“We think,” Sachs said.
“Hey, Amelia. Okay. And you need the location where this was sent from. Hoping he’s still alive. Okay, okay. There. I’ve sent the vid and an expedited request to the Warrants Desk. They’ll be on the phone with a magistrate, who’ll approve it ASAP. Minutes, I’m talking. I’ve worked with YouVid before. They’re in the U.S., New Jersey, thank God, so they’ll cooperate. If the server was overseas, we might never hear from them. I’ll call you back as soon as I can start tracing.”
They disconnected. Rhyme said to Sachs, “Get that chart going. What do we have so far?” A nod at the whiteboard. She grabbed a marker and started.
As she wrote, Rhyme turned to the computer to look at the video again. The screen changed. A red block of type came up.
This video has been removed for violation of our Terms of Service.
A moment later, though, the video arrived from Dellray’s technical people, via an email. An MP4 file. Rhyme and the others viewed it again, hoping it might yield clues as to where the footage had been shot.
Nothing. A stone wall. A wooden box. Robert Ellis, the victim, struggling atop the improvised gallows.
One slip, one muscle cramp would kill him.
Sachs was finished jotting a moment later. Rhyme looked over the chart, wondering if there was anything in it that might hold clues to let them narrow down where their perp lived or worked or where he’d taken his victim to make the perverse tape.
213 East 86th Street, Manhattan
—Incident: Battery/kidnapping. —MO: Perp threw hood over head (dark, possibly cotton), drugs inside to induce unconsciousness.
—Victim: Robert Ellis. —Single, possibly lives with Sabrina Dillon, awaiting return call from her (on business in Japan).
—Residence in San Jose.
—Owner of small start-up, media buying firm.
—No criminal or national security file.
—Perpetrator: —Calls himself the Composer.
—White male.
—Age: 30 or so.
—Approximately six feet, plus or minus.
—Dark beard and hair, long.
—Weight: stocky.
—Wearing long-billed cap, dark.
—Dark clothing, casual.
—Shoes: —Likely Converse Cons, color unknown, size 10?.
—Driving dark sedan, no tag, no make, no year.
—Profile: —Motive unknown.
—Evidence: —Victim’s phone. —No unusual calls/calling patterns.
—Short hair, dyed blond. No DNA.
—No prints.
—Noose. —Traditional hangman’s knot.
—Catgut, cello length. —Too common to source.
—Dark cotton fiber. —From hood, used to subdue victim?
—Chloroform.
—Olanzapine, antipsychotic drug.
—YouVid video: —White male (probably vic), noose around neck.
—“Blue Danube” playing, in time to gasps (vic’s?).
—“? The Composer” appeared at end.
—Faded to black and silence; indication of impending death?
—Checking location where it was uploaded.
Rodney Szarnek, from Computer Crimes, called back. On the other end of the line was, thank you, only the geeky voice, no raw, wah-wah guitar licks. “Lincoln?”
“You have a location?”
“New York metro area.”
Something I don’t know, please.
“I know you’re disappointed. But I can narrow it down. Maybe four, five hours.”
“Too long, Rodney.”
“I’m just saying. He’s used proxies. That’s the bad news. The good is that he doesn’t really know what he’s doing. He’s logged onto some free VPNs, which—”
“No time for Greek,” Rhyme grumbled.
“It’s amateur stuff. I’m working with YouVid and we can crack it but—”
“Four hours.”
“Less, I’m hoping.”
“Me too.” Rhyme disconnected.
“Have something else here, Lincoln.” Mel Cooper was at the Hewlett-Packard gas chromatograph/mass spectrometer.
“The footprint trace? Something he stepped in?”
“Right. We have more olanzapine, the antipsychotic. But something else. Weird.”
“Weird is not a chemical property, Mel. Nor is it particularly fucking helpful.”
Cooper said, “Uranyl nitrate.”
“Jesus,” Rhyme whispered.
Dellray frowned and asked, “What, Linc? That’s some pretty bad shit, I’m hearing?”
Rhyme was resting the back of his skull against the headrest of his wheelchair, staring at the ceiling. He was vaguely aware of the question.
Sellitto now: “Uranus nitrate. Is it dangerous?”
“Uranyl,” Rhyme corrected impatiently. “Obviously it’s dangerous. What would you call uranium salt dissolved in nitric acid?”
“Linc,” Sellitto said patiently.
“It’s radioactive, produces renal failure and acute tubular necrosis. It’s also explosive and highly unstable. But my exclamation was positive, Lon. I’m delighted that our perp may have trod in this stuff.”
Dellray said, “’Cause it’s highly and extremely and deliciously rare.”
“Bingo, Fred.”
Rhyme explained that the substance had been used to create weapons-grade uranium for the Manhattan Project—the effort to make the first atomic bomb in World War II. While the project’s engineering headquarters had been based, temporarily, in Manhattan, hence the name, most of the work in constructing the bombs had occurred elsewhere, notably Oak Ridge, Tennessee; Los Alamos, New Mexico; and Richland, in Washington State.
“But there was some actual construction and assembly in the New York area. A company in Bushwick, Brooklyn, made uranyl nitrate. They couldn’t produce enough, though, and gave up the contract. The company’s long gone but the site still has residual radiation.”
“How do you—” Sellitto began.
Rhyme said smoothly, “EPA waste sites. Wonderful, Lon. Don’t you study them? You don’t collect them?”
A sigh. “Linc.”
“I do. They tell us such wonderful things about our neighborhoods.”
“Where is it?” Cooper asked.
“Well, I don’t have the address memorized. It’s an EPA waste site, designated as such. Bushwick, Brooklyn. How many could there be? Look it up!”
Only a moment later Cooper said, “Wyckoff, not far from Covert Street.”
“Near Knollwood Park Cemetery,” said Sachs, a Brooklyner born and bred. She stripped off her lab jacket and gloves and started out of the parlor, calling, “Lon, get a tac team together. I’ll meet them there.”
Chapter 6
Stefan froze at the sound.
A sound nearly as troubling as a Black Scream, though it was soft, meek: a beep on his mobile phone.
It told him that someone had entered the factory complex. An app was connected via Wi-Fi to a cheap security camera, mounted at the facility’s entrance.