The Late Show (Renée Ballard #1)



The witness was a twenty-three-year-old clubber named Zander Speights. Ballard took him back to the detective bureau and put him in a small interview room. He was a slightly built man wearing a dark blue hoodie over gray sweatpants. He kept his hands in the pockets of the hoodie, even when he sat down.

“Zander—is that your real name?” Ballard began.

“Short for Alexander,” Speights said. “I like Zander better.”

“Okay. What do you do for a living, Zander?”

“Oh, a little bit of this and a little bit of that. I’m sellin’ shoes at the moment.”

“Where?”

“On Melrose. A place called Slick Kicks.”

Ballard was not taking notes. When they entered the room, she had adjusted the thermostat, which actually turned on the room’s recording devices. It was wired for sight and sound.

“So you were in the Dancers earlier this morning when the shooting started?” she asked.

“That’s right,” Speights said. “I was there.”

“Were you alone?”

“No, I was with my boy Metro.”

“What’s Metro’s real name?”

“I don’t rightly know. He’s just Metro to me.”

“Where’d you meet him?”

“He works at Kicks. Met him there.”

“So when did you get to the Dancers?”

“Last night, ’round midnight.”

“And you saw the shooting?”

“No, it was like behind me. Two booths away, so I had my back to it. But just when it went down, I was taking selfies and I got the first shot. It’s crazy.”

“Show me.”

Speights took his iPhone out of his hoodie’s pocket and opened up the photo archive.

“I took three on Live Photos,” he said. “You can swipe through.”

He put the phone down on the table between them and slid it to Ballard. She looked at the photo on the screen. Front and center was Speights himself but over his right shoulder Ballard could see the dark outlines of the other crowded booths. No one was identifiable. It would be up to the video unit in the lab to try to enhance.

“Keep going,” Speights urged. “I got the shot.”

The second photo Ballard swiped to was similar to the first, but the third grabbed her interest. The camera had captured a flash of light in the second booth over Speights’s shoulder. He had indeed taken the photo just as the shooting started. He got the muzzle flash. Because the phone’s camera had the Live Photos feature, it captured a second of action leading to the actual freeze-frame. Ballard tapped it several times to replay and saw that within that single second she could see the killer’s arm raise the weapon and then the shot.

Ballard used her fingers to expand the photo and center the screen on the flash of light. It was very blurry but she could tell that the shooter’s back was to the camera. She could see the indistinct lines of the back of his head and his right shoulder. His right arm was up, holding the weapon and pointing it directly across the booth at the man who would moments later slump to his left and hang out of the booth. The victim’s face was blurred as he recoiled at the sight of the weapon.

“I bet they can enhance that,” Speights said. “Is there a reward or something?”

Ballard looked over the top of the phone at Speights as his motives for coming into the station became clear.

“A reward?” she asked.

“Yeah, you know, like for helping solve the case,” Speights said.

“I don’t know anything about a reward.”

“Well, there should be. I was in danger.”

“We’ll have to see about that later. Tell me what happened when the shooting started. What did you do?”

“Me and Metro got under the table and hid out,” Speights said. “Then the shooter ran by our table and shot some more people. We waited until he was gone and then got the fuck out of there.”

Ballard texted the photo showing the muzzle flash to her own phone.

“Mr. Speights, do you know where Metro lives?” she asked.

“Nah, I don’t know,” Speights said. “This was the first time we hung out and we both had our own wheels.”

“Okay, we’ll find him through Slick Kicks if we need to.”

“He’ll be there.”

“And I’m sorry but we’re going to have to keep your phone for a while.”

“Ah, fuck, man, you just texted the photo to yourself, right? You got the photo.”

He pointed to his phone.

“I understand,” Ballard said. “But your phone has the Live Photos feature and the lab may be able to pull stills from each moment of the shot you took. It looks like the gun is clearer before the recoil from the shot. It could be very useful, and I think they’ll want the camera it was taken on, not just a copy of the photo. They need to look at your phone.”

“Fuck me. How long?”

“I’m not sure but hopefully just a few days.”

She knew that was a lie. He would probably never get the phone back, as it would be held as evidence. But she decided to leave that for someone in RHD to explain.

“What do I use for a phone in the meantime?” Speights demanded.

“Maybe you can borrow one or get a burner,” Ballard offered.

“Fuck me.”

“I want you to stay here while I print a property-received receipt.”

“Goddamn. There better be a reward or something.”

Ballard stood up.

“I’ll look into that. And I’ll be back as soon as I print the receipt.”

Ballard left the room with the phone and walked over to Jenkins, who was still typing.

She held the phone up in front of him and tapped the photo, setting the one-second video into motion.

“Holy shit,” Jenkins said.

“Yeah,” Ballard said. “Million-to-one shot.”

“Can you see anybody?”

“Not the shooter—his back’s to the camera. But I think the lab might be able to identify the gun off it.”

“Nice. You tell Olivas?”

“About to.”

Back at her borrowed workstation she realized she had left her rover in the car and did not have a phone contact for Lieutenant Olivas. His number had been blocked when he called her earlier. She could send him an e-mail but that wasn’t expedient. Opening her phone, she scrolled through the contacts until she came to the name Ken Chastain. She had kept his number, even after he betrayed their partnership and she had been transferred out of RHD. She sent him a text.

Tell Olivas: walk-in witness at 6 was in nearby booth. Has cell photo of shooting. Lab may be able to enhance.



After sending it, she printed a property receipt for Speights. She went to grab it out of the printer and then drop by the break room to get a coffee. She allowed herself one cup a night, and it was time. It would give her enough of a boost to finish the shift and then an hour’s paddle on the bay. After that, she would crash and recuperate. On her way she called across the room to Jenkins but he passed on the caffeine.

In the break room she was putting a coffee pod into the brewer when her phone dinged with a return text from Chastain.

Who’s this?

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