Next to Elder Aleksi, on the east side of the chamber, is Elder Leevi, his thick red eyebrows slashing across his prominent, smooth brow, his deep-set blue eyes darting. And beside him is Elder Kauko, potbellied and square-jawed.
The elders are so different and yet similar. It’s difficult to tell how old they are—though they have a few gray hairs, their skin is smooth and youthful. In fact, all the priests share those qualities, as if they age more slowly once they ascend from apprenticeship.
The acolytes—both female and male—and the apprentices, all male, kneel at the back of the round chamber, their hoods over their heads, their faces concealed, their pale hands clasped in front of them. Some of them are small, no older than ten—and I wonder if one of them is Niklas, the little fire wielder Aleksi brought to us a few days ago. I hope he is well enough to join us today.
My paarit bearers stride to the center of the chamber and take up their position over the symbol of the Saadella, three circles entwined, one for fire, one for ice, and one for the balance between the two. It is pure potential, as I’m supposed to be. My heart kicks within my chest as Kauko raises his arm, signaling that we’re ready for the Valtia’s entrance.
Her bearers’ steps are synchronized as they carry her from an alcove on the west side of the domed chamber, and all the acolytes and apprentices bow until their foreheads touch stone. She’s now wearing her magnificent crown, which is polished and shining with the single agate that adorns its apex, a perfect eye of carnelian and amethyst. Her gown is a grand confection of woven copper thread, with a high, round collar that fans around her head. The bearers lower her to the ground, positioning her over her own seal, the symbol of infinity, two loops of pristine, snowy marble within a solid circle of copper, symmetrical and simple.
Kauko steps forward with a carved wooden box in his hands. He bows to the Valtia and opens it, revealing the cuff of Astia, copper emblazoned with red runes, the sacred object she uses to project her power. She holds out her arm, and he reverently fastens it to her wrist.
As soon as it clicks into place, she raises her finger, and the candles in the room burst to life at once, vibrant pricks of light in the dim chamber. The acolytes and apprentices rise to their feet and throw back their hoods, revealing their shaved heads and somber expressions. The trumpeters just outside the temple see the signal and blow their horns. A massive cheer floats in from the city. The Valtia and I are carried out of the Temple on the Rock and into the sunlight, our bearers slowly walking down the long set of marble steps until we reach the white plaza. Our procession, the priests, apprentices, and acolytes trailing behind, strides between the two stone fountains from which jut majestic statues of the first Valtia, one gazing out on the city, the other facing the Motherlake.
At the southern end of the white plaza, the ceremonial gates are wide open, and our citizens line the road outside the temple grounds. They toss coneflowers and dahlias and amaranth blossoms into the mud at the bearers’ booted feet as we pass. A regal tune from the pipes and drums fills the air, as does the scent of roasting venison and bear meat. My stomach growls, and I’m happy no one can hear it. My skin pricks with sweat under the midafternoon sun, but then a cool wind blows across my face, a gift from the queen by my side.
We enter the town square to a roar of adoration. The people keep up the steady stream of blessings and prayers and shouted words of love as we are carried up the steps of the high platform at the northern end of the square. The apprentices and acolytes stand in rows around the platform, keeping the citizens at a distance. As soon as the bearers set us down and descend the steps, the Valtia rises and the crowd falls silent. She offers me her hand.
I rise to a soft, collective intake of breath. They see how I’m like her. My lips tighten to rein in my smile, and I lay my palm on hers. Together, we face our subjects, and my chest nearly bursts with pride. There are thousands of people in this square, filling every inch of space. At the southern side, which leads to our farmlands along the coast, the men and women who till the earth raise their pitchforks and scythes in salute. If they’re angry about the bandits and Soturi raiders, you wouldn’t know it today. At the eastern side of the square, which leads to the main gates of the city, the mines and the outlands, the trappers and hunters have hung gorgeous pelts from the wooden arch that overhangs the road, and the miners lift their hammers high. I can’t tell from this distance if there is desperation in their movements, if they truly fear that there is only one source of copper left on our sprawling peninsula.