The Cruel Prince (The Folk of the Air #1)

I want to tell him that it’s not mine, that I barely understand it, but I get what he’s trying to say, and the correction would make it seem as though I didn’t. His mother’s sentiment is kind, certainly kinder than most views of the mortal world. She must have been kind herself.

He turns me toward him and then slowly brings his lips to mine. They’re soft, and his breath is warm. I feel as distant from my body as the lights of the faraway city. My hand reaches for the railing. I grip it hard as his arm goes around my waist, to ground myself in what’s happening, to convince myself that I am here and that this moment, high above everything, is real.

He draws back. “You really are beautiful,” he says.

I am never so glad to know they cannot lie.

“This is incredible,” I say, looking down. “Everything looks so small, like on a strategy board.”

He laughs, as though I cannot possibly be serious. “I take it you spend a lot of time in your father’s study?”

“Enough,” I say. “Enough to know what my odds are against Cardan. Against Valerian and Nicasia. Against you.”

He takes my hand. “Cardan is a fool. The rest of us don’t matter.” His smile turns slanted. “But maybe this is part of your plan—persuade me to take you to the very heart of my stronghold. Maybe you’re about to reveal your evil scheme and bend me to your will. Just so you know, I don’t think it will be very hard to bend me to your will.”

I laugh despite myself. “You’re nothing like them.”

“Aren’t I?” he asks.

I give him a long look. “I don’t know. Are you going to order me off this balcony?”

His eyebrows go up. “Of course not.”

“Well then, you’re not like them,” I say, poking him hard in the center of his chest. My hand flattens, almost unconsciously, letting the warmth of him seep up through my palm. I hadn’t realized how cold I’d become, standing in the wind.

“You’re not the way they said you would be,” he says, bending toward me. He kisses me again.

I don’t want to think about the things they must have said, not now. I want his mouth on mine, blotting out everything else.

It takes us a long time to wend our way back down the stairs. My hands are in his hair. His mouth is on my neck. My back is against the ancient stone wall. Everything is slow and perfect and makes no sense at all. This can’t be my life. This feels nothing like my life.

We sit at the long, empty banquet table and eat cheese and bread. We drink pale green wine that tastes of herbs out of massive goblets that Locke finds in the back of a cabinet. They’re so thick with dust he has to wash them twice before we can use them.

When we’re done, he presses me back against the table, lifting me so that I am seated on it, so that our bodies are pressed together. It’s exhilarating and terrifying, like so much of Faerie.

I am not sure I am very good at kissing. My mouth is clumsy. I am shy. I want to pull him closer and push him away at the same time. Faeries do not have a lot of taboos around modesty, but I do. I am afraid that my mortal body stinks of sweat, of decay, of fear. I am not sure where to put my hands, how hard to grab, how deep to sink my nails into his shoulders. And while I know what comes after kissing, while I know what it means to have his hands slide up over my bruised calf to my thigh, I have no idea how to hide my inexperience.

He pulls back to look at me, and I try to keep the panic out of my eyes.

“Stay tonight,” he murmurs.

For a moment, I think he means with him, like with him, and my heart speeds with some combination of desire and dread. Then, abruptly, I remember there’s going to be a party—that’s what he’s asking me to stay for. Those unseen servants, wherever they are, must be preparing the estate. Soon Valerian, my would-be murderer, might be dancing in the garden.

Well, maybe not dancing. He’ll probably be leaning against a wall stiffly, with a drink in his hand, bandages around his ribs, and a new plan to murder me in his heart. If not new orders to murder me from Cardan.

“Your friends won’t like it,” I say, sliding off the table.

“They’ll quickly be too drunk to notice. You can’t spend your life locked up in Madoc’s glorified barracks.” He gives me a smile that is clearly meant to charm me. It kind of works. I think about Dain’s offer to give me a love mark on my brow and wonder idly if Locke might have one, because, despite everything, I am tempted.

“I don’t have the right clothes,” I say, gesturing to the tunic I have on, stained with Valerian’s blood.

He looks me up and down longer than an inspection of my garments requires. “I can find you a gown. I can find you anything you’d like. You asked me about Cardan, Valerian, and Nicasia—come see them outside of school, come see them be foolish and drunk and debased. See their vulnerabilities, the cracks in their armor. You’ve got to know them to beat them, right? I don’t say you’ll like them any better, but you don’t need to like them.”

“I like you,” I tell him. “I like playing pretend with you.”

“Pretend?” he echoes, as though he’s not sure if I’m insulting him.

“Of course,” I say, going to the windows of the hall and looking out. Moonlight streams onto the leafy entrance to the maze. Torches are burning nearby, the flames flickering and wavering in the wind. “Of course we’re pretending! We don’t belong together, but it’s fun anyway.”

He gives me an evaluating, conspiratorial look. “Then let’s keep doing it.”

“Okay,” I say helplessly. “I’ll stay. I’ll go to your party.” I have had little fun in my life so far. The promise of more is difficult to resist.

He leads me through several rooms until we come to double doors. For a moment, he hesitates, glancing back at me. Then he pushes them open, and we’re in an enormous bedroom. A thick, oppressive layer of dust blankets everything. There are footprints—two sets. He’s come in here before, but not many times.

“The dresses in the closet were my mother’s. Borrow whatever you like,” he says, taking my hand.

Looking around this untouched room at the heart of the house, I understand the grief that made him lock it up for so long. I am glad to be let in. If I had a room full of my mother’s things, I do not know if I would let anyone inside. I don’t even know if I would brave it myself.

He opens one of the closets. Much of the clothing is moth-eaten, but I can see what they once were. A skirt with a beaded pattern of pomegranates, another that pulls up, like a curtain, to show a stage with jeweled mechanical puppets underneath. There is even one stitched with the silhouette of dancing fauns as tall as the skirt itself. I’ve admired Oriana’s dresses for their elegance and opulence, but these awaken in me a hunger for a dress that’s riotous. They make me wish I’d seen Locke’s mother in one of her gowns. They make me think she must have liked to laugh.

“I don’t think I’ve ever seen a dress like any of these,” I tell him. “You really want me to wear one?”

He brushes a hand over a sleeve. “I guess they’re a bit rotted.”