The Golden House

The only reason I know anything about Borsalino hats is that my parents used to argue in their friendly way, enjoying the argument more than the outcome, about whether the celebrated fedoras should be included in their collection of famous Belgians. The Borsalino hat company is not located within Belgian borders. It is to be found in the city of Alessandria, in Piedmont, Italy, which sits on the alluvial plain between the Tanaro and Bormida rivers, about fifty-six miles from Torino. I know three things about Borsalino hats: that they are very popular among Orthodox Jews; that they became cool when Alain Delon and Jean-Paul Belmondo wore them in the 1970 French gangster movie named after them; and that they are felt hats, and the felt is made from Belgian (aha!) rabbit fur.

The man Mastan, the retired police officer, sat on the same upright chair in the living room of the Golden house formerly occupied by the murderer Kinski, looking a little alarmed to be confronted by a grim-faced Vasilisa and Riya and myself as well as Nero. It was the weekend, so many of the household staff were away. No Blather, no Fuss. The handyman Gonzalo was absent, as well as the majordomo Michael McNally and Sandro “Cookie” Cucchi the chef. I answered the door myself and showed the inspector in. A handsome man! Silver-haired, a septuagenarian like Nero, maybe not quite as far through his seventies, he looked in profile like he could have been the model for the Crazy Horse Memorial in South Dakota. Except that his cream suit was straight out of a Peter O’Toole movie and his tie with its slanting red and gold stripes was a tie any British gentleman would have been proud to wear. (I only found out later, with the help of research, just how proud. The tie of the Marylebone Cricket Club was a thing greatly desired in cricket-playing circles.) He sat very straight, very upright, but very ill at ease, playing with the Borsalino hat upon his knee. There was a moment of awkward silence. Then he spoke.

I came to the United States for three reasons, he said. In the first place, to visit my sister in Philadelphia. Her husband is successful in the recycling of plastic bottles. This is how one makes one’s fortune in America. Get one good idea and stick to it. Professor Einstein used to say he only had one good idea. But in his case it was the nature of the universe.

Nero was at his goofiest, unfocused, his eyes wandering, humming a little private tune.

The second reason was to visit the grave of P. G. Wodehouse, he said. (That got my attention. Wodehouse, so beloved of my parents and myself. Wodehouse, who had also come to mind when Kinski sat in that chair.) Mr. Wodehouse is very popular back home, Mastan said. His tombstone is a marble book engraved with the names of his characters. My favorite is not there however. Miss Madeline Bassett who thought the stars were God’s daisy chain. But she is a minor character. I, also, myself. The same. Mine has always been a strictly supporting role.

My husband is not well, Vasilisa stiffly said. If there is a point to this visit, please arrive at it promptly.

Oh, the point, madam, yes. Bear with me. There is the point ostensible and the point actual. The point ostensible is what I have said to him telephonically. A word of warning. But the gentleman has been a worldly man. Perhaps it is not necessary to warn him of what he already knows. The community of our people in America has grown, madam, it boasts now recyclers of plastic bottles, madam, also new technology geniuses, garlanded actors, campaigning attorneys, politicians across the spectrum, fashion designers, and also, madam, criminal gangs. I’m sorry to say. In America the word mafia has specific Italian connotations so it is better to avoid it and call our people’s gangs by other names. Let us concede that they are still small, there are only the beginnings of what the Italians call families and what our people call gharaney, households, or, nowadays, companies, a term presently popular in the mother country. However there is much enthusiasm among these American companies, these new households, much potential for rapid growth. There is also a degree of outreach to the mother country, an interest in globalization, in shared activities. Our people in the USA are willing to help the people in the mother country, to facilitate actions here, in return for parallel facilitations back home. Things change, madam. Time passes. Things formerly impossible become possible. I wished to discuss these matters with the gentleman but now that I am face to face with him I find it redundant to do so. He may be aware, he may not. It may be a concern to him, or not. His intelligence may retain the capacity for analysis of threat and risk, or it may have lost that capacity. It is not my business. I see this now.

So we come to the point actual, madam, thanking you for your patience. The point actual was to take a look at the gentleman and to see what taking such a look inspired in myself. It is a man who has escaped judgment for many wrongs. For his part in desperate deeds, madam. It is a man who has expertly covered his tracks, who has used tradecraft and money to erase all links between himself and many things that are beyond words. I promised to tell him the names of his son’s murderers but of course he knows them already, he dealt with them for years on cordial terms, until they turned against him. It is possible the security forces of this great country would have been interested in these matters and perhaps I could have interested them, but I fear that without evidence I would look to them like a fond and foolish man even though I was once their colleague in a distant land. It is possible that having taken a look at this man I would have wished to take matters into my own hands although we are both old men. It is possible I would have wished to hit this man in the face, absurd as a fistfight between two old duffers would be. It is not beyond the bounds of possibility that I would have wished to shoot him dead. I am still a crack shot, madam, and a weapon in America is easily acquired. But now that I look upon this man, a man whom I have hated for the larger part of my life, this man who was a strong man, I see that I have found him in his time of weakness, and he is not worthy of my bullet. Let him face his God. Let him receive judgment when he is standing before the judgment seat. Let hell receive him and let him burn in hellfire for all eternity. Thus my point is made and I will take my leave.

Riya’s hand was on Vasilisa’s shoulder, warning her, leave your pistol where it is.

Mr. Mastan rose and bowed his head. Then as he turned for the door Nero hauled himself up from the depths of the sofa where he sat and shockingly, awfully, shouted at the very top of his voice.

You come into my house and speak like this to me in front of my wife?

The retired policeman stopped in his tracks, his back to Nero, his hat still in his hand.

Bastard! Nero screamed. Run! It is you who are a dead man now.





When the detective arrives on the scene, the movie audience instinctively relaxes, expecting crime to be followed by justice, for right to triumph. But it is not inevitable that the just will gain the victory over the unjust. In another Hitchcock movie, Psycho, the horror arises from the fact that the wrong people die. Janet Leigh is the biggest star in the movie but, not even halfway through the running time, aah!, she’s dead in the shower. Then the detective, Martin Balsam, arrives, nice, comfortable, safe Martin Balsam, so professional, so reassuring, and our tension eases. Things will be all right now. And then, aah! He’s dead too. Note to self: it’s extra scary when the wrong people die.

Salman Rushdie's books