The Quicksilver is high-class for a neighborhood joint: small, rustic, more country club than bingo parlor or shopping mall. The building looks like an Anasazi cliffpalace reworked by Frank Lloyd Wright: lots of exposed beams and slender limestone blocks. The whole thing’s built around an old quarry or open-pit mine, now converted into a sunken courtyard with a pond and a waterfall and a recirculating fountain in the middle. Through the bow window behind the gaming pit Curtis can see madrones and junipers, pergolas twined with wisteria and passionflower, the towering blooms of a couple of century-plants. A halfdozen plump guineafowl peck at the rubber sidewalks, and aside from them the courtyard is deserted.
Kagami is running late, stuck in a meeting, so Curtis gets a cup of grapefruit juice and plays a little blackjack to pass the time. The dealers are fresh-faced, easygoing, slow with the cards. Most of the action is at the machines and in the large bingo room; there are only four tables. Curtis’s sole companion is an elderly gentleman wearing a silk neckerchief and an oxygen mask. There’s a separate area for high rollers behind the bar, dim and sunken, and it’s busier than Curtis would have expected for a joint this far out of town. The players down there look like whales: East Asian heavyweights, the kind of guys who keep casinos in business. From time to time their cheers and shouts rise over the new-age flute music on the PA. Somebody like Stanley Glass could walk in and tear this place apart inside of an hour, Curtis thinks. Which is probably why the owners hired somebody like Walter Kagami as the manager.
Saad’s prediction is coming true: Curtis is up by nearly four hundred dollars when he feels a gentle hand on his shoulder. Mister Stone? Mister Kagami’s very sorry for the delay. If you’d like to wait in his office, he’ll meet you there in a few minutes.
Kagami’s office is small, cluttered, tucked away off the gaming floor. Nice oak desk. Navaho rug over scuffed parquetry. Picture window with a southern view: the Boulder Highway, toward Henderson and the dam. A sink and a tiny closet. A little slept-on couch. On a patch of bare wall between two overflowing bookcases hangs a column of old photographs, and Curtis spots his father’s laughing face in one. It looks like it was taken at the Trop; the clothes and the eyewear seem to put it in the late ’70s, though with gamblers it can be hard to tell. Curtis’s dad is posed with an aloof-looking Stanley, an Asian guy who must be Kagami, some men Curtis doesn’t recognize, and, in the middle, Sammy Davis, Jr. Curtis blinks, leans closer, touches the frame. Smiling wryly. Thinking of Danielle: her favorite pet name for him. But his smile collapses, and he starts to feel uneasy. Self-conscious. Fraudulent. Like he’s performing as expected for the benefit of some unseen audience. Or for himself.
He shifts his attention to the shelves. Math and physics paperbacks with drab two-tone covers. Thick illustrated works on American Indian art and archaeology. Books on the history, the economy, the architecture of Las Vegas. A Peterson’s guide to western birds. A Jane’s guide to aircraft identification. Everything ever written on card counting, including fifteen different printings of Edward Thorp’s Beat the Dealer, most from prior to the 1966 revision.
A voice from behind him: That’s the book that started it all, you know.
Curtis has been standing with the door in his blindspot and didn’t see Kagami come in. He curses inwardly, tries not to register surprise. I read it a long time ago, he says, turning around. An old copy of my dad’s. I don’t remember it too well. I never had too much of a head for that stuff.
You know where that guy is these days? Ed Thorp, I mean?
Curtis shakes his head.
Take a wild guess. Shot in the dark. C’mon.
The yellow-edged paperback that Curtis was looking at protrudes slightly from the shelf; he extends a blunt finger, pushes its cracked spine flush with those of its siblings. Wall Street? he says.
See? Kagami says, grinning, moving into the room. You always were a smart kid.
Kagami is about Curtis’s height, stocky, in good shape for his age—probably older than his dad by a couple of years, though he looks younger. Gray herringbone trousers, brown tweed jacket, fawn shirt, classy tie with a gold pin. A pokerplayer’s tinted eyeglasses. Big rings on both hands. He gives Curtis’s upper arm a friendly squeeze as they shake. Last time I saw you, Kagami says, you were probably about six years old. You’re looking good, real good. You’re a married man now, I hear.
Yes sir. It’ll be a year next month.
You still in the Marine Corps?
Just took my retirement.
Well, congratulations! That’s good. Looks like you got out just in time, too.
Kagami steps back, studies him. I heard you took a pretty good hit a couple of years ago, he says. Bosnia, was it?
Kosovo.
Well, it looks like you bounced right back.
Yeah, Curtis says. It took me a little while. I appreciate you seeing me on such short notice, Mister Kagami.
Walter! Christ, call me Walter. I’m glad you stopped in. Don’t know how much help I’m gonna be, though. You’re looking for Stanley Glass?
Yes sir. I’m trying to put him in touch with a friend of mine, and I heard he might be out here. Do you know how I can reach him?
Kagami moves behind his desk, looking out the window. Sunlight pours in sideways, and as he draws closer, his reflection meets him in the glass. I don’t know how to get in touch with Stanley, he says. But he has definitely been around. I had dinner with him just last week.