We told Brian about the escape fund, and he pitched in, even though we hadn't included him in our plans because he was only in the seventh grade. He mowed lawns or chopped wood or cut hillside weeds with a scythe. He worked after school until the sun went down and all day Saturday and Sunday and came home with his arms and face scratched from the brush he'd cleared. Without looking for thanks or praise, he quietly added his earnings to the pig, which we named Oz.
We kept Oz on the old sewing machine in the bedroom. Oz had no plugged hole on the bottom, and the slot on the top was too narrow to work bills out, even if you used a knife, so once you'd put money into Oz, it stayed there. We tested it to make sure. We couldn't count the money, but because Oz was translucent, we could see our cash accumulating inside when we held him up to the light.
*
One day that winter, when I came home from school, a gold Cadillac Coupe DeVille was parked in front of the house. I wondered if the welfare agency had found some millionaires to be our foster parents and they had arrived to take us away, but Dad was inside the house, twirling a set of keys on his finger. He explained that the Cadillac was the new official Walls family vehicle. Mom was carrying on about how it was one thing to live in a three-room shack with no electricity, since there was a certain dignity in poverty, but to live in a three-room shack and own a gold Cadillac meant you were bona fide poor white trash.
"How'd you get it?" I asked Dad.
"One helluva good poker hand," he said. "and an even better bluff."
We'd owned a couple of cars since we'd been in Welch, but they were true buckets of bolts, with shuddering engines and cracked windshields, and as we drove along, we could see the blur of the asphalt through the rusted-out floor panels. Those cars never lasted more than a couple of months, and like the Oldsmobile we'd driven from Phoenix, we never named them, much less got them registered and inspected. The Coupe DeVille actually had an unexpired inspection sticker. It was such a beauty that Dad declared the time had come to revive the tradition of naming our cars. "That there Caddy," he said. "strikes me as Elvis."
It crossed my mind that Dad ought to sell Elvis and use the money to install an indoor toilet and buy us all new clothes. The black leather shoes I had bought for fifty cents at the Dollar General Store were held together with safety pins, which I'd tried to blacken with a Magic Marker so you wouldn't notice them. I'd also used Magic Markers to make colored blotches on my legs that I hoped would camouflage the holes in my pants. I figured that was less noticeable than if I sewed on patches. I had one blue pair and one green pair, so my legs, when I took my pants off, were covered with blue and green spots.
But Dad loved Elvis too dearly to consider selling it. And the truth was, I loved Elvis almost as much. Elvis was as long and sleek as a racing yacht. It had air-conditioning, gold shag upholstery, windows that went up and down with the push of a button, and a working turn signal, so Dad didn't have to stick his arm out. Every time we drove through town in Elvis, I'd nod graciously and smile at the people on the sidewalk, feeling like an heiress. "You've got true noblesse oblige, Mountain Goat," Dad would say.
Mom grew to love Elvis, too. She hadn't gone back to teaching and instead spent her time painting, and on the weekends we began to drive to craft fairs all throughout West Virginia: shows where bearded men in overalls played dulcimers and women in granny dresses sold corncob back scratchers and coal sculptures of black bears and miners. We filled Elvis's trunk with Mom's paintings and tried to sell them at the fairs. Mom also drew pastel portraits on the spot for anyone willing to pay eighteen dollars, and every now and then she got a commission.
We all slept in Elvis on those trips, because a lot of times we made only enough to pay for the gas, or not even that. Still, it felt good to be on the move again. Our trips in Elvis reminded me how easy it was to pick up and move on when the urge struck. Once you'd resolved to go, there was nothing to it at all.
AS SPRING APPROACHED and the day of Lori's graduation drew closer, I lay awake at night, thinking about her life in New York City. "In exactly three months," I said to her, "you'll be living in New York." The following week, I said. "In exactly two months and three weeks, you'll be living in New York."
"Would you please shut up," she said.
"You're not nervous, are you?" I asked.
"What do you think?"
Lori was terrified. She was not sure what she was supposed to do once she got to New York. That had always been the vaguest part of our escape plan. Back in the fall, I'd had no doubt that she could get a scholarship to one of the city's universities. She'd been a finalist for a National Merit Scholarship, but she'd had to hitchhike into Bluefield to take the test, and she got rattled when the trucker who picked her up put the moves on her; she arrived nearly an hour late and botched the test.
Mom, who supported Lori's New York plans and kept saying she wished she were going to the big city herself, suggested that Lori apply to the Cooper Union art school. Lori put together a portfolio of her drawings and paintings, but just before the submissions deadline, she spilled a pot of coffee on them, which made Mom wonder aloud if Lori had a fear of success.
Then Lori heard about a scholarship sponsored by a literary society for the student who created the best work of art inspired by one of the geniuses of the English language. She decided to make a clay bust of Shakespeare. She worked on it for a week, using a sharpened Popsicle stick to shape the slightly bulging eyes and the goatee and earring and longish hair. When it was finished, it looked exactly like Shakespeare.
That night we were all sitting at the drafting table watching Lori put the final touches on Shakespeare's hair when Dad came home drunk. "That does indeed resemble old Billy," Dad said. "Only thing is, as I been telling you, he was a goddamn fake."
For years, every time Mom brought out Shakespeare's plays, Dad would carry on about how they'd been written not by William Shakespeare of Avon but by a bunch of people, including someone named the Earl of Oxford, because no single person in Elizabethan England could have had Shakespeare's thirty-thousand-word vocabulary. All this bunk about little Billy Shakespeare, Dad would say, the great genius despite his grammar-school education, his small Latin and less Greek, was a lot of sentimental mythology.
"You're helping perpetuate this fraud," he told Lori.
"Dad, it's just a bust," Lori said.
"That's the problem," Dad said.
He studied the sculpture, then suddenly reached over and smeared off Shakespeare's mouth with his thumb.
"What the hell are you doing?" Lori cried out.