“I made a friend today,” Lucy said, bringing me back to the present. “A Moroccan man. Rather strange, I suppose, though he was quite kind. I was sitting outside of Cinema Rif. Do you know it?” When I nodded, she continued: “I was having a tea and he happened to notice I was sitting there alone. He offered to show me around Tangier, in fact. He mentioned something about being an artist. A painter, I think.”
I felt myself flush at her words, felt it spread throughout my body. My dress, despite the pink blush fabric, was severe and unyielding in the evening heat. There was something strangely unsettling about Lucy’s piece of information, about the fact that she had already made an acquaintance, a friend, and suddenly I could feel it, a tinge of envy, of jealousy, growing hot in the pit of my stomach. I could feel a sheen of sweat break across my forehead. “Here,” I said, handing her the drink I still held clutched between my fingers. I moved toward the sofa, hoping she would follow, that she would forget what it was that she had just been discussing. “Try this,” I instructed, worried as she sat down beside me that she would feel it, the heat that now seemed to radiate from my body.
“What is it?” she asked, shifting closer.
“Just my own creation.” I let out a nervous laugh, raising the glass to meet my lips. “It helps to pass the time.”
She took a cautious sip and I knew what she was tasting—a sweetness, like cherries. “That’s the grenadine,” I said. “There’s a brand that I love in France. I make sure John always brings back a bottle or two whenever he travels to the Continent.”
“And you? Do you go home often?” she asked, peering at me over her drink.
“To England?” I shook my head, trying not to think of it, of the smell that was London, fragrant and stale, rich and musty. I pushed it aside, and in its absence something else occurred to me, in the silence of the room. “That sounds like Youssef,” I said.
She frowned. “What does?”
“The man you were just describing. I was wondering if it might be Youssef.”
“Joseph, you mean?”
I shook my head. “No, Youssef. He’s notorious for preying on unsuspecting tourists. Everyone here knows him, if not directly, well, at least about him.”
“Perhaps this was someone different,” she ventured, her voice sharper than it had been a moment before.
I could see that the information had unnerved her, that the idea that she might somehow have been taken in sat poorly. It was, after all, something that I would have expected of myself—I trusted too easily, too often, I knew. And then, there it was again—that awful feeling, tinged with green, that stirred in my belly and made me strangely glad to see that it was Lucy who had done something wrong, that it was Lucy who had been taken in by another’s kind word. I found myself unable to stop. “Fedora with a purple ribbon?”
She frowned and nodded.
“That’s him, then. John says he lures tourists back to his house, then demands money for all sorts of useless junk. I think he once had a girl involved, pretending to be his daughter.” I shrugged. “The locals never say anything to the tourists. In fact, they find it all rather amusing, I’m afraid.”
Before I could say anything more, the front door opened, and John’s voice rang throughout the apartment: “I’m not home for good. I just need to grab a few things before heading back out. Ignore me.”
I placed my palm to my cheek, willing the coldness of my hand to stop the flush that had spread across my face over the last few minutes, emboldened, it seemed, by Lucy’s misstep. “I was just telling Lucy about Youssef,” I said, calling out, recalling the litany of amusing stories that John had on the subject. I thought of the other night, of the spectacle John had made of himself, of us, and I wanted him to show her, then, what it was that I had seen in him, to prove that he was not altogether horrible, that I had not made a complete and utter mess of my life when I had agreed to marry him in the tiny register office that rainy summer day.
John murmured something, but it was impossible to tell whether it was just an acknowledgment of having heard or an indication of his interest, a prompt for me to continue. I paused briefly, my hands stilled in front of me, a smile frozen across my features. “You know, the man with the purple ribbon on his hat?” I continued.
At this, John emerged, his face shiny with sweat. He moved to the bar, filling his glass with a generous serving of gin, followed by a small splash of tonic. I noted that he had not bothered to remove his hat.
“I’ve told her to be careful, that he’s a grafter of sorts,” I continued.
“A grifter, honey.”
“Yes, that,” I said, flushing worse. “I’m always mixing up words,” I explained, turning back to Lucy. “John is always having to correct me. I’m afraid I can’t keep anything straight.”
Lucy smiled, though it seemed tight, her demeanor, I had already noticed, shifting in John’s presence. I turned away quickly. “Tell her,” I implored him—begging, I could not help thinking, the way a child did a parent, or a puppy its master. “About what you heard. From your friends at work.”
John nodded and turned back to the bar. He poured a second drink, neat, and only then did he commence his story. “It’s typical in Tangier, you’ll find. One of the guys at the office knew a couple, some young Americans on holiday, when they happened to run into Youssef. They got to talking, thought he was harmless enough. In fact, they thought he might even be someone to know, or someone in the know, if you catch my meaning. They thought it might be beneficial to tag along with him, see where the night took them.” He paused, as if for dramatic effect. “Well, Youssef led them back to what he said was his place—some out-of-the-way dive on the wrong side of the Kasbah. The couple now has no idea where they are, only that they’ve been walking for quite some time and have lost all sense of direction. Then, before they know it, they’re standing in front of a garbage heap of sorts. It’s pitch-black and there’s no one around except them and Youssef.
“He asks for money, of course. Demands they pay him in order to show them the way back to their hotel. Well, the Americans are outraged. They refuse flat out to pay him. They start walking around, trying to figure a way back into the Kasbah, back into the medina, but they can’t. It’s late, the wife is getting worried, so eventually they just give in and pay him. He takes them back, but only far enough so that they recognize their way, not to the hotel itself. The Americans say fine, thank you, leave us alone now. They’re happy to get on their way. They start walking and then—”
“This is the best bit,” I broke in, smiling.
John paused. “Alice, do you want to tell the story yourself?” He let out a short laugh and attempting, it seemed, to lighten his tone, though his words were still short and clipped, said, “I don’t know why you even bothered to call me in here, it doesn’t seem as if you need my assistance.”
“No, no,” I replied, affecting something like a pout, though I did not mean to, and sinking back into the couch. “You tell it. It’s always better when you do.”
John let out an exaggerated sigh, as if to further demonstrate how unreasonable I was being, his silly little wife. I nearly expected him to turn toward Lucy with a shake of his head and a roll of his eyes, followed by a commiseration on the more irritating points of the Alice they had in common. Instead, he looked at neither of us but began his tale once more, picking up where he had left off and diving into the story as though no interruption had ever occurred. “So, they start walking, and about fifteen minutes later, who should show up again but Youssef. He’s back for more money—and you’ll never guess why.”
The silence indicated that this was where Lucy and I, the captive audience members, were expected to join in. “Why?” I asked, at Lucy’s silence.
“He says that they should pay him for agreeing to leave them alone.” John leaned back and laughed, the liquid in his cup moving dangerously from side to side. “Can you believe the nerve of the man? You have to give him credit, I suppose. He certainly is inventive.”