’s ear.

Every one of her senses was wrung raw; she couldn’t tell if she was meant to push forward or not.

Mr Gray touched her back.