“Don’t get it twisted, we’re working on something,” Malone says, “might break tonight.”
“Sure.”
Sarcastic, like. The hell she thinks pays for the presents, the kids’ braces, her spa days, her girls’ nights out? Every guy on the Job relies on overtime to pay the bills, maybe even get a little ahead. The wives, even the ones you’re separated from, gotta understand. You’re out there busting your hump, all the time.
“You spending Christmas Eve with her?” Sheila asks.
So close, Malone thinks, to getting away. And Sheila pronounces it “huh.” You spending Christmas Eve with huh?
“She’s working,” Malone says, dodging the question like a skel. “So am I.”
“You’re always working, Denny.”
Ain’t that the large truth, Malone thinks, taking that as a good-bye and clicking off. They’ll put it on my freakin’ headstone: Denny Malone, he was always working. Fuck it—you work, you die, you try to have a life somewhere in there.
But mostly you work.
A lot of guys, they come on the Job to do their twenty, pull the pin, get their pension. Malone, he’s on the Job because he loves the job.
Be honest, he tells himself as he walks out of the apartment. You had to do it all over again you wouldn’t be nothin’ but a New York City police detective.
The best job in the whole freakin’ world.
Malone pulls on a black wool beanie because it’s cold out there, locks up the apartment and goes down the stairs onto 136th. Claudette picked the place because it’s a short walk to her work, and near the Hansborough Rec Center, which has an indoor pool where she likes to swim.
“How can you swim in a public pool?” Malone has asked her. “I mean, the germs floating around in there. You’re a nurse.”
She laughed at him. “Do you have a private pool I don’t know about?”
He walks west on 136th out to Seventh Avenue, a.k.a. Adam Clayton Powell Jr. Boulevard, past the Christian Science Church, United Fried Chicken and Café 22, where Claudette doesn’t like to eat because she’s afraid she’ll get fat and he doesn’t like to eat because he’s afraid they’ll spit in his food. Across the street is Judi’s, the little bar where he and Claudette will get a quiet drink on the odd occasions their downtimes coincide. Then he crosses ACP at 135th and walks past the Thurgood Marshall Academy and an IHOP where Small’s Paradise used to be down in the basement.
Claudette, who knows about these things, told Malone that Billie Holiday had her first audition there and that Malcolm X was a waiter there during World War II. Malone was more interested that Wilt Chamberlain owned the place for a while.
City blocks are memories.
They have lives and they have deaths.
Malone was still wearing the bag, riding a sector car, when a mook raped a little Haitian girl on this block back in the day. This was the fourth girl this animal had done, and every cop in the Three-Two was looking for him.
The Haitians got there before the cops did, found the perp still on the rooftop and tossed him off into the back alley.
Malone and his then partner caught the call and walked into the alley where Rocky the Non-Flying Squirrel was lying in a spreading pool of his own blood, with most of the bones in his body broken because nine floors is a long way to fall.
“That’s the man,” one of the local women told Malone at the edge of the alley. “The man who raped those little girls.”
The EMTs knew what was what, and one of them asked, “He dead yet?”
Malone shook his head and the EMTs lit up cigarettes and leaned on the ambulance smoking for a good ten minutes until they went in with a stretcher and came back out with the word to call the medical examiner.
The ME pronounced the cause of death as “massive blunt trauma with catastrophic and fatal bleeding,” and the Homicide guys who showed up accepted Malone’s account that the guy had jumped out of guilt over what he’d done.
The detectives wrote it off as a suicide, Malone got a lot of stroke from the Haitian community, and most important, no little girls had to testify in court with their rapist sitting there staring at them and some dirtbag defense attorney trying to make them look like liars.
It was a good result but shit, he thinks, we did that today we’d go to jail, we got caught.
He keeps walking south, past St. Nick’s.
A.k.a. “The Nickel.”
The St. Nicholas Houses, a baker’s dozen of fourteen-story buildings straddled by Adam Clayton Powell and Frederick Douglass Boulevards from 127th to 131st, make up a good part of Malone’s working life.
Yeah, Harlem has changed, Harlem has gentrified, but the projects are still the projects. They sit like desert islands in a sea of new prosperity and what makes the projects is what’s always made the projects—poverty, unemployment, drug slinging and gangs. Mostly good people inhabit St. Nick’s, Malone believes, trying to live their lives, raise their kids against tough odds, do their day-to-day, but you also have the hard-core thugs and the gangs.
Two gangs dominate action in St. Nick’s—the Get Money Boys and Black Spades. GMB has the north projects, the Spades the south, and they live in an uneasy peace enforced by DeVon Carter, who controls most of the drug trafficking in West Harlem.
The border between the gangs is 129th Street, and Malone walks past the basketball courts on the south side of the street.
The gang boys aren’t out there today, it’s too freakin’ cold.
He goes out Frederick Douglass past the Harlem Bar-B-Q and Greater Zion Hill Baptist. It was just down the street where he got the rep as both a “hero cop” and a “racist cop,” neither of which tag is true, Malone thinks.
It was what, six years ago now, he was working plainclothes out of the Three-Three and was having lunch at Manna’s when he heard screaming outside. He went out the door and saw people pointing at a deli across the street and down the block.
Malone called in a 10-61, pulled his weapon and went into the deli.
The robber grabbed a little girl and held a gun to her head.
The girl’s mother was screaming.
“Drop your gun,” the robber yelled at Malone, “or I’ll kill her! I will!”
He was black, junkie-sick, out of his fucking mind.
Malone kept his gun aimed at him and said, “The fuck do I care you kill her? Just another nigger baby to me.”
When the guy blinked, Malone put one through his head.
The mother ran forward and grabbed her little girl. Held her tight against her chest.
It was the first guy Malone ever killed.
A clean shooting, no trouble with the shooting board, although Malone had to ride a desk until it was cleared and had to go see the departmental shrink to find out if he had PTSD or something, which it turned out he didn’t.
Only trouble was, the store clerk got the whole thing on his cell-phone camera and the Daily News ran with the headline just another n****r baby to me with a photo of Malone with the log line “Hero Cop a Racist.”
Malone got called into a meeting with his then captain, IAB and a PR flack from One Police, who asked, “‘Nigger baby’?”