The Palace of Elfhame is packed with bodies. The unallied wild fey, courtiers, and monarchs mingle together. Selkies from Queen Orlagh’s Court of the Undersea speak together in their own language, skins slung from their shoulders like capes. I spot the lord of the Court of Termites, Roiben, who is said to have killed his own lover to win a throne. He stands near one of the long trestle tables, and even in the cramped hall, there is space around him, as though no one dares get too close. His hair is the color of salt, his garments entirely black, and a deadly curved sword sits at his hip. Incongruously, beside him, a green-skinned pixie girl is dressed in what appears to be a pearl-gray slip dress and heavy lace-up boots—obviously mortal clothes. And standing on either side of the pixie are two knights in his livery, one with scarlet hair braided into a crown on her head. Dulcamara, who lectured us on the crown.
There are others, figures I have heard of in ballads: Rue Silver of New Avalon, who cut her island out of the California coast, is talking to the exiled Alderking’s son, Severin, who might try to ally with the new High King or might join Lord Roiben’s Court. He’s with a red-haired human boy about my age, which makes me pause to study them. Is the boy his servant? Is he enchanted? I can’t tell just from the way he looks around the room, but when he sees me staring, he grins.
I turn quickly away.
As I do, the selkies shift, and I spot someone else with them. Gray-skinned and blue-lipped, hair hanging around her sunken-eyed face. But despite all that, I recognize her. Sophie. I had heard stories about the merfolk of the Undersea keeping drowned sailors, but I didn’t believe them. When her mouth moves, I see that she has sharp teeth. A shudder ripples across my shoulders.
I stumble along after Vivi and Taryn. When I look back, I don’t see Sophie, and I am not entirely sure I didn’t imagine her.
We slide past a shagfoal and a barghest. Everyone is laughing too loudly, dancing too fiercely. As I pass one reveler in a goblin mask, he lifts it and winks at me. It’s the Roach.
“Heard about the other night. Good work,” he says. “Now keep your eyes out for anything that seems amiss. If Balekin’s going to move against Dain, he’s going to do it before the ceremony starts.”
“I will,” I say, pulling free of my sisters to tarry with him a moment. In a crowd this size, it’s easy to be briefly lost.
“Good. Came to see Prince Dain win the crown with my own eyes.” He reaches into his leaf-brown jacket and pulls out a silver flask, popping the top and taking a swig. “Plus watching the Gentry cavort and make fools out of themselves.”
He holds the flask out to me with one gray-green clawed hand. Even from there, I can smell whatever is inside, pungent and strong and a little swampy. “I’m okay,” I say, shaking my head.
“You sure are,” he tells me, laughing, and then pulls down his mask again.
I am left grinning after him as he sweeps away into the crowd. Just seeing him has filled me with a sense of finally belonging to this place. He and the Ghost and the Bomb are not precisely my friends, but they actually seem to like me, and I am not inclined to split hairs. I have a place with them and a purpose.
“Where have you been?” Vivienne asks, grabbing hold of me. “You need a leash like Oak’s. Come on, we’re going to dance.”
I eddy along with them. There’s music everywhere, urging a lightness of step. They say the pull of faerie music is impossible to resist, which isn’t quite true. What’s impossible is to stop dancing once you’ve begun, so long as the music goes on. And it does, all night, one dance bleeding into the next, one song becoming another without a pause to catch your breath. It’s exhilarating to be caught up in the music, to be swept away in the tide of it. Of course, Vivi, being one of them, can stop whenever she wants. She can also yank us out, so dancing with her is almost safe. Not that Vivi always remembers to do the safe thing.
But really, I am the last person to judge anyone for that.
We clasp hands and join the circle dance, leaping and laughing. The song feels as though it is calling my blood, moving it through my veins to the same ragged beat, with the same sweet chords. The circle breaks up, and somehow I am holding Locke’s hands. He sweeps me around in a giddy whoosh.
“You are very beautiful,” he says. “Like a winter night.”
He smiles down at me with his fox eyes. His russet hair curls around his pointed ears. From one lobe, a golden earring dangles, catching the candlelight like a mirror. He’s the one who’s beautiful, a kind of breathless, inhuman beauty.
“I’m glad you like the dress,” I manage.
“Tell me, could you love me?” he asks, seemingly out of nowhere.
“Of course.” I laugh, not sure of the answer I am supposed to give. But the question is so oddly phrased that I can hardly deny him. I love my parents’ murderer; I suppose I could love anyone. I’d like to love him.
“I wonder,” he says. “What would you do for me?”
“I don’t know what you mean.” This riddling figure with flinty eyes isn’t the Locke who stood on the rooftop of his estate and spoke so gently to me or who chased me, laughing, through its halls. I am not quite sure who this Locke is, but he has put me entirely off balance.
“Would you forswear a promise for me?” He is smiling at me as though he’s teasing.
“What promise?” He sweeps me around him, my leather slippers pirouetting over the packed earth. In the distance, a piper begins to play.
“Any promise,” he says lightly, although it is no light thing he is asking.
“I guess it depends,” I say, because the real answer, a flat no, isn’t what anyone wants to hear.
“Do you love me enough to give me up?” I am sure my expression is stricken. He leans closer. “Isn’t that a test of love?”
“I—I don’t know,” I say. All this must be leading up to some declaration on his part, either of affection or of a lack of it.
“Do you love me enough to weep over me?” The words are spoken against my neck. I can feel his breath, making the tiny hairs stand up, making me shudder with an odd combination of desire and discomfort.
“You mean if you were hurt?”
“I mean if I hurt you.”
My skin prickles. I don’t like this. But at least I know what to say. “If you hurt me, I wouldn’t cry. I would hurt you back.”
His step falters as we sweep over the floor. “I’m sure you’d—”
And then he breaks off speaking, looking behind him. I can barely think. My face is hot. I dread what he will say next.
“Time to change partners,” a voice says, and I look to see that it’s the worst person possible: Cardan. “Oh,” he says to Locke. “Did I steal your line?”
His tone is unfriendly, and as I turn his words over in my mind, they do little to comfort me.
Locke relinquishes me to the youngest prince, as is expected out of deference. I see out of the corner of my eye that Taryn is watching us. She’s standing frozen in the middle of the revel, looking lost, as faeries swarm around her, swinging their partners in dizzying spirals. I wonder if Cardan bothered her before he bothered me.
He takes my wounded hand in his. He’s wearing black gloves, the leather warm even through the silk over my fingers, and a black suit of clothes. Raven feathers cover the upper half of his doublet, and his boots have excessively pointed metal toes that make me conscious of how easy it will be to kick me savagely once we’ve begun dancing. At his brow, he wears a crown of woven metal branches, cocked slightly askew. Dark silver paint streaks over his cheekbones, and black lines run along his lashes. The left one is smeared, as though he forgot about it and wiped his eye.